AINDA NÃO! Centro Cultural Charada

Bruno & Bettina

Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.

No Witness but the Mountains

The film is set in a small, snow-covered mountain village in Kurdistan. We follow a young woman, Helin, who wants to discover her family history. She lives with her mother, Susika, who has not spoken since her husband was arrested and imprisoned by the Turkish authorities. She cannot write or read either. Helin wants nothing more than to find out the story of her father. It is a story of how political oppression of a people and culture impacts that community, how it silences people, and about human resilience. Keeping a culture alive is a form of resistance.

Zombies: When the Dead Walk

Zombies are part of pop culture, but what are they? Where do they come from? To find real zombies we visit Haiti where Zombies are an integral part of the island's cultural and religious roots.

Afrocantos

Qipisa

The director goes back to her roots in Pangnirtung, amongst her family and community. It leads her to another journey: to Qipisa, the outpost camp from where they were uprooted.

Aisyah: Biarkan Kami Bersaudara

Aisyah just graduated. She lives in Ciwidey, West Java, a religious village near a tea plantation, with her mother and younger brother. Her father had died a few years ago. She wants to be a teacher. One day, she gets a call from the foundation where she enrolled: she gets her wish fulfilled at the location that she never knows: Derok, North Middle Timor District. From the beginning she feels like a "foreigner". The local people mistake her as Sister Maria, just because she wears a veil like a sister. The people is expecting the arrival of Sister Maria as a teacher in the village. This isolated village is without electricity and cellular signals. The new environment, the different tradition and religion make Aisyah giddy. Fortunately there is Pedro (Arie Kriting) who makes the problems easy. She must face the hatred of one of his student, Lordis Defam. Through the chief, she understand that she is a Muslim who is considered an enemy by Lordis Defam who is a catholic

Rural Agents

The possible consolation of losing someone is perhaps hope. After they grieve the death of their parents, Manong and Ading will once again suffer anguish because someone who is very dear to them goes missing. Due to their fear of losing another loved one, they go for a quest. Will they be successful in their search or will they be condemned to lose for another time?

Le Divorce

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

The Mbira Series: Mbira Dza Vadzimu - Religion at the Family Level

The life of Shona mbira player Gwanzura Gwenzi coexists in both the traditional and modern worlds: he works in the city for a large western corporation; at his rural homestead, he is the family head who hosts all-night spirit ceremonies, called bira. His sister Francisca is the family medium for the spirit of Kaodza, their great-grandfather. The highlight and centerpiece of the film is a bira, perhaps the only one ever completely captured on film. We see the various stages and liturgical components of the ceremony, culminating in the arrival of the spirits late at night. Francisca’s daughter, now-famous mbira player Stella Chiweshe becomes possessed by a snake spirit. Kaodza arrives through Francisca, and the family confers with the spirit in an extraordinary scene that shows how ancestors interact with the living. (Description credit: Villon Films)

Kekaiulu Hula Studio

Kekaiulu Hula Studio follows the Proclaimed Hula Halau of the same name, showcasing their twist on what the real reason for hula is and what life as a dancer in the halau is really like. Something previously unseen in the public eye.

Angano... Angano... Tales from Madagascar

Venerable storytellers recount for the camera and their listeners the founding myths of Malagasy culture.

Like It Is

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

Chronicle of a City

A patchwork of millions of lives, urban spaces are not only streets and concrete. They are where our dreams and deepest worries unfold. Chronicle of a City drifts and strolls through time and chance encounters, moving between fantasy and reality, echoing the intimate and ghostly voices of our metropolises, reminding us that we inhabit The City as much as it inhabits us. This roaming essay is a visual and sonic meditation that invites us to see urban life as a web of sensations that move through us and draw us closer to one another, even in the midst of solitude.

Openland

Openland is an art film guided by issues surrounding micro states and its derivative definitions. Through intertwining interviews, meta-narratives, and digital landscapes, Openland unfurls a dialogue between consciousness, individuality and collectivity.

Barber Shop City

A documentary revealing an observation on three barbershops throughout the course of one summer's day in the city of London - Hackney, Herne Hill, and Catford.

Festivity in the Sella

Documentary short film that shows what the International Descent of the Sella (Asturias), one of the most famous canoeing events in the world, was like then. It also covers the festival, celebrations and traditions that surround "les piragües".

Alhambra, the treasure of the last sultanate of Spain

The Alhambra is a unique site in the world: a palatial city built between the 13th and 15th centuries by the last of the Muslim kingdoms of Spain. It is the ultimate demonstration of the talents of a people condemned by the Reconquista.

Evil Eye

Mercedes, an elder healer, keeps alive the tradition of healing the “Evil Eye” while facing the fear of social judgment in a community that has lost its faith.

Bancoco

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.

The Water Map

The Water Map is an essayistic journey through the ethnography and landscapes of the Region of Murcia. These places are in the process of disappearing due to the increasing and abundant agricultural exploitation. Water has marked the territory and the culture of the area, and with its disappearance, the memories of four characters fade away.