A Hand Shake

Amir Hetsroni: Case Study

A fascinating journey with Israel’s notorious provocateur, Prof. Amir Hetsroni, into the depth of his romantic and interpersonal relationships, alienated childhood, and public persona versus his self-identity.

Koodal

"Visionary post-war modernist Tyeb Mehta channels the nightmares of the nation in Koodal, at once the artist’s self-described “autobiography” and a profound meditation on collage, crowd control, cinematic subjectivity and the violence buried within every glorious act of foundation." -- Sarkari Shorts

The Act of Seeing with One's Own Eyes

At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton

Boat Leaving the Port

In very bad weather and a stormy sea, a small boat manned by two men is trying to leave the harbor of La Ciotat, while several people are watching them from the nearby pier.

Matisse

Between 1950 and 1955, Henri Langlois tried to produce, on behalf of the Cinémathèque française, several films devoted to great artists, with their cooperation, by entrusting them with virgin film stock. Wrote Langlois on the unfinished project, epic in scope: "We had the idea of ​​asking poets, painters, scholars, writers and even repressed filmmakers [...] to make films in 16mm, with the means at hand, without taking into account any commercial concern or censorship." What precious little came of the project was eight minutes of film from Matisse and twenty-some from Marc Chagall, released at a later date.

The Art of 'Making Up'

Kathryn Osterman, the well-known vaudeville comedienne, in a complete exposition of the methods of "making-up" the face for the stage. She shows the penciling of the eye-brows, blackening the eye lashes, rouging the lips, applying the grease paint and so forth. The work is done in a very dainty and interesting way. Only the head and shoulders of the subject are shown; the figure thus being very large. (AMB Picture Catalogue, 1902)

In My Lady's Boudoir

Kathryn Osterman was a legitimate actress who worked occasionally in the movies during the first decade and a half of the 20th century. This looks like a Mutoscope cut-down of an actuality released in 1900, "The Art of "Making Up"". In it, we see her from the rear, sitting in front of a dressing mirror, putting up her hair and powdering her face.

From the Realm of the Crystals

'Uit het rijk der kristallen' is one of several scientific films made ​​by J.C. Mol. In the film, the crystallization processes of various chemicals are shown. There are different versions of Uit het rijk der kristallen: the original silent film was given a soundtrack in the 1930s, and there is a colour version of the film which was made ​​using Dufay colour. A clip from the film, or other shots of identical crystallization processes, can be seen in Mol’s other films. The film was not only screened at educational and scientific presentations, but also resonated within avant-garde circles. The film was screened at the first show presented by the Harlem branch of the Filmliga. This was followed by a screening at Amsterdam’s Filmliga, and at ‘Studio 28’ in Paris. There, the film was screened as a ‘triptyque’, with three projectors side by side.

365 Day Project

This exhibition focuses on Jonas Mekas’ 365 Day Project, a succession of films and videos in calendar form. Every day as of January 1st, 2007 and for an entire year, as indicated in the title, a large public (the artist's friends, as well as unknowns) were invited to view a diary of short films of various lengths (from one to twenty minutes) on the Internet. A movie was posted each day, adding to the previously posted pieces, resulting altogether in nearly thirty-eight hours of moving images.

People without Hands

Undo

Today's been sad. Tomorrow won't get any better. Let's un-do it all over again

Demolition of a Wall

Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.

Dismissal from Mass in Ljutomer

1905 short film showing people walking down a Ljutomer street after mass.

LSD: Insight or Insanity?

Documentary about the potentially dangerous and unpredictable drug LSD. Various experts discuss how LSD is made and the hazards involved in using it while avid users explain why they enjoy taking it.

Aquatic Wizards

See the variety of water-skiing in beautiful Cypress Gardens, Florida!

Century 21 Calling…

Two perky teens explore every inch of the telephone exhibit at Seattle's fair.

Last Clear Chance

On the day young Alan receives his driver's license, Officer Hal Jackson visits the Dixon farm to sternly lecture the family on the dangers of carelessness at railroad crossings.

A Day at the Fair

A family goes to the local fair to compete with their livestock & produce.

Why Study Industrial Arts

A high school student really likes his shop class...perhaps a bit too much!

Besuch des Zaren auf der russischen Botschaft

The Tsar visits the Russian embassy