Mais Uma Taça

Enigma

Two legends contested their identities as women in the court of public opinion: April Ashley, who was immortalized as a trailblazer by embracing her transgender history; and Amanda Lear, who has consciously denied and obfuscated her history for decades. Their divergent paths reveal disparate but intertwined legacies.

Homos en politique, le dire ou pas ?

“Being French in 2024 means being able to serve as Prime Minister while openly gay.” With these words closing his policy speech on January 30, 2024, Gabriel Attal made history. The documentary *Homos en politique: le dire ou pas?* uses this milestone — the appointment and visibility of France’s first openly gay Prime Minister — as a springboard for a broader inquiry. Journalists Jean-Baptiste Marteau and Renaud Saint-Cricq travel across France to meet LGBTQ politicians of all generations, from Paris to rural towns. Eleven years after the protests against same-sex marriage, has France really changed? Through interviews with figures like Bertrand Delanoë, Sarah El Haïry, Jean-Philippe Tanguy, Franck Riester, and others, the film explores how coming out intersects with politics, homophobia, and representation — questioning whether saying “I’m gay” in politics is still an act of courage or simply a sign of the times.

I'm Thinking a lot of Thoughts Right Now

Four friends embark on a journey to California where they discover the beauty of friendship amidst the stunning landscapes of the West.

Fier.e.s, la voix du Pacifique

In French Polynesia, transgender people evolve with apparent fluidity in all components of society. Their presence, observed as early as the 18th century by Western travelers and missionaries, has never ceased to intrigue and fascinate, producing over time numerous myths that the transgender women and men of Polynesia are today attempting to deconstruct. Through a series of luminous and intimate portraits, this documentary gives them a voice and proposes a rereading of gender issues in the light of Oceanian thought: an obvious enrichment.

The Alexander Ball

The Alexander Ball is an observational documentary extravaganza celebrating Samoan-Māori-Australian trans woman of colour, Ella Ganza, and the Meanjin (Brisbane) ballroom scene, as she and her ballroom family prepare for one of the biggest pride events of the year: The Alexander Ball.

Stafford's Story

Trans man Stafford candidly tells the story of a memorable encounter he had at a sex club.

Hélène Trésore Transnationale

In this intimate portrait addressed directly to Hélène Hazera, filmmaker Judith Abitbol revisits a key figure of France’s countercultures from the late 1960s to the 1990s. A member of the Gazolines and the FHAR (Homosexual Front for Revolutionary Action), Hazera was a tireless LGBTQ activist who founded Act Up’s Trans and AIDS commissions—one of her proudest achievements. Her true victory, however, was becoming the first transgender journalist at a major national newspaper (Libération), and later a producer at Radio France and France TV. Through her story, Abitbol reconnects with the insurrectionary spirit and creative chaos of those decades—an era when French culture was shaken by radical imagination, humor, and defiance. The film celebrates these modern Antigones who dared to live their desires beyond the reach of any law.

b.longing

A dialogue and home video about belonging, from young people living in modern colonial society.

Spectrum

Through personal stories, the documentary approaches the issues of gender identity and legal gender recognition in Greece. The three main characters explain how society has treated them, by narrating their experiences from the past and the present.

Edhi Alice: REVERSE

Edhi Alice: REVERSE begins from the perspective of Edhi, who is about to undergo gender confirmation surgery, and transitions into the journey of another protagonist, Alice, as she comes to terms with her body. The narrative of transition expands beyond a personal life story to encompass relationships, bodily experiences, and the sense of space, becoming a cinematic transformation.

Avant-Drag!

Avant-Drag! paints portraits of ten drag artists of varying gender expressions and sexualities who take to the streets of Athens to query, problematise and (yes, please!) undermine social strictures. Employing wildly imagined personas – like riot housewives and Albanian turbo-folk girls – who perform acts as revolutionary as praising abortion and as charming as drawing childish pictures, these artists call for social justice by taking aim at conservatism, patriarchy, patriotism, racism and sexism.

I Don't Know

A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.

TDS, derrière l'écran des Travailleuses Du Sexe

"TDS, derrière l'écran des travailleuses du sexe" is a deep dive into the lives of Betty, Anaïs, Noochka, Manon, and Barty. They have all ventured into the world of selling sexual content online. What pushes someone to take the step of signing up on these platforms? What are their motivations? What are the consequences on their personal lives? Why do some choose to stick with it for years, while others decide to stop for good?

Le rose, le bleu

Physical rehabilitation has become a significant area in Edgar Ulises' life because of the fracture he has in his left humerus, the product of a period of chronic stress. Thus, exercise became a necessity for him, although all his experiences with sports during his childhood were fraught with bullying due to his effeminate behavior. This accident forces him to ask himself: if he had been a heterosexual man, would he have had a good relationship with sports? He asks himself this question in Paris, where he is studying for a master's degree in filmmaking, and, from the solitude of his room and with no production budget, decides to contact Club Muxes, the only LGBTQTQ+ soccer team in Mexico, his country of origin. The conversation takes place over the phone, and the images we see are sent by the club's communications department.

Kelet

Kelet is a twentysomething black trans woman, whose greatest dream is to be on the cover of Vogue magazine. For the Finnish-born and Manchester-raised Kelet, such models as Naomi Campbell and Iman served as role models giving her strength – and during the darkest times, kept her alive. After coming out, then 19-year-old Kelet was cut off from her family and she moved back to Finland on her own.

Ancla

L'eletta

The work deals with the election campaign of Vladimir Luxuria, the first transgender woman to sit in the Italian Parliament. She started off as an entertainer in gay nightclubs, found fame in television parlours and achieved consecration as a defender of LGBT rights by organising the first World Gay Pride in Rome in the Jubilee year. Luxuria entered parliament and with her emerged a social cross-section of an Italy that is changing in spite of prejudice. Thanks to her social battles around Italy, the voices of LGBT people gain visibility and social recognition

The Transformation

Ricardo was once Sara, a homeless HIV positive transvestite, living in the underbelly of Manhattan. Today he is a churchgoing, married man, "saved" by a Dallas ministry. He has renounced his homosexuality, but is his conversion complete? Susana Aiken and Carlos Aparicio offer an intimate look at Ricardo's transformation.

Reindeer Queer

Straddling the line between documentary and fiction, the film follows the journey of a filmmaker in search of answers to the questions left by the death of his great friend. If in the past Reindeer Queer sounded pejorative to both of them, today it is synonymous with resistance and the possibility of being exactly who you are.

Laerte-se

In this film, Laerte conjugates the body in the feminine, and scrutinizes concepts and prejudices. Not in search of an identity, but in search of un-identities. Laerte creates and sends creatures to face reality in the fictional world of comic strips as a vanguard of the self. And, on the streets, the one who becomes the fiction of a real character. Laerte, of all the bodies, and of none, complicates all binaries. In following Laerte, this documentary chooses to clothe the nudity beyond the skin we inhabit.