Adagio

Olympia Part One: Festival of the Nations

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Olympia Part Two: Festival of Beauty

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Berlin: Symphony of a Great City

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

You Vs. Wildgnorance

Mitski: The Land

Indie singer-songwriter Mitski takes the stage at Atlanta’s Fox Theater with a seven-piece band. Over the course of three nights in September 2024, they perform music from Mitski’s acclaimed seventh album, The Land Is Inhospitable and So Are We, alongside reimaginings of her earlier work.

Mann kann ja nie wissen

A documentary-feature film mix detailing the life of famous German dadaist Kurt Schwitters.

Once More Unto the Breach

July, 1941. After the beginning of the German invasion, an Italian soldier, a veteran of the colonial wars, is sent to the Soviet front. As he remembers the fairy tales his Russian mother used to tell him, the train he is travelling in crosses Europe on its way to the vast Ukrainian plains, where the enemy and a cruel winter await him… (Based on the experiences of several Italian soldiers.)

Still Nature

A woman, an artist and dancer, sets out to reclaim her childhood memories shared with her late grandmother—a bond forged through their mutual passion for painting. Through the delicate recovery of her grandmother’s floral works, she engages in a silent dialogue with the gestures of an ancient practice. She conjures a fictional exchange, a spellbinding journey between dimensions. This intimate quest transcends disciplines, seeking intergenerational connection and answers.

Against the Law

United Kingdom, March 24, 1954. Ten years before the decriminalization of homosexuality, journalist Peter Wildeblood and his friends Lord Montagu and Michael Pitt-Rivers are convicted and imprisoned for indecency and sodomy.

Sans Soleil

A woman narrates the thoughts of a world traveler, meditations on time and memory expressed in words and images from places as far-flung as Japan, Guinea-Bissau, Iceland, and San Francisco.

Microcosmos

A documentary of insect life in meadows and ponds, using incredible close-ups, slow motion, and time-lapse photography. It includes bees collecting nectar, ladybugs eating mites, snails mating, spiders wrapping their catch, a scarab beetle relentlessly pushing its ball of dung uphill, endless lines of caterpillars, an underwater spider creating an air bubble to live in, and a mosquito hatching.

Grid

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

de Luz

Filmed during lockdown 2020, ‘de Luz/Of Light’ explores fleeting perceptions and cyclic rituals of Portuguese coastal landscapes, specifically surrounding the Cabo Sardão Lighthouse in Beja, and constructs a complex audio-visual narrative through collaging together various natural rhythms (such as the sun and motion of the sea). This film is intended for screening with a 16:27 aspect ratio. The soundtrack was composed by sound artist Michelle Lewis-King.

This Is It

A compilation of interviews, rehearsals and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.

Those Who Wander

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

Running Fields II

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

Gordon B. Hinckley: A Giant Among Men

This is the first film to dramatize how President Hinckley was prepared by the Lord from his youth. From boyhood lessons, to tender moments with his mother in their library, to overcoming rejection in the mission field, you will feel the warmth that endeared him to so many later in life. In the railroad yard, behind a typewriter, and hand-in-hand with Marjorie, the love of his life, Gordon B. Hinckley grew to become a giant among men.

Dream of the Wild Horses

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

Powaqqatsi

An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.

Invocation of the Memory of Mary Turner, lynched on May 19, 1918

A stasis work invoking the memory of the lynching of Mary Turner, a young, pregnant African American woman in South Georgia. Publicly demanding justice after the murder of her husband, Turner was kidnapped by a mob, hung up in a tree, set on fire, her child cut out and killed, and shot hundreds of times before being buried on-site in 1918. Returning to the origins of cinema, filmed on the exact date and time of Turner’s lynching 105-years earlier, # 3 uses form, time, light, shadow, and landscape as metaphor to not only invoke the memory of Mary Turner, but to also ponder perspective relating to racial violence, violence against women, our failure to acknowledge our past, and the racial divide that continues to exist today in the schizophrenia of America life.