HYPNODEUM

The Son of the Stars

In the year 6470, a husband and wife team of explorers receive a mysterious distress signal from an astronaut who disappeared decades earlier. They leave their son on board their ship while they go searching for the missing astronaut — but fate intervenes, crash-landing the ship on a jungle-like planet populated by bulbous, telekinetic aliens and eerie stone gardens of frozen space creatures.

Codependency

A wordless dialogue between plaintive longing and everlasting love.

Antrecore Show II

The Dream of the Little Dancing Men

Film is about communication. Kobrin pays homage to Vasili Nalimov, to his work and life. Nalimov was a mathematician and philosopher, but was also an eccentric anarchist with mystic tendencies who spent eighteen years in a concentration camp. Nalimov’s philosophy relies on probabilistic methods in the natural and social sciences and applies them to the study of language and consciousness.

A DIARY OF AN UNSTABLE MIND

In all of his existences, KOBE KOTORO embarks on an everlasting odyssey through the home of his mind. A transformative journey in hopes to find understanding, identity & reflection. And if nothing else; the freedom to try again.

behind the scenes

An experimental documentary/animation hybrid exploring likeness scanning, AI, and what that means for identity.

Razors

A man with a razor in his head calls in a maintenance repair.

Ozymandias

Ozymandias recites Percy Bysshe Shelley's poem of the same name. Selected AI-generated images and text-to-speech narration - with their vutlure-like generative methods, and already rapidly-dating aesthetics - are placed in parallel to the poem's explorations of legacy, decay, futility, and the future.

Gemini

Sarah and her two cats go about their separate lives. The cats have strange dreams about their desires, and Sarah develops an unshakable paranoia that something is wrong with them. Sarah's paranoia bleeds into her social life, and her two cats have their dreams come true.

Sweet Spot

“Sweet Spot” is an experimental animated short film that uninhibitedly explores the dialog between the work and its authors, Jorge Ribeiro and Paulo Patrício, whose points of view and creative approaches, both in terms of cinematographic language and ways of being, are quite different. Through this duality, and starting from a shared but at the same time individual process, the directors seek to understand at what point the short film they are making together reaches its “sweet spot”. In other words, the ideal point at which the work is considered finished.

O/S

Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the entire image in O/S functions as an optical soundtrack. Abstract motion becomes sound.

Angel

In this short film, a young man, a girl and a dog attempt to fly with wings more symbolic than practical.

On the Road to Kandahar

One of Rimmer's early 2000s video works which he made by hand-painting 35mm film, running it on a flatbed viewer, and shooting it off the screen with a video camera to then subject it to further manipulation.

Windows (for piet and peter)

A hypnotic mise-en-abyme constructed from JVC camcorder footage of a parking garage. Produced in tribute to teacher, filmmaker and video artist Peter Rose and the work of Piet Mondrian.

undressed

Melancholie vnějších mezí

Occhio

An important sensory organ, the eye, is damaged. The exhausting healing process takes us on an inner journey full of pain, fragility and mental unrest, in which even superstition and witchcraft seem to have an influence on recovery.

ACT III

Abstract video art set to the music of Philip Glass.

Voyage

An NTSC space opera.

Metamorphoses I

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).