Creature Catalogue

Wirklich alles?!

Pam Kuso Kar (Breaking Pam's Vases)

In February 1974, Pam Sambo Zima, the oldest of the priests of possession in Niamey, Niger, died at the age of seventy-plus years. In his backyard, the followers from the possession cult symbolically break the dead priest's ritual vases and cry for the deceased while dividing up the clothes of the divinities.

Harlem School 1970

A unique 'direct cinema' feature length documentary (no narration or interviews) originally filmed in the Spring of 1970 and concluded during the Summer of 2017 (footage added, restored, and re-edited). A day in the life of an inner-city Harlem elementary school. In 2018 filmmaker Phil Gries reunited with seven of his former Harlem elementary students whom he hadn't seen in 50 years.

A Wife Among Wives

David and Judith MacDougall are exploring the marriage rituals and roles of Turkana women in this ethnographic documentary. The film's biggest part is taken up by talks between the Turkana people. As one of the first ethnographic documentaries "A Wife Among Wives" subtitles these talks so that the viewer can get a better and probably more personal understanding of the life of the Turkana.

Vulture Culture: Creating Afterlives

What do we have to learn from dead things and the people who love them? For some, vulture culture offers a deeper connection to nature. For others, it is a way of confronting death and processing grief. For others, the ultimate form of artistry.

Attiuk

The people of Unamenshipu (La Romaine), an Innu community in the Côte-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St. Lawrence River. Off-camera narration, written by Pierre Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Perrault, a founding figure of Quebec’s direct cinema movement.

Dead Birds Flying High

Jürgen Friedrich Mahrt (1882-1940) left behind a large collection of taxidermied birds and butterflies, as well as countless photographs, documenting the wildlife habitats of his time, many of which no longer exist today. His great-granddaughter has the collections analyzed by experts.

Afghan Nomads (The Maldar)

At dawn a nomad caravan descends on Aq Kupruk from the foothills of the Hindu Kush. In their camp, and in commerce with the townspeople, the Maldar reveal the mixture of faith and distrust that has kept nomads and sedentary people separate and interdependent over the centuries. The theme of the film focuses on political and religious beliefs. The film and accompanying instructor notes in this series embrace five different and complex units of analysis concerning how political change occurs; individual attitudes, ethnic identity, national loyalties, institutional affiliations, and ideological beliefs.

Divine Horsemen: The Living Gods of Haiti

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.

Beauty and the Beast: Two Igbo Masquerades

Beauty and the Beast: Comparing Two Igbo Masquerades By Herbert M. Cole

The Bounty Hunter of Mongolia

In the Darhat valley in northern Mongolia, the horses of nomadic tribes are stolen by bandits who then sell them to Russian slaughterhouses. Shukhert, a brave horseman, relentlessly pursues them through the Mongolian taiga, bordering Siberia.

An Afghan Village

A collage of daily life in Aq Kupruk builds from the single voice that calls the townspeople to prayer, the brisk exchange of the baazar, communal labor in the fields, and the uninhibited sports and entertainment of rural Afghans. The theme of the film focuses on rural society. The film and accompaning instructor notes explore concepts of development, modernization, environmental equilibrium, and especially change, identifying change agents, and analyzing barries and stimulants to change.

Dian Fossey: Ihr Leben für die Gorillas

She was the first to study gorillas in their natural environment: the high mountains of Rwanda, where she settled in 1967. For nearly twenty years, Dian Fossey lived with the gorillas, observed their behavior, and changed the way people viewed them. Her relentless fight against poaching prevented the species from becoming extinct. But in December 1985, the primatologist was murdered, and the mystery surrounding her death remains unsolved. Former colleagues, scientists, and biographers shed light on the impact of her work, but also on the darker sides of her personality and her uncompromising commitment.

Anamocot

After a 20-year long fruitless search in the Cameroonian forest, Frenchman Michel Ballot is on the verge of giving up his lifelong quest to find the mysterious creature known as the Mokélé-Mbembé. Turning to local initiates for help, and torn between ancestral wisdom and scientific evidence, he embarks on a final journey into powers, knowledge and the unseen.

Amin

AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing steep financial, cultural and political obstacles are dedicated to their art and culture. Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family are selling their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kyiv, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition.

Hombres de barro

A group of filmmakers travel to a Kolla community in Salta to film their folkways. We see all aspects of their life: farming, herding, cooking, football, and making music during a Pachamama festival. In the course of filming, the leader of the Kolla community changes the filmmakers' view of what the documentary should be, and at the end of their visit they are changed. "La vida se puede ir amasando, como el barro": As life goes along, it becomes more pliant, like clay. An announcement at the beginning of the film states that this is neither fiction nor documentary, but I'd say it's closer to documentary.

The Sadies Stop and Start

The Sadies Stop and Start captures a moment in time. That time was uncertain and dark. Still reeling from losing Dallas, we found out that Mike needed to have emergency wrist surgery. We needed to play these songs, not knowing if we would ever have the opportunity again. With one day's notice, documentary filmmaker Ron Mann and a stellar crew pulled together to help us capture these songs. Friends and family gathered to help out and show their support. James McKenty engineered in his mobile recording trailer, In Record Time Studio. The resulting film looked and sounded better than we could have hoped. We are thankful to share that Mike's surgery was successful and we are back out on the road and coming to a city near you.

Forest of Bliss

Forest of Bliss is an unsparing yet redemptive account of the inevitable griefs, religious passions and frequent happinesses that punctuate daily life in Benares, India's most holy city. The film unfolds from one sunrise to the next without commentary, subtitles or dialogue. It is an attempt to give the viewer a wholly authentic, though greatly magnified and concentrated, sense of participation in the experiences examined by the film.

Savage Memory

Founding father of Anthropology, Bronislaw Malinowski's work raises powerful and disturbing questions today. This is a look at his legacy and the imprints it has made on the generations that followed.

Qurbat

It's been 2 years since they've been together. They haven't seen each other in person. Only pixels on a screen.