A Film Inspired by Real Events

The Future Tense

Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.

Aphasic correspondences

An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.

Lezioni di Cinema di Paolo Mereghetti

A Letter For Raoul Ruiz

Benjamín trips to the south of Chile with his family and shots a visual letter to deceased filmmaker Raúl Ruiz.

Aznavour by Charles

In 1948, French singer Charles Aznavour (1924-2018) receives a Paillard Bolex, his first camera. Until 1982, he will shoot hours of footage, his filmed diary. Wherever he goes, he carries his camera with him. He films his life and lives as he films: places, moments, friends, loves, misfortunes.

Todo Todo Teros

Basically an artist is also a terrorist, the protagonist thinks in an unguarded moment. And if he is a terrorist after all, then he might just as well be one. Not an instant product, but an experimental feature in which diary material is brought together to form an intriguing puzzle.

The Red Bank. James Joyce: His Greek Notebooks

This documentary aims to register this unknown side of James Joyce: His Greek Notebooks. Trieste. Bloomsday, 2013. Dance in slow motion, accompanied by text. By deconstructing the body, we turn it into a memory: of the body, of life, of texts. The biographical references to Joyce and Mando Aravantinou, combined with the diagonal slicing of the image, cancel the realism of the landscape, including that of the Narrator’s space/study. As a culmination, Joyce’s letter “A request for a loan in Greek” functions as a timely denunciation. Various routes through cities, such as Trieste, London, New York, and Athens; languages such as Greek and English. In addition to the primal myth of Ulysses, there is another issue: Greek is “the language of the subject of Ulysses”

The Dance of Memory

Memory mechanisms are mysterious: we only see the stories we choose in order to construct our own reality. Every mark is a message in time, the invocation of an absence. To travel in the memory is to walk in time, zigzagging, a long road permeated by a dark, indecipherable logic… if we could choose seven moments to sum up our entire life, which ones would they be? The Dance of the Memory is a documentary-essay that guides us in that autobiographical search, where image and memory intertwine. It mixes archive material with an aesthetic and subjective tone.

Aquela Mesma Estação

Spring by the Sea

Alternating Philippines and Saudi Arabia as her home, the filmmaker uses personal home videos and present footage to tell the story of her family.

gap

Stream of consciousness awakened by the shots of an inauspicious summer.

Las Vegas Meditation

Florent Tillon takes an anthropological lens to Las Vegas, Nevada. What he finds is some curious new species of Americana. (Dorothy Woodend, DOXA Documentary Film Festival)

I skuggan

Two quotes from Paul Valéry: "Humanity is threatened by two dangers: order and disorder." and "Nothing is more contrary to your nature than to see things as they are." A quote from the Swedish writer Thorild : "To think freely is great ! To think correctly is greater."Sentences which ring like thoughts. A bookseller, a flea market, drunken students and avant-garde musicians... The film was shot in the university town of Uppsala. "Wanting to do something "new" at any cost can lead to quite a bit of nonsense."

My Father's Camera

Home movies and their unique place in popular culture are the subject of My Father's Camera. Director Karen Shopsowitz weaves the history of home movies together with footage shot by her father--amateur filmmaker Israel Shopsowitz. Equipped with her dad's old Super 8 camera, Karen traces the history of home movies from the 1920s through to the amateur explosion of the '30s and '40s and beyond. She interviews a lively line-up of scholars and collectors, such as early members of the Toronto Film Club, a Japanese-American archivist who sees home movies as an expression of cultural diversity and a collector who hosts popular Webcasts that highlight new acquisitions.

Parallel Lives

Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.

Will Work for Views: The Lo-Fi Life of Weird Paul

A film exploring the life of “Weird Paul.” After 30 years, 2000 videos, 800 songs, & 42 albums, he’s still not giving up on his dream.

Reflejos

Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.

Videoheaven

Since the 1980s, the video shop has been a desperately necessary space for film culture. In Videoheaven, Alex Ross Perry tells the story of the neighbourhood video shop to consider wider, changing social histories, using appropriated footage from the high and lowbrow.

Communism and the Net, or the End of Representative Democracy

The six-hour essay in four parts examines the history of regimes and revolutions, leaders and martyrs, from a philosophical perspective. The collage of personal memories, staged scenes and archives of collective memory compares the Prague Spring to the Velvet Revolution and shows the exposure, conflict, crisis, and catharsis of the post-communist society.

Letters to a Father

The author's personal confession. This essay film about the relationship between father and son is filmed exclusively in 16mm film in Prague, Slovenia, India, England and France. An important component of Brajnik's film narration is the musical composition and accompanying voiceover of the artist's alter ego.