ENDLESS

Elétrico Magnético

My Postcard Collection

Heather McAdams documents her extensive postcard collection to the tune of Hank Snow's "I've Been Everywhere"

Amor

Landscapes revealed themselves through text, paper through movement, while the sun gave them relief. This is a journey across found words, enunciating a discovery, their textures constructing the sea and the waves, in a travelogue from the first exploration, the first step over the sand towards the shore. “Amor” writes this joy to underline it in its time, captured on paper. This film has been composed through a scanner, and it’s the first chapter of the “Reír al Sol” series.

A Love Letter to Cinema

An experimental sampled film which shows the pleasurable art of movies about movies through scenes inside of theaters.

火藥, burn my eyes

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.

The Scratchman

Scratched lines and shapes float around this footage of a military spokesperson

A Coyote Walks

A coyote walks through a distorted reality without color.

Nix

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

Hydra

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

Charon

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

Shifting Margin Part 1

Shifting Margin Part 1 (1991) Produced, Directed, Photographed, and Edited by Albert Gabriel Nigrin Special Thanks: Brodsky and Treadway and DAK Productions Length: 3 minutes A statue of a horse [located in the Luxembourg Gardens in Paris, France] shot at 18fps on Kodachrome color super 8mm film transferred to high quality video. The film camera was shaken at various intensities to simulate the various forms of horse locomotion -- walk, trot, gallop, etc. The film is silent yet one hears the rhythm of hooves. The green color of the statue's faded bronze was amplified, as was the blue sky in post-production. A homage to Pegasus, Le Magnifique in Cocteau's Beauty and the Beast, and Eadweard Muybridge.---AGN

Não é Possível Garantir que Todos os Produtos Funcionem

From Zero to One

From Malkuth to Kether and back, the whole spin of the wheel. A retelling of a series of dreams and visions experienced by the director in her Great Quest.

MONO

Can I talk to you for a second? What if someone promises to tell you the truth? Would you believe them? A short film following a burnt out call worker, a thunderstorm, a haunted VHS and an event that changes their very idea of the truth. Mono was created by St Ghosty Creatives in 2026 following funding for their 'New Immersion' programme of work exploring immersive and technical exploration in performance and media. (Content warnings - reference to self-harm, reference to mental health and flashing lights.)

8 fps

Pictures taken between France and Mexico running at 8 frames per second.

University Building

Experimental documentary focusing on the design of the buildings of the Technical High School in Eindhoven. Through the visual means of film and the technical possibilities of camera and photography, reality becomes pure abstraction.

Phantasia

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

reMemBer2.human

In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.

Fossil

An old man's vision of a drowning world is clouded. He decides to take radical actions inflicting damage to his surroundings. Instigating a self-destructive chain of events, coming from the dark abyss of his subconsciousness.

Seraphim on the Go!

a life size stop motion child puppet races through memories and daydreams reflecting on the cyclical nature of life.