And yet they were there

In These Pages

This short documentary sifts through the pages of a woman's diary who has recently begun to write her memoir. As she looks back at her life and some of her memories, the film explores the ordinary act of writing and the value and meaning it may hold in mundane everyday life.

Beyond Ratings

Three women share their experience of navigating the app-world in the metro city. The sharings reveal gendered battles as platform workers and the tiresome reality of gig-workers' identities against the absent bosses, masked behind their apps. Filmed in the streets of New Delhi, the protagonists share about their door-to-door gigs, the surveillance at their workplaces and the absence of accountability in the urban landscape.

$avvy

$avy investigates the historical, cultural, and societal norms around women and money.

Brainwashed: Sex-Camera-Power

Investigates the politics of cinematic shot design, and how this meta-level of filmmaking intersects with the twin epidemics of sexual abuse/assault and employment discrimination against women, with over 80 movie clips from 1896 - 2020.

A Film for Discussion

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.

I Am an Ox, I Am a Horse, I Am a Man, I Am a Woman

This glasnost-era documentary, which incorporates footage from films from the 1920s through the 1980s, looks at the history of women in Russian cinema through the eyes of Russian women directors, actors, and scriptwriters. The film’s title refers to a WWII slogan about women doing the work of absent men in the fields and at home. Featuring Kira Muratova, Natalia Ryazantseva, Inna Churikova, Nonna Mordyukova, and others.

How to Be a Candid Woman

To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.

Écoutez May Picqueray

"Well, I believe in anarchy! And I believe it will come true one day." That's what "May the Rebel," a union activist, anti-militarist, and anarchist, always ready to denounce oppression and defend victims, affirms at 85. Born in Brittany, she earned her living at age 10 delivering butter. In Paris, at 20, she became involved with the Anarchist Union. Sébastien Faure became her mentor. She used a grenade to trigger the Sacco-Vanzetti affair. A union delegate in Moscow in 1922, she sang "Hymn to Anarchy" before Trotsky. Children during the Spanish Civil War, Jews during the Second World War, conscientious objectors alongside Louis Lecoin during the Algerian War, and later, through her newspaper Le Réfractaire, the Larzac, Plogoff, and Creys-Malville protests—all these were battlegrounds for May Picqueray. To the very end, she remained true to her commitment to defending peace and individual liberties.

Un homme de Parole

The cats, the sea, and everything in between.

In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.

The Judge

A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.

At the Lőrinc Spinnery

A candid portrait of the women working at the Lőrinc spinning mill. As with so many of Mészáros’ shorts, this work has foundations in autobiography, and she would later return to this particular world in one of her fiction features.

Sisters

“Sisters” is a deeply personal story about my journey back to my home country of Venezuela to investigate the possibility of a long lost sister.

Suite Tortilla #59: The Celluloid Women

An American lesbian in Cuba explores gender through dance and film, blending personal experiences and cultural symbols with music and Revolutionary cinema and questions how lesbians fit into Cuban cinema.

Let It Be (1970-1974)

Chapter 15 of the series 18 decades of life in Mexico in the twentieth century. Images of the cultural, social and political life in Mexico from 1970 to 1974. During the presidential term of Luis Echeverria Alvarez fantasies of prosperous and modern country it dissolves; Mexico live in political crisis. It is a time of omnipotence, barbarism, and violence intervention: the world seeks new ways. In Mexico, it held the World Cup, unionism is strengthened and inflation responds to the continuing economic imbalances.

Varda by Agnès

An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.

The Woman and the Car

Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'

Requiem for a Tribe

Hajar is a 55-years-old Bahktiari woman from Iran who is betrayed by her family and forced to abandon her nomadic lifestyle. Climate change, urbanization and social issues have drastically diminished the traditional migratory activities of the Bakhtiari tribe from Southwestern Iran.

SPEAKABLE

Two girls in their early 20s explore topics of femininity, girlhood, and normalized violence perpetrated on women.

Bride of Trailer Camp

A compilation of "coming attractions" from bad '50s melodrama through the greatest disaster movies of the '70s. Features a chain of your divas including Bette Davis in What Ever Happened to Baby Jane?, Jeanne Moreau in Mademoiselle, Elizabeth Taylor in Butterfield 8 and Boom, Kim Novak in The Legend of Lylah Clare, Susan Hayward in I'll Cry Tomorrow, and Judy Garland in I Could Go On Singing. One clips is a young Rock Hudson promoting Christmas Seals. Bride of Trailer Camp includes specimens of movie trailer artistry.