La moitié de la gloire

Exit: The Right to Die

Switzerland is presently the only country in the world where suicide assistance is legal. Exit: The Right to Die profiles that nation's EXIT organization, which for over twenty years has provided volunteers who counsel and accompany the terminally-ill and severely handicapped towards a death of their choice.

Remue-ménage

Max Frisch, Citoyen

Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.

Hugo Koblet - The Charming Cyclist

Zurich-born Hugo Koblet was the first international cycling star of the post-war period. He was a stylist on the bicycle and in life, and a huge heartthrob. Koblet had a meteoric rise and won the Giro d'Italia in 1950. Once he had reached the zenith of his career, Koblet was put under pressure by overly ambitious officials and ended up ruining his health with drugs. In 1954, he married a well-known model and they became a celebrity dream couple. After his athletic career ended, Koblet began to lose his footing. Threatened by bankruptcy, he crashed his Alfa into a tree.

A l'ombre de la montagne

À l'Ouest du Pecos

Between Worlds

The revealing life story of Güli Dogan conveys impressively and in exemplary pictures the long and difficult path of a successful integration. Between the Worlds is the portrait of a woman who is very well integrated professionally and socially in Switzerland, but who is emotionally strongly connected to her village, which hardly exists anymore.

SeelenSchatten

Two women and a man suffering from severe depression are accompanied by a camera for a year and a half. The acute phase of their depression is the starting point for this filmed account. How do they cope with their illness and their stay in hospital? How does their professional and family situation evolve after this major crisis? When do they feel cured again?

GLOW

She was a muse, model and performer – a star, dazzling and intense. Lady Shiva managed to rise from street prostitution to the top. She lived in the fast lane and died tragically young. Her dream was to become a singer. With her companions, we trace her life during a vibrant time that kindles a yearning and provokes until today. The story of a woman’s meteoric fate and a great dream. An irrepressible desire for freedom in all its beauty and destructive force - and a stirring friendship and love.

Soeurs

Rêve de Chine

Salecina

The Salecine meeting place, founded near Maloja in 1971 by Zurich communist bookseller Theo Pinkus, quickly became a socio-cultural and political Mecca for the left-wing intelligentsia. The film provides an overview of the chronicle of this Alpine melting pot of ideas, and also shows the changes in the zeitgeist since 1968. It is also a gentle, sentimental (sometimes self-ironic) tribute to the men and women of three generations of Salecina, who, at 1800 above sea level, are creating utopias for a fairer world.

Si pensava di restare poco

SMS From Shangri-La

"Gross national happiness is more important than gross national product", declares the King of Bhutan. Can happiness be decreed? We accompany seven Swiss musicians to this mountainous Himalayan country. Between concerts, we meet Bhutanese people in their daily lives, who tell us, as if in passing, what makes them happy. Are we capable of finding happiness elsewhere? Does the advantage of globalization lie precisely in the erasure of the elsewhere? The whole world is in the here and now, and distant horizons are always close to us, transported by SMS...

Namibia Crossings

“Namibia Crossings” takes a trip through a country of archaic beauty and bizarre contradictions. The film creates polyphonies of soulful landscapes made up of each individual's highs and lows.

Chronique d'une bonne intention

Debra Milke

Citizen Fred

Das Gehörlosendorf

For a month, filmmaker Dieter Gränicher lives in an institution, in the village community of the deaf. As an attentive and increasingly familiar observer, he gets closer and closer to the village's inhabitants, who often suffer from a variety of handicaps, as they go about their daily lives. The film tells the story of the nuances and vivacity of sign language. It portrays human beings who, with great expressive power, overcome the limitations imposed on them by their disability, deeply touching the person opposite.

Le passeur