Burial among the Tetela

Wolfram, Wolf's Saliva

The darkness of the mine, invaded by the miners' light, by the noisy machines and the permanent and intense smell of ore in the air, leads us to an environment in which time and space become confused. A documentary film at Panasqueiras' Mine, between 2008/09. A reality captured by an eye-observer which does not interfere, but follows the compost that grows from the earth and is decomposed by man-machine.

Dukas Dilemma

A Wife Among Wives

David and Judith MacDougall are exploring the marriage rituals and roles of Turkana women in this ethnographic documentary. The film's biggest part is taken up by talks between the Turkana people. As one of the first ethnographic documentaries "A Wife Among Wives" subtitles these talks so that the viewer can get a better and probably more personal understanding of the life of the Turkana.

Japan in Feast

An actuality film showing a Buddhist festival in Kyoto. The procession includes Buddhist monks, geishas, and others dressed coordinately to the Japanese tradition.

Mountain Town

This documentary looks at the stories of a few people in Aspen Colorado and how they contribute to the community.

Decolonising the Curatorial Process

Decolonising the Curatorial Process is a forty-minute documentary which explores decolonial strategies in an academic and curatorial context. The film features academics, activists and practitioners, and contains case studies of institutions that are deploying critical, self-reflective forms of curatorial practice. The Museum of London Docklands exhibition on slavery and the sugar industry is examined as an example of how an institution can decolonise the curatorial process, utilise the work of artists in a museum context, and critically examine East London's imperial history. The Pitt Rivers museum in Oxford, who are working with Maasai activists from Kenya and Tanzania on a project centred on repatriating the museum's collection of sacred Maasai artefacts, also features in the film.

Wheat Cycle

The people and their labor are bound to the land in the cycle of activities to the sowing to the harvesting of wheat. Without narration or subtitles, the film conveys a sense of unity between the people and the land. Filmed in the Balkh Province, an area inhabited by Tajik and other Central Asian peoples. The town of Aq Kupruk is approximately 320 miles northwest of Kabul. The theme of the film focuses on rural economics. The film and accompaning instructor notes focus on herding, and fishing under diverse environmental conditions. The impact of technological change, human adaptation, and governmental extension of market systems are parallel themes.

The Turn

'Mod' is an attempt by the filmmaker at communicating with the young men who hang out at the ‘notorious’ water tank in her neighbourhood in Pratap Vihar, Ghaziabad. The water tank is a space that is frequented by the so-called ‘no-gooders’ of the locality, a place where they play cricket, play cards, drink and smoke up. When she enters the space with her camera, the boys are curious and at the same time wary of it and her. They sometimes resist, sometimes protest, and at times, open up. As the film unfolds we get a hint of the lives the boys lead and the fragile world they create for themselves at the water tank.

Smoke and Rubber: Inside Modified Car Culture

Speed, emotion, dream. Smoke and Rubber follows the drivers of Istanbul who dedicate it all to modified car culture. Beyond the noise, it traces how speed, sound, and the performance of masculinity define a way of living, from the garage to the streets. Based on ongoing research, this is a reflective portrait of a noisy world.

Melodies of the mountains

Film about the singing and dancing culture of the Ingush people

Umoja - Wo nur Frauen das Sagen haben

380 kilometers from Nairobi, in the Samburu territory, lies a unique village: Umoja. Defended by a thorn fence, access is strictly forbidden to men. Created in 1991, it offers refuge to women repudiated by their husbands or victims of domestic violence. A nerve center for the community, its school is open to children from other villages, provided their families undertake not to subject them to genital mutilation or early marriage. As the new school year approaches, Jane, co-founder of the community, and Rose, teacher, meet little Samella's parents.

Kwaheri: Vanishing Africa

Early Mondo film featuring primitive rituals, animals being butchered, unusual birth defects, and a legit trepanation scene.

Cowboy and Maria in Town

Exploring individual responses to rapid social change, Cowboy and Maria in town follows the parallel lives of its two central characters. Cowboy and Maria have independently landed in Port Moresby, negotiating ways to survive urban life in a city ranked as one of the most dangerous in the world. Cowboy is an ex-raskol (urban bandit) and Maria an inhabitant of a squatter settlement. Unemployed and with a jail record, Cowboy has constructed an electric guitar out of scrap materials and plays on street corners. Maria lives an equally precarious existence, cultivating a seasonal garden in an urban settlement inflamed by frustration and intertribal conflicts. Far from being third world victims, they go about their daily lives with humour and imagination, rising to the challenge of enormous cultural upheaval.

Funeral Chants from the Georgian Caucasus

A short film set in the mountainous province of Svaneti, documents the performance of polyphonic men’s funerary laments common to the region.

Naked Spaces: Living Is Round

Shot with stunning elegance and clarity, NAKED SPACES explores the rhythm and ritual of life in the rural environments of six West African countries (Mauritania, Mali, Burkino Faso, Togo, Benin and Senegal). The nonlinear structure of NAKED SPACES challenges the traditions of ethnographic filmmaking, while sensuous sights and sounds lead the viewer on a poetic journey to the most inaccessible parts of the African continent: the private interaction of people in their living spaces.

Choqela: Only Interpretation

This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology.

The Hunters

An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.

Congo

An experimental ethnographic documentary that criticizes the colonizer view of anthropology.

Himalayan Herders

John Bishop and Naomi Bishop present a portrait a peculiar life style of the Himalayan indigenous Sherpa people in their documentary , the Himalayan Herders. The 76 minutes long film is about the diverse culture and life style of herders community near Mt. Everest region of Nepal.The film was made in 1997 as a part of Case Studies in Cultural Anthropology Series.

Euskal herri-musika

An ethnographic documentary which looks at the relationship between music and work in predominantly rural cultures. It depicts the lives of fisherman, shepherds and farmers and their relationship with music. The film also describes Basque ancestral instruments, with special emphasis on the origin and history of ‘bertsolarism’ (Basque verse singing) as a form of oral communication.