Wavering

Over the Fence

Sixteen-year-old Tomi trusts no one and does his best to protect his little sister Aino from the dangers of the world. But Aino is changing, fast. Because of his own fear of loneliness, Tomi tries to stop his sister, but he will eventually find out that you cannot control another person by force.

Wild Strawberries

Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor's own first love.

Zero Hour

One night, while trampling the emotions memories of Federico, a chain of decisions leads even point of no return. And when I least expected it, not knowing when your clock showed, his life changed forever ... for eternity. Regardless of the name, neither good nor bad he did, or how others judge them, only their decisions will make the difference when you get ... the Zero Hour.

Sandwich

The story of a father and son told through the making of two sandwiches.

Damned Old People

Viejos Malditos is a sharp drama with a touch of dark humor that introduces us to Elías, a recently widowed, gruff, and ill-tempered old man who thought life couldn’t get any worse... until the cat arrived. Sick, exhausted, and stuck in his worst streak, Elías must not only cope with his inevitable decline but also with a scruffy, noisy feline that has decided to turn his nights—and those of the entire neighborhood—into a hellish concert of meows.

Villa Marguerite

A Petty Middle Manager

When his wife sees him helping his boss' lover, a low-level manager finds his marriage in shambles.

Men Only

Men Only is a provocative two-part drama about the dark side of modern masculinity. What do men want, what do women want from them, and can the two ever be reconciled? Our men are a five-a-side football team from South London. Only they're too old, too slow, too under the thumb at home to waste their precious Tuesday nights kicking a ball around and losing every time. So the football stops and the excitement starts. They begin in lap-dancing bars, but soon they want more. Porn. Violence. Sex. Class A's. What happens on Tuesday nights should never go home. But one night they finally go too far, and the two worlds look set to collide

Monsoon Wedding

A stressed father, a bride-to-be with a secret, a smitten event planner, and relatives from around the world create much ado about the preparations for an arranged marriage in India.

I remember her now

Rafael (Dumont) is a desolate retiree who doesn't want to live anymore and who travels to Mendoza with the idea of committing suicide. He stays at a small-time hotel called Rex, and there he meets Gladis (Spelzini), a lonely woman who works as a maid and takes care of her blind brother. Both live a sad life, with many marks from their past, but little by little a relationship between them is emerging.

An Unfinished Life

Stoic and heartbroken, Einar Gilkyson quietly lives in the rugged Wyoming ranchlands alongside his only trusted friend, Mitch Bradley. One day, the woman he blames for the death of his only son arrives at his door broke, desperate, and with a granddaughter he's never known. But even as buried anger and accusations resurface, the way is opened for unexpected connection, adventure, and forgiveness.

Krisha

When Krisha decides to join her estranged family for a holiday dinner, tensions escalate as she struggles to keep her demons at bay.

Bhale Jodi

Bhale Jodi is a 1970 Indian Kannada language drama film written and directed by Y. R. Swamy. It stars Rajkumar in dual roles with Bharathi and Dinesh in other lead roles. The film was based on the story written by Jawar Seetharaman and was produced under Rajkamal Arts banner. The movie was remade in Telugu in 1972 as Bullema Bullodu starring Chalam and in Hindi in 1973 as Jaise Ko Taisa. Rajkumar appeared as Echchamanayaka in a small drama sequence in the movie.

C.I.D. Rajanna

C.I.D. Rajanna is a 1970 Indian Kannada-language film produced and directed by R. Ramamurthy, starring Rajkumar. The supporting cast includes Rajasree, Premalatha, Dinesh, Ranga, Dwarakish and K.S. Ashwath.

Boy with Blue

Blind tragedy strikes the Orton family but a painful revelation opens their eyes to redemption.

Ghiocel

Based on a true story, this short film introduces us to a young student, in the 70's Romania, that, having finally finished her semester, and with a fantastic performance, hurries anxiously to get back home, where her sick mother awaits her.

Marta

Marta comes home after her mother's funeral. Having devoted the last years of his life to take care of her, it's time to learn how to live with that void. For the first time she will think about the future, but an unexpected visit will force her to travel to the hardest places in her memory.

Opening Night

Actress Myrtle Gordon is a functioning alcoholic who is a few days from the opening night of her latest play, concerning a woman distraught about aging. One night a car kills one of Myrtle's fans who is chasing her limousine in an attempt to get the star's attention. Myrtle internalizes the accident and goes on a spiritual quest, but fails to finds the answers she is after. As opening night inches closer and closer, fragile Myrtle must find a way to make the show go on.

Preacher's Kid

Longing to experience more of life, twentysomething preacher's daughter Angie strikes out on her own for the very first time and joins a traveling gospel show.

Desync

Ana, a young filipina filmmaker, shoots a re-enactment of a fight she once had with her mother - a fight brought on by mutual refusals to communicate. Echoing the cultural pressure from her mother to work beyond her natural limits, Ana rewrites every single insult into a chance for forgiveness. As the story of her film diverges further and further from the memory of what happened, she questions whether her creative additions amount to yet another repression of the truth.