Proximities

Amor

Landscapes revealed themselves through text, paper through movement, while the sun gave them relief. This is a journey across found words, enunciating a discovery, their textures constructing the sea and the waves, in a travelogue from the first exploration, the first step over the sand towards the shore. “Amor” writes this joy to underline it in its time, captured on paper. This film has been composed through a scanner, and it’s the first chapter of the “Reír al Sol” series.

Running Fields II

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

U B(ON) IN MY EYES

Flooded McDonald’s

Flooded McDonald's is a new film work in which a convincing life-size replica of the interior of a McDonald's burger bar, without any customers or staff present, gradually floods with water.

Fluid Fragments

A roll and a half made to delight in color and the presence of friends. Steps toward learning to read in the dark.

Sightreading

"My first 16mm, Sightreading, was shot in August 2022 in Minneapolis and Chicago. It uses images from three sources: black mattes held in front of the sky near my parents’ house which were filmed and edited in-camera to a metronome; my friends drinking wine and discussing The Bachelor in their Chicago apartment; and details of a Breughel painting filmed from a television." -NC

Inside Voices

A short experimental film about the human race taking over nature.

Persistencies of Sadness & Still Days (Take 1)

“Persistencies of Sadness & Still Days”, is a four hour feature film by Maximilian Le Cain and Rouzbeh Rashidi. Structured in two sections or ‘takes’ of two hours each, this dream-like, experimental project offers two complementary explorations of cinematic form that skirt around possible narratives, ducking through a series of fluctuating audio-visual categories and intensities.

Projections

The innovative and influential British filmmaker Derek Jarman was invited to direct the Pet Shop Boys' 1989 tour. This film is a series of iconoclastic images he created for the background projections. Stunning, specially shot sequences (featuring actors, the Pet Shop Boys, and friends of Jarman) contrast with documentary montages of nature, all skillfully edited to music tracks.

Cartas de Arapuca

Streams of White

A sitting man listens to his thoughts, but can't catch any of them.

Witness

Experimental short film by Barbara Sykes

Grid

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

Taman Hutan Chapter Four: The Wound Response

TAMAN HUTAN Chapter Four: The Wound Response focuses on the rubber craze of the 20th century through both archival documentation of wages and an interview with Cek Anuan on his grandfather Rasimin who worked with English naturalist Henry Nicholas Ridley. Focusing on the Singapore Botanic Gardens as the site of interaction between colonists and labourers, the film reveals the wounds of those erased from colonial records but who remain inscribed within nature itself.

Reflecting Thought: Stan Brakhage

Stan Brakhage is a film maker whose work is shown mainly at film festivals. His work has been likened to poetry. Brakhage explains his techniques and his motivation.

Wintopia

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.

Viva video, video viva

Today, analogue video is attractive primarily thanks to the distinctive aesthetic quality of its pixelated image and raster errors. But for Czech artists who first explored the possibilities offered by video art in the late 1980s, this medium represented a path towards freedom. Through a portrait of her grandfather Radek Pilař, one of the pioneers of Czech video art, the director explores her own legacy of imperative creative fascination. Her film’s main story, i.e., the process of reconstructing the 1989 exhibition Video Day, contrasts this enchantment with life in the final days of the totalitarian regime, which different sharply with the adventures of those who decided to emigrate – whom the filmmaker also visits in order to discover forgotten works, get to know their creators, and re-establish broken ties.

Cóndor

Kill Your TV: Jim Moir’s Weird World of Video Art

Jim Moir (aka Vic Reeves) explores Video Art, revealing how different generations ‘hacked’ the tools of television to pioneer new ways of creating art that can be beautiful, bewildering and wildly experimental.

Wenn wir blinken können wir das Rauschen sehen

A camera rotates around the same four towers. Seasons, weather conditions and the positions of the camera change over the course of the film. The sound goes round in circles and drifts in variations.