What Humans See as Blood, Jaguars See as Chicha

Vestígio

An experimental home documentary where you step inside the director's lens. A journey through his childhood via his own early recordings, exploring the origins of his craft and how that child’s gaze is still there, captured in time.

Futura Free

An experimental odyssey through altered realities and reconstructed archives, where wandering voices of the past, present, and future unravel the elusive nature of time and memory.

beer cans under my bed

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

Próxima Parada

Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.

That is the Silence

You must once in a while uproot yourself from the daily routine to better see what doesn’t serve you anymore - not to run away from but to get closer to yourself.

Antes do Nome

One day, as you leave work and head home, something unexpected happens. Everywhere you go, paths begin to open and multiply. You can go anywhere you want, and with each place you choose, a new version of yourself emerges. You begin to disappear and in that disappearance you feel free: no longer being one, but becoming another, becoming many others. Individual experience gives way to the collective. A constant search for a place in the world. Walking toward the other, toward the unknown—yesterday, today, and tomorrow.

Arktis - Zwischen Licht und Dunkel

Arktis is a poetic approach to the bizarre landscape of ice, rock, and water; a journey to the arctic ocean and surroundings, with images and sounds. Seventy one-second scenes of the arctic serve as the original material, which is then transformed in its texture, time lapse, color and light qualities to create a material reminiscent of landscape painting. The sound collage uses fragments from sounds of nature and samples from a piece of music for violin and song, which are also transformed in a manner similar to that of the visual pictures. (Jürgen Reble)

ALLOFTHELIGHTS

EVERY LIGHT

Emerald ▣

A continuously running two-channel installation, presented on 9" and 13" CRT monitors atop pedestals and overlooked by a green Kit-Cat clock. The smaller CRT bears a painted green square and is framed by a pair of crossed silver opera gloves, at whose intersection rests a vintage push-puppet of two boxers sharing a single red stand. Together, the two monitors display distinct video collages interweaving footage from Emerald Square Mall and the strike during its 1989 construction with remixed interferences from Channel J's Emerald City TV (1976–1979), Huge Video's Heat in the Night (1989), Genet's Un Chant d'Amour (1950), various cigarette commercials, The Wizard of Oz (1939), and a performance of a mylar-clad entity wrapping one of the televisions in videotape. The work has most frequently circulated publicly through its primary video channel.

AGULHA

Quiet Remains

A quasi-documentary look at how certain things fit together. This film embraces an unhurried tempo.

CONTACT

CONTACT is a short documentary film directed by Jonathan Walley that chronicles the transformation of an entire chronicles the transformation of an entire skatepark into a playable musical instrument—where the skate, BMX, art, and music scenes collide. HCS has been many things: a skatepark, gallery, library, museum, and stage; but, for one weekend, Derek Nelson fabricator, activist, BMX pro, and artist, transformed his skatepark into an immersive sonic installation—part instrument, part playground—for the community of Binghamton, NY to become co‑creators in a conflagration of sound. SMALL TOWN, BIG SOUND. CONTACT reminds us of the joy in creativity, community, and the DIY spirit. Contact is about pushing boundaries, experimenting with art, and reclaiming space in an increasingly cruel, unkind, and oppressive world. It’s a poetic exploration of the creative process told by a filmmaker who calls HCS home.

Lament to Waters

May our smiles not be forced for your enjoyment and may our pains no longer be hidden. May my mother Yemanja help me. A short film about the pain we carry alone and that we only confess to the sea, which is life, but for us, black people from the diaspora, it's also a memory of a past of sadness and death.

Our Boat

A curious miniature boat sails along the rivers and waterways of Sheffield, observing the people, places, and sights of the Peak District.

1,2,3... Barcelona!

Tourists eating and taking photos. Tourists strolling and taking photos. Tourists bathing on the beach and taking more photos. Barcelona has become an overexploited photocall to the point of paroxysm, and this is what this film shows by turning the camera and pointing towards the visitors. A small gesture that, added to a powerful sound contrast and a caustic sense of humour, exposes without subterfuge a grotesque normality.

Mother of Fog

In what could be considered a follow up to Al Qasimi’s 2020 work Mother of Fire, she once again invokes the figure of the jinn (spirits in Islamic mythology) to explore the ghosts of British imperialism in the UAE. As its spectre lingers on the horizon, two teenage girls seek to liberate a pirate damned to spend purgatory on a site now being developed into a hotel. Originally commissioned for Sharjah Biennial 15: Thinking Historically in the Present, Al Qasimi entangles historical narratives with contemporary notions of piracy. In examining how it has been historically and culturally represented, new perspectives of old mythographies come into focus. (Myriam Mouflih)

Celina y Chichi

The Fly of Theseus

If the fly eats the flower, does the fly become the flower?

The Pleasure in Pain

A short film that follows key figures of the London kink scene on an exploration into BDSM and the notorious fetish event Klub Verboten. The film touches upon themes of psychology, trauma, LGBTQ+ rights and black representation.

A Propos d'Enedice