De nachtwaker

Tender

A big hearted community celebrates life by fronting up to death. Set against the stunning backdrop of the industrial seaside town of Port Kembla, a feisty and resilient community group have determined to take back the responsibility that most of us leave to someone else — to care for their own dead. Scattered throughout are stories that cut to the core revealing why this small band have decided to take on a practice that for most is taboo. As their plans for community-based funerals gather momentum one of their own is diagnosed with a life-threatening illness. Tender is at once a heartbreakingly beautiful and beautifully funny glimpse of an extraordinary community taking on one of the most essential challenges of human life … its end.

Fin de vie : pour que tu aies le choix

Marina Carrère d'Encausse lifts the veil on the intimate questions that preoccupy her as well as society at large: those related to the end of life. The doctor-journalist introduces Antoine, her partner, who is suffering from Charcot's disease, an incurable illness, and who wishes to choose how he ends his life. Is the current law in France sufficient? Should it simply be better enforced, allowing better access to palliative care? Should assisted suicide and euthanasia be legalized? Marina meets with patients concerned about the end of life, caregivers, and politicians in France, as well as in Belgium, Switzerland, and Canada, countries where euthanasia and assisted suicide are legal.

Prognosis: Notes on Living

When filmmaker Debra Chasnoff faces stage-4 cancer, she turns her lens on herself and the disease. What emerges is a portrait of her extended LGBTQ family —a story about hanging on while letting go.

Asilo

J'ai décidé de mourir

À demain sur la Lune

An ordinary woman finds hope and an unexpected friend in her last months on Earth. A sensual film about life and death, where gratitude gets the last word.

Génération Biétry

Dertien Dagen

Papa

Filmmaker Jon Alpert turns the camera on his own family in this intimate portrait of his aging father. As illness and declining vitality reshape his life, the film captures a deeply personal struggle with dignity, humor, and the bonds that hold a family together.

Death Is But a Dream

Christopher Kerr is a hospice doctor. All of his patients die. Yet he has cared for thousands of patients who, in the face of death, speak of love and grace. Beyond the physical realities of dying are unseen processes that are remarkably life-affirming. These include dreams that are unlike any regular dream. Described as "more real than real," these end-of-life experiences resurrect past relationships, meaningful events and themes of love and forgiveness; they restore life's meaning and mark the transition from distress to comfort and acceptance.

Asilo (Prototipo)

Dying at Grace

This film is about the experience of dying. Five terminal patients in a Palliative Care Unit share the last days of their lives and deaths with a film crew.

Dignitas - Death on Prescription

Switzerland is the only country in the world that allows foreigners to come and die on its territory. Since its founding in 1998, more than a thousand people have traveled to Zurich to end their lives with the help of the organization Dignitas. "Dignitas - Death on Prescription" is a documentary about an organization that provides people with terminal and incurable illnesses, intense unrelenting pain, and depression with a peaceful death. The organization's founder, lawyer Ludwig Minelli, is often the target of insults, especially from politicians, despite the fact that most Swiss citizens support the option of medically assisted suicide.

Before We Go

Brussels, La Monnaie Opera House. Three people near the end of their lives meet with choreographers, actors and musicians. They take part in a unique experience which involves music, dance and silence. Their journey becomes a tribute to the fragility of the human condition, between reality and representation, tragedy of the body and freedom of the spirit. Together they question their own relationship with death.

Pictures of the Old World

A raw and telling portrait of a people left behind by the modern world, inspired by the work of photographer Martin Martinček - whose pictures of the inhabitants of the Liptov region in central Slovakia, encompassed by the Tatra mountains, distilled entire lifetimes into luminous and intransient images. Dušan Hanák's continuation of these photographs takes the shape of a poetic visual essay, capturing more comprehensive vignettes of their isolated human experiences.

Mirror, Mirror

Portrait of the last year of the life of famous New York drag queen Consuela Cosmetic.

Röbi geht

Röbi has lung cancer and only a few months to live. He does not want chemotherapy or radiation. The film accompanies Röbi on the last metres of his life.

Dying to live

Passing Time

Lou Colpé has been filming her grandparents since she was 15. In the process of this intense relationship, she notices some disconcerting signs in her grandmother: Alzheimer’s is slowing her down. A new film begins, a tougher one: the story of a couple that must face a tremendous challenge. Struggling against the tide of oblivion, the task of filmmaking becomes the ultimate act of resistance. Trying to retain the last images of her grandparents, an intimate conversation begins and echoes through the songs that play on the radio, conjuring lost stories and memories.

The Mirror and the Window

Filmmaker Diego Gutiérrez knows that he is soon to lose two loved ones: his mother Gina Coppe and his best friend Danniel Danniel. Both ask him to film them during this final phase of their lives—Gina in her apartment in Mexico City, Danniel in a Dutch restaurant where he feels at home. What stories do they want to leave behind?