Le coureur des bois et le Nutshimiu-innu

Mother Earth’s Inner Organs

The first mountains that the Amsterdam-based Colombian artist and filmmaker Ana Bravo Pérez saw in the Netherlands were black. In this experimental work, she follows the stench of the coal in the port of Amsterdam back to its origin: an open wound in northern Colombia. The mine is located in the territory of the Wayuu and has a huge impact on the indigenous people.

Ka Ke Ki Ku

This early work from Pierre Perrault, made in collaboration with René Bonnière, chronicles summer activities in the Innu communities of Unamenshipu (La Romaine) and Pakuashipi. Shot by noted cinematographer Michel Thomas-d’Hoste, it documents the construction of a traditional canoe, fishing along the Coucouchou River, a procession marking the Christian feast of the Assumption, and the departure of children for residential schools—an event presented here in an uncritical light. Perrault’s narration, delivered by an anonymous male voice, underscores the film’s outsider gaze on its Indigenous subjects. The film is from Au Pays de Neufve-France (1960), a series produced by Crawley Films, an important early Canadian producer of documentary films.

Attiuk

The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.

Rematriation

Rematriation explores scientific, cultural, economic and sociopolitical perspectives, as citizens fight to protect the last big trees in British Columbia from being felled. The lessons we take away permeate the fabric of Canadian identity.

Stolen Spirits of Haida Gwaii

Filmmaker Kevin McMahon accompanies the Haida delegation on a repatriation trip to Chicago in 2003. His film reveals the whole repatriation process through the stories and experiences of the people who participated, both Museum staff and the Haida people.

Say Her Name

A short film highlighting the epidemic of missing indigenous men and women who have gone missing in Bighorn County, Montana. It features several victims' stories and interviews with their families and indigenous activists who are pushing for their cases to be re-examined and solved.

Somebody's Daughter

Somebody’s Daughter focuses on higher-profile MMIW cases, some of which were raised during the Senate Committee on Indian Affairs in December 2018. With historical points of reference, the victims’ and their families’ stories are told through the lens of the legal jurisdictional maze and socio-economic bondage that constricts Indian Country.

Urihi Haromatipë: Curadores da Terra-Floresta

The thunder is warning, "The earth is sick." To cure it, David Kopenawa gathered in Roraima the Yanomami shamans from various regions. With the help of the spirit food, the hallucinogenic yãkoana powder, they will treat the ills caused by cities and white diseases.

The Crow Indians on the Jesus Trail

Profile of the Crow Indian Mission in Lodge Grass, Montana.

Liberdade Não é Só Japão

Les sentiers culturels

As Long as the Rivers Run

Examines the violence and civil disobedience leading up to the hallmark decision in U.S. v. Washington, with particular reference to the Nisqually Indians of Frank's Landing in Washington.

Xadalu e o Jaguaretê

Documentary that accompanies the exchange between the mestizo urban artist Xadalu and the filmmaker of the Mbya Guarani ethnic group Ariel Kuaray Ortega. As part of his artistic quest, Xadalu goes on an immersion in Guarani territory, accompanied by Ariel. While traveling between villages, Xadalu transforms his experiences into art. After this period, Xadalu travels spreading his work through the streets of several cities. Ariel accompanies him filming wherever they go. Xadalu introduces Ariel to a new world: the world of street art. United in the same fight for the indigenous cause, Xadalu and Ariel cross over for special places and experiences, while their relationship evolves and changes.

PaaPaa Chipskwenewh Sibii

ᐊᕐᕕᑕᕐᓃᑦ

Natsik Hunting

Mosha Michael made an assured directorial debut with this seven-minute short, a relaxed, narration-free depiction of an Inuk seal hunt. Having participated in a 1974 Super 8 workshop in Frobisher Bay, Michael shot and edited the film himself. His voice can be heard on the appealing guitar-based soundtrack…. Natsik Hunting is believed to be Canada’s first Inuk-directed film. – NFB

A Pinto for the Prince

In 1977, Prince Charles was inducted as honorary chief of the Blood Indians on their reserve in southwestern Alberta. The ceremony, conducted in the great Circle of the Sun Dance, commemorated the centennial anniversary of the original signing of Treaty 7 by Queen Victoria.

BR Acima de Tudo

In the north of the state of Pará is the largest block of protected forests in the world; an area of ​​Amazon rainforest the size of the UK and home to a multitude of stories. Indigenous people, ranchers, squatters, quilombolas, businessmen and politicians reflect in their own way the impacts of the possible expansion of the BR-163 into the forest, as far as the border with Suriname. The highway project was created at the time of the military dictatorship, and until today as a shadow over the region. But this is not a movie about a road. It is a film about the abysses that separate those who share the same land.

Trick or Treaty?

Legendary Canadian documentarian Alanis Obomsawin digs into the tangled history of Treaty 9 — the infamous 1905 agreement wherein First Nations communities relinquished sovereignty over their traditional territories — to reveal the deceptions and distortions which the document has been subjected to by successive governments seeking to deprive Canada’s First Peoples of their lands.

Never Anywhere

Behind closed doors in a car, three friends from the small town of Sept-Îles discuss their desire to reconnect with the North Shore, the region where they grew up. As the hours lenghten on the road 138, the young women reflect on the quest for identity that accompanies the regional exodus and reveals a social landscape decentralized from the metropolises.