Seance of the Past

The We Should Game

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

Days Are Numbered

Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.

Absolutely No Sexual Favors

Filmmaker and new media artist Tong Xie’s debut short probes the unease, confusion, and obsession experienced by the body as it crosses the urban physiognomy. Set amidst the shadowy loneliness of Paris at night, Absolutely No Sexual Favors je pense à toi 吾想汝顯 depicts the psychological and corporeal marginality of queer identity and desire through perpetually displaced figures.

She Island

In the heart of the Caribbean, a mother and daughter confront a malevolent curse erasing identities of all the island's women, propelling them on a daring quest to reclaim their rich cultural heritage and triumph over the encroaching darkness.

CLUMP & THUD, THUD, THUD.

A young woman finds herself stuck with a clump in her head. Unsure what to do about it, she roams the streets of Dublin in an attempt to rid herself of the monotonous thuds and escape her roommate's acting practise. Safe travels you old clump.

Confirmation

Concerns a young boy's mystical experiences during his Confirmation. As the ceremony unfolds, figures from religion and mythology appear and impress on him the need to become a soldier of Christ.

Madrona Marsh

Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.

Butterfly Tears

Surrounded by old toys and distant memories, Alicia loses the notion of time in the house she grew up in. As the ghosts of her past confront her, she’ll have to face their torment before they wither her away

Remastered Brutality

Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.

Quando Antares nos encontrar

Not a Day Goes By

Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.

Elegy to a Missing Friend

In the aftermath of her friend's passing, an artist processes her grief by making a film. She weaves her personal archival footage and an unfinished science-fiction narrative into a deeply raw and emotive work of art.

Me + Her

Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.

The Tragedy of an Artist

The Tragedy of an Artist, is an experimental short shot over the course of a week. This film is meant to illustrate who Hero Foltz is as a person and his struggles with self identity

FUCK MERZBOW

An abstract exploration of teenage hood and future discontents. It is the search for an alternative.

Savana

The story takes place in the landscapes of La Spezia, where urban and rural environments intertwine. Water plays a primary role as a form, alongside the circle (e.g., bicycle wheels, pizzas, clocks…), which sets the rhythm of the character’s life, dynamically accelerating until it becomes very fast. The overlapping forms invite the viewer into the cyclical rhythm of the short film, moving from the spinning bicycle wheel to the washing machine drum in the character’s bathroom, from a freshly tossed pizza to the delivery mailbox, and finally to a dead-end wall. Savana is a race against oneself and against others; it’s a matter of decision and unpredictability — it’s black or white.

DARKMAN

Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.

Ungentle

A fictionalised essay read by Ben Wishaw exploring the complicated relationship between British espionage and male homosexuality. An anonymous narrator talks through the various chapters of his life as a spy and a gay man in late 20th-century Britain. His vivid stories of intimacy and surveillance play out over shots of the luscious countryside, busy Central London streets, and nighttime cruising zones.

Rift

Daniela (24) is a ghost in pain. Her life ended suddenly and painfully, leaving her friend and roommate, Mónica (22) alone in their shared apartment in Santiago, Chile. Daniela feels her frustration grow within her, as she fears that her time in limbo will never end.

Eu devia ter ouvido o Gerson

Just another love story. The difference is Gerson.