Red, Blue and Purple

Viet Flakes

Viet Flakes was composed from an obsessive collection of Vietnam atrocity images, compiled over five years, from foreign magazines and newspapers. Schneemann uses the 8mm camera to “travel” within the photographs, producing a volatile animation.

FIN

In a remote and seemingly peaceful province of Ilaya, there lived two teenagers who explore their lives as the world around them grows darker.

FUCK TV

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Money, Fascism, and Some Sort of Acid

A collection of five short films tackling the military industrial complex, the rise of fascism, political polarization and various issues in modern society.

Mirage

a soldier returns from a war in Europe, only to grow more bitter as he realises a more sinister truth.

crater days

A surreal, visceral peek inside the shattered mind of a person struggling with the apocalyptic grip of deep mental illness.

Mi pesadilla fue que me mataba la guerrilla

Negativ

A photographer during the Soviet-Afghan war becomes obsessed with a mysterious figure that appears in his images every time the person photographed dies.

WAR TIMES

An exploration of two souls inhabiting bodies from 1940's Hungary, and the beginning of the digital age.

The Grass Dwellers

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Muddy Winters

Angelic cold pearl winters and the brutality of war running simultaneously.

Magueyes

Experimental filmmaker Rubén Gámez explores the iconography of the maguey plant in Mexican cinematic history.

Printemps Now!

How Montreal is transformed from winter to spring. Inspired by Berlin: Symphony of a great city, Printemps Now! is a cinematographic poem, an audiovisual symphony of the city of Montreal transitioning from winter to spring.

Cygnus-X

Experimental short film of colors and lights. Silence.

The Road

The Road is a deeply personal experimental film by Jana Hammoudeh, chronicling her journey as a nomadic soul, always on the move yet never truly belonging. Shot across three separate road trips, the film blends visual poetry with intimate monologues in multiple languages, reflecting the fragmented nature of the protagonist’s life. The film’s segments—Leaving Amman, Scrambled Eggs, and Postcards to a Friend—explore themes of love, loss, and freedom. The first segment, set in Amman, presents a conflicted relationship with home, inspired by Charles Bukowski’s Let It Enfold You. The second, in French, revisits past romances, while the third, narrated in Kazakh and Urdu, contemplates departure and longing. Through dreamlike cinematography and raw reflections, The Road captures the bittersweet beauty of transient nature of life and self-discovery.

Sometimes I Crave Tearing My Skin Off

As a person takes their last breaths, we travel through the halls of their mind: distorted memories, moments of love, guilt, joy, and loss.

While There's Still Time To Smile

We observe the daily routines of an elderly couple. Within the quiet flow of time, a longing for youth and irretrievable memories begin to surface. This piece reflects the sorrow hidden in the stillness of old age and the deep yearning for the past.

ZION USA

An intimate portrait of Salt Lake City and its surroundings. Shot on 16mm film.

The Action Art Of Hermann Nitsch From Past To Present

Actions 1962–2003 (1 DVD-PAL) plus a CD containing recordings from the Burgtheater performance 2005. Hand-numbered first edition of 1000 copies. The packaging consists of a slip lid box with banderole, containing an 80 page book with photos and texts. On the DVD there is a 4-hour overview of all "Actions" of 1962–2003, as well as an interview from 2005. The 80-page book (German/English) with a text by Florian Schreiner and numerous photos explains the theoretical basis of Nitsch’s work. The CD contains recordings of the 122nd "Action" from the castle theatre Vienna (Burgtheater).

687

Through Martian horizons, she gazes upon the world she’s only known through tales of scrap screens. Colors altered by fading memories, and shapes molded by imagination... Her perception of Earth, a symphony played by fragmented notes, an artwork painted by distant echoes. In the embrace of Mars, she carries the fractured essence of a heritage lost in space. Generations adrift in the solitude of the Martian plains, lives in a kaleidoscope of the world.