Niches

Voice Windows

With Voice Windows (1986), Steina renews her efforts to generate a complex sound-image interface

Resurrect Me as a Parasite

A vampiric trio facilitates the transition of a new host across a former limestone quarry and the sacred mountain grotto of Mary Magdalene, troubling the binaries of life, death, gender and parasitism. Monuments to female saints become poses of living queer memory, as skeletal remains are transformed with embellishments. A mosquito draws blood with its proboscis and hormones are drawn using a syringe, as the remnants of an extracted zone is now overgrown with lifeforms.

Untitled 77-A

The film contains the despair of an artist’s desire for creation on ruthless censorship, rebel, and anxiety in the mid-70s when it was politically and socially depressed.

CLUMP & THUD, THUD, THUD.

A young woman finds herself stuck with a clump in her head. Unsure what to do about it, she roams the streets of Dublin in an attempt to rid herself of the monotonous thuds and escape her roommate's acting practise. Safe travels you old clump.

Monstruo Obscura

Seoul, 1996. Wastewater from developed film reels is dumped into the sewers. From this toxic discharge, a monster awakens, carrying the memories of countless movies imprinted on the film reels. Burdened by a vanished past, the monster wanders the city.

A DIARY OF AN UNSTABLE MIND

In all of his existences, KOBE KOTORO embarks on an everlasting odyssey through the home of his mind. A transformative journey in hopes to find understanding, identity & reflection. And if nothing else; the freedom to try again.

Flowers (III)

An experimental short film capturing the delicate beauty of different flowers.

o céu diante dos meus olhos nunca é cinza

Mamani

Portrait of my friend Marcelo Maman in black and white. Super 8 film intervened with sodium hypochlorite.

AEOLUS

Holiday Shopping Spree

A presentation of consumerism during holiday season and a dive into the mentality to pursue materialistic lifestyles

Mycelium

A woman lives in a world that is foreign and hostile to her, anddoes not provide any meaning or purpose to her existence, her mind is a labyrinth of memories that alienate and confuse her, which extends and drags her to a time that It's not yours.

Thunderstruck

Flashing lights explode across an apartment as images of a woman in bed flicker in and out.

Immortelle

A man is given a letter by a stranger which causes an extreme sense of urgency to get to a very particular location. This is an experimental film that is entirely up to interpretation. The films concept was constructed by all members of the cast and crew.

Woman in the Reflective Glass

Experimental short of a woman's reflection in a train window.

Shapes and Gestures

Begins as a whimsical piece with 'sheets' of lines running down the screen, progressing into more and more complex geometic patterns but without deviating from the basic precepts of 'dot and line' animation. Jazz piano on a lazy Sunday afternoon, and a spring color palette. -- Stephanie Sapienza. Preserved by the Academy Film Archive in 2001.

Metamorphoses I

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

ACT III

Abstract video art set to the music of Philip Glass.

Voyage

An NTSC space opera.

This was a film about you