Strawman

Madrona Marsh

Shot in long, contemplative takes, Madrona Marsh lingers on the last remaining vernal freshwater wetland in Los Angeles’s South Bay. Amid Torrance’s dense urban sprawl, the film observes the marsh as an unlikely oasis—home to birds, fish, insects, reptiles, and moments of quiet human presence. Influenced by the rhythms of slow cinema’s great masters, Devereaux shapes stillness and habitat into a meditative portrait of fragile ecology and the persistence of life within an urban environment.

Confirmation

Concerns a young boy's mystical experiences during his Confirmation. As the ceremony unfolds, figures from religion and mythology appear and impress on him the need to become a soldier of Christ.

The Inexhaustible Variety of Life

A conversation between reality and consciousness.

Between You and You All

A chronicle of the lives of a couple and the gradual dissolution of their relationship.

Birth

During Childbirth, a mother is told the child is stillborn, and she struggles to finish the birth in order to survive.

Vision for a New World

A young man named Phillip finds himself in a purgatory reality that's littered with clues of his past life. From the discovery of his own corpse to the mysterious connection with a woman scheduled for an abortion, Phillip slowly reveals this doomed fate by his own hands.

Hear O, Mahatma

In an open letter to the most influential modern Indian political leader, the Late Mohandas Karamchand Gandhi, the filmmaker sequentially narrates the stories of three distinct individuals - that of a confused filmmaker who flows with time, a dedicated social reformer who guides the stratified masses into social upliftment and a divisive and regressive politician. The juxtaposition of their disfigured trajectories provokes a pertinent question: Did Gandhi ever foresee the dehumanized shape that his legacy has now dangerously morphed into?

Echo

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

Cochlea

Untitled 77-A

The film contains the despair of an artist’s desire for creation on ruthless censorship, rebel, and anxiety in the mid-70s when it was politically and socially depressed.

CLUMP & THUD, THUD, THUD.

A young woman finds herself stuck with a clump in her head. Unsure what to do about it, she roams the streets of Dublin in an attempt to rid herself of the monotonous thuds and escape her roommate's acting practise. Safe travels you old clump.

AEOLUS

Aloysius

Two strangers, Edith and Richard, are brought into the home of a strange couple, Aloysius and Sebastian. They are faced with bizarre and strenuous scenarios challenging their very being. They must adapt in order to survive.

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An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Days Are Numbered

Christine Vachon’s story of a man haunted by the grotesque memory of having stepped on a dead animal's carcass is an artistic tour de force starring Michael Sean Edwards (the voice of Richard Carpenter in Todd Haynes’ Superstar) and a young Steve Buscemi.

She Island

In the heart of the Caribbean, a mother and daughter confront a malevolent curse erasing identities of all the island's women, propelling them on a daring quest to reclaim their rich cultural heritage and triumph over the encroaching darkness.

Absolutely No Sexual Favors

Filmmaker and new media artist Tong Xie’s debut short probes the unease, confusion, and obsession experienced by the body as it crosses the urban physiognomy. Set amidst the shadowy loneliness of Paris at night, Absolutely No Sexual Favors je pense à toi 吾想汝顯 depicts the psychological and corporeal marginality of queer identity and desire through perpetually displaced figures.

Not a Day Goes By

Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.

Blikk

Jusqu’au silence

Anna comes from a violent past that has left her a recluse in her solitude.When a man knocks at the door her infancy returns....Will Anna open the door to the universe that she has created for herself to let life enter?