Bronzen Belgen

Greetings From Planet Smurf

The Smurfs were created in 1958 by the Belgian comic author Peyo (Pierre Culliford, 1928-1992) and they are one of Belgium's most recognized exports. From Brussels to Los Angeles, via Dubai, a journey into the tiny world of the famous little blue people, from the story of the creation of the original comic to the account of their huge global commercial exploitation.

Soundtrack to a Coup d'Etat

Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War.

Sœur Sourire: Who Killed the Voice of God?

1962. A crystalline voice becomes a planetary tube. A Belgian nun jostles Elvis and the Beatles on the world charts. Her name: Sister Smile. A popstar with the trajectory of a comet who understands her success no more than the double meaning of her words… The harder the fall will be. Even God does not protect sharks' appetites or pretenses of success! Who killed the little voice of God? Here is the tragic story of an innocent voice, of an extraordinary fate, almost of a curse ...

WK 2014: De ontbolstering van een gouden generatie bij de Rode Duivels

De Gemiste Kans, EK 2016

Brazillians Like Me

The encounter with a growing, and mostly undocumented, brazilian community allows us to bear witness to its energy, its vivacity, and its diversity. This film attempts to work for a larger acceptance of foreigners in their land of exile.

Après le déluge

Changa Changa, rythmes en noirs et blancs

A rare documentary made in Brussels in the early nineties collecting witnesses on how local and Congolese musicians enriched each other including internationally known stars such as Manu Dibango, Toots Tielemans, Vaya Con Dios, Phillippe Catherine, Victor Laszlo, Zap Mama...

Les Belges Sont-Ils Les Plus Racistes D'Europe ?

Sam Dillemans, The Madness Of Detail

‘de waanzin van het detail’ paints a portrait of the contemporary painter sam dillemans. To dillemans, who lives in borgerhout, van gogh, picasso, rubens or goya are not painters of yesterday but of today. They inspire him on a daily basis and at the same time their crushing genius also depresses him. In addition to being a very talented artist sam dillemans is so a gifted storyteller. While working on a self-portrait in his studio, he talks about his life and his work, how it relates to cultural history, the sacrifices painting demands and how people can learn to interpret paintings.

Log in Belgium

“To me films are an imaginary world where emotion comes into play.” YOO Teo traveled to Belgium to make his movie but he ended up being locked down due to COVID-19. This film is about his 15-days of quarantine in Antwerp Hotel fighting for his movie and loneliness. He also depicted his most personal story. This is the debut film of YOO Teo both as the star and the director.

Emperors of Nothing

Emperors of Nothing is an unprecedented immersion within Forest, a prison in Brussels notorious for its inhumane incarceration conditions, bearing witness to how the human spirit resists or submits to this harsh world. Deeply personal and candid moments shared with inmates and wardens alike, those who have forfeited or devoted their lives to prison, expose universal truths of what it means to be "behind bars".

Le flic, la juge et l'assassin - Épisode 2 : Sainte Rita, priez pour nous

Le flic, la juge et l'assassin - Épisode 3 : L'habit ne fait pas le moine

De Ronde 100

De Ronde 102

What Is a Good Tax?

Too high, misused, unfair... a large part of the French and Europeans criticize taxes. From tax-rascal to tax revolt, the movement of yellow vests in France has returned to the center of attention the question of consent to tax. How to explain a different resistance to taxes from one country to another without tax pressure being an explanation? Is there a "good" tax? Jean Quatremer takes us on a journey to the tax center across Europe, to meet those who pay it, those who decide it, those who study it... or those who allow to avoid it.

Horror Europa with Mark Gatiss

Actor and writer Mark Gatiss embarks on a chilling journey through European horror cinema, from the silent nightmares of German Expressionism in the 1920s to the Belgian lesbian vampires in the 1970s, from the black-gloved killers of Italian bloody giallo cinema to the ghosts of the Spanish Civil War, and finally reveals how Europe's turbulent 20th century forged its ground-breaking horror tradition.

Tomorrowland : 20 ans d'émotions

Images of Ostend

Structured in visual chapters: the port, anchors, the wind, the spray, the dunes, the North Sea… A series of images that need no anecdote or explanation. Storck offers a glimpse of Ostend, aspects that order its multiple constitutive elements; The water, the sand, the waves, vital cinematic language displayed in simple pictures. A poetic and kinetic shock, without fiction or sound, which relieves film from its narrative obligation and restores it to the world of sensations that it can alone carry.