Giallo Western

Don't Look Now: Looking Back

In this short making-of documentary, director Nicolas Roeg discusses the production history of the film and the unique qualities of Daphne Du Maurier's story that inspired it, while director of photography Anthony B. Richmond explains the significance of specific scenes, including the notorious sex scene, and how they were shot. Editor Graeme Clifford also discusses his contribution to the film.

Paint me your Spring: Interviews with 'De Vrolijkheid'

A talking heads documentary about young asylum seekers in the Netherlands, given space to express themselves through art. From poetry and rap to DJing and photography, it follows Auguste as he observes moments where language barriers are broken through the connections that creativity makes possible. Volunteers and organizers also reflect on what it means to create together, to share fragments of identity, to find recognition, and to make life in the asylum center a little more bearable.

Talking Heads: The Name of this Programme is Once In A Lifetime

In 1984, David Byrne put together a TV special on the Talking Heads for U.K. TV’s Channel 4, a 68-minute mix of live material filmed at Wembley Arena, interviews with the band, TV news clips, commercials and other various bits of found footage and sound.

Well How Did We Get Here? A Brief History of Talking Heads

A brief history of Talking Heads (and how they got here!)

Talking Heads: Live in Rome

On December 18, 1980, the American rock band Talking Heads, with guest guitarist Adrian Belew, delivered a fantastic performance at Palaeur Arena in Rome that was filmed for broadcast on Italian TV. Taking place just two months after the release of Remain In Light, that night’s set was heavy on material from that album such as Born Under Punches, Crosseyed and Painless and The Great Curve.

Talking Heads - Chronology

Chronology pulls together live performances from across Talking Heads' career. It starts with their earliest days at CBGB and The Kitchen in New York City in the mid-seventies, through their breakthrough years in the late seventies and on to global success in the eighties. They completed their last tour in 1983 although they would continue to make very successful albums throughout the eighties before officially breaking up in 1991. The DVD concludes with their "reunion" performance of "Life During Wartime" on their induction into the Rock `n' Roll Hall Of Fame in 2002.

Talking Heads: Live at Montreux Jazz Festival

Talking Heads perform at the Montreux Jazz Festival in Switzerland on July 9, 1982. Originally broadcast on Swiss TV and radio.

All About the Girl: Memories of a Giallo Gem

Documentary about Mario Bava's film "The Girl Who Knew Too Much" and its impact on the Giallo genre.

Under Milk Wood

An all star cast unite to perform a distinctive BBC Wales Television adaptation of Dylan Thomas's radio play, presented in collaboration with National Theatre Wales, to mark the centenary of Dylan Thomas' birth. The plot reveals the innermost thoughts of the residents of the small, Welsh fishing village Llareggub as it delves into the dreams of various townspeople including blind sailor Captain Cat, who is haunted by visions of drowned shipmates, Mog Edwards and Myfanwy Price, who dream of each other, and Mrs. Ogmore Pritchard, who dreams of her former husbands.

Talking Heads: Rock Pop in Concert

Adrian Belew augments the band on this 50-minute performance from the Westfalenhalle, in Dortmund, Germany, on December 20th, 1980, for the Rockpop TV show. Set List: Psycho Killer Cities I Zimbra Once In A Lifetime Animals Crosseyed And Painless Life During Wartime The Great Curve

Cold as I.C.E

After legal U.S citizen Joey Mexico is shot and arrested by I.C.E, conflicting narratives on the incident spark severe controversy.

Talking Heads: Capitol Theatre

Rare concert footage of Talking Heads performing their legendary Remain in Light set at Passiac, New Jersey's Capitol Theatre on November 4, 1980.

Pissed on the Job

Experimental dramadoc about high-functioning alcoholics and problem drinking in the workplace. Based on the testimony of real people, with actors playing out their stories and the whole film mimicking the texture of a witty and gritty observational documentary.

Carottage

The “Journal Annales” consists of almost 2.000 hours of video footage collected by filmmaker Lionel Soukaz since 1991. For “Carottage”, the idea was to take a random sample from this vast volume, like a geological core sample. The result is a condensed history of political struggles and radical cultural experimentation spanning two decades.

Gabon: Earth's Last Chance

Following Professor Lee White, the Environment Minister of Gabon, and President Ali Bongo as they act to save one of Earth's most vital natural habitats in the face of cartels and corruption.

The Ultra Pickle Project

Six runners face the Superior 100, a 30-hour, 100-mile trail race. How do they prepare and how will it change them?

What's a Carry On?

Documentary commemorating the 40th anniversary of the 'Carry On' comedy film series. Archive clips and out-takes are mixed with interviews with the cast.

Le Pen, l’éternel combat

Challenging Churchill

Churchill, a name typically associated with braveness and altruism. Recently found evidence from Soviet and British sources however brings up questions about Churchill's doings in the conferences of Tehran, Yalta and Potsdam. Why did he agree to give Stalin large parts of Poland? The story of two world leaders in times of war - it is also the story of Poland.

Morning After the Deluge

Morning After the Deluge is a large-scale, single-projection video installation, preferably presented in a dedicated room where the projected image is directed onto a free-standing screen. The work features two pieces of real-time footage that the artist filmed in Cape Cod, Massachusetts – one a sunset over the Atlantic Ocean and the other a sunrise on Cape Cod Bay – that are merged together and presented on a continual loop. As the sun slowly disappears into the ocean on one side, it rises out of the water on the other. In this new arrangement, the usual figure-ground relationship is upended: the sun becomes a fixed point at the centre of the image while the horizon line becomes unfixed, slowly wandering across the frame from top to bottom.