99 days

Freitag, der 13.

24 hours at the Berlin traffic accident standby service. The frequency of accidents on the streets of the capital of the German Democratic Republic (GDR) becomes apparent, including inappropriate and increased speed, pedestrian errors, failure to give way and driving under the influence of alcohol. Major Busse, the head of the Berlin Traffic Accident Investigation Unit, raises the question of whether the GDR has developed its own kind of driving. The camera provides interesting insights into the carelessness and aggressiveness of road users, which can lead to serious injuries and deaths

Wartburg

In 2009, two family fathers in Budapest who had lost their jobs and all their money decided that the solution to their problems would be to rob a post office, with a Wartburg. Lacking any previous experience, they studied movies to learn the trade. The robbery did not go as planned and ended with the escape vehicle breaking down in front of a prison. Who where they and why would anybody chose such a solution? The film explores the real events of an absurd and tragic story from 2009 through the eyes of a Swedish filmmaker.

The Dream Machine

A 16mm anthology of experimental super 8 films by Derek Jarman, Michael Kostiff, Cerith Wyn Evans and John Maybury, with framing footage by Tim Burke of Brion Gysin using a dream machine. Jarman's contribution is a version of his 1977 Art and the Pose (aka Arty the Pose), refilmed at 3fps, with a musical soundtrack. Jarman planned The Dream Machine as a commemoration of William Burroughs and Gysin's 1982 visit to the UK, and received initial funding from the Arts Council in 1983, then rethought the project as a portmanteau film featuring Gysin alone. The production remained in limbo until 1986, when James Mackay obtained completion funding from the British Film Institute. (Since this film was released on VHS accompanied by Jarman's Broken English: Three Songs by Marianne Faithfull, T.G.: Psychic Rally in Heaven and Pirate Tape under the umbrella title The Dream Machine, synopses of this film have often muddled up its details with those of the earlier films. )

Phoca vitulina - Schwimmen und Tauchen

Swimming movements of a common seal under water, propulsion through hind extremities.

Eumetopias jubata (Otariidae) - Verhaltensweisen in der Kolonie

The film shows open air shots of life in the colony of the sea lion. The following behaviours are shown: establishing territories and rivalry fights, courting and mating, feeding the young, play among young animals.

Ansichten einer Stadt

A portrait of the German city of Ulm and it's social activities, fassades, court building. Also about the role of the district court during National Socialism.

Glasmusik

Short film on the manufacture of glassware

Ethologie der Graugans

The film gives a survey on innate behaviour patterns of the grey-lag goose. The first part shows reproductive behaviour. In the second part some behaviour patterns of gosling being imprinted on their human foster parent are shown: following reaction, separation of two flocks according to their imprinting, response to the alarm call and landing "by order" of the flying young.

Der Muskelmann Wilhelm Emter aus Lörrach

Wilhelm Emter demonstrates individual muscles and muscle groups of the shoulder region, chest region, torso and abdominal region and the arm in practice on his extremely trained body.

I Am a Truck

Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.

Avelino's Arrival

Two friends await in the airport for a third friend to arrive. As the passangers come by, pictures not taken accompany a conversation between the two friends.

Samuel Mikovíni – umelec, inženier

The Costume Designer

This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene. We see famed costume designer Edith Head at work on a production. The Costume Designer was part of The Industry Film Project, a twelve-part series produced by the film studios and the Academy. Each series episode was produced to inform the public on a specific facet of the motion picture industry. Preserved by the Academy Film Archive in 2012.

Trans-Canada Journey

A jetliner spans the miles, sheering through clouds to open sky and scenic vistas of the provinces below. Glimpses of town and country, of people of many ethnic origins, of a resourceful and industrious nation - impressions it would take days and weeks to gather at first hand - are brought to you in this vivid 1800-kilometer panorama.

Unikum

Running Fields III

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

Dear Director

During the summer of 1980, the American jazz concert pianist Kazzrie Jaxen writes a 16 pages long letter to director Ingmar Bergman. His film 'From the Life of the Marionettes' have sent her on a dramatic inner journey, making her realize that she is not alone in her own body.

The Days Before Christmas

This short documentary depicts Christmastime in Montreal. The milling crowds, department store Santas, Brink's messengers, kindergarten angels and boisterous nightclubs all combine to make a vivid portrait of the holidays.

In the Land of the Ancient Light Machines

"Five hundred years after first European contact, I find myself at the western edge of the continent. It's here, in a secluded part of the coastline that I encounter a series of petroglyphs carved at the water's edge." - Georg Koszulinski

Rehearsals

Rehearsals is about experiences of listening in collective work. How do we listen to experiences we have not shared ourselves? What does it sound like when we talk? What actually is listening and who are "we"?