Paris exposition films

Paris Black Night

Everyday Life

Dialogue-free short detailing the daily tasks of a man and his wife.

Under the Libertarian Sign

Bajo el signo libertario is a propaganda documentary, with the script and direction of Les (known for his articles in Solidaridad Obrera and the magazine Espectáculo) whose central theme is the reconstruction of the development of life in a libertarian community in the Aragonese town of Pina de Ebro.

Kokain-Krämpfe bei der Katze

Resorptive symptoms of intoxication after injection of cocaine in cats. Motor and vegetative arousal stages, tonic-clonic spasms and their spread in the motor system are shown in the individual phases of the poisoning.

Presos del silencio

The First Foot

Voices from the past echo through the deserted, snow-covered stone houses in a village in the Caucasus Mountains.

Cautivos en la arena

Un instante en la vida ajena

Compilation of images of the amateur recordings of Madronita Andreu, Catalan intellectual of the nineteenth century, daughter of Dr. Andreu, famous for its pills and cough syrup.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Midnight Ramble

A documentary chronicling the pioneering efforts of black filmmaker William D. Foster in the early years of the industry and Oscar Micheaux's controversial impact on the subsequent "race movies".

The Last Supper

A personal journey. A search for "the image of death" along the paths of the incommunicable, during a long walk through the cemeteries of Paris in search of César Vallejo's tomb.

Schwingender Stahl - Klingendes Holz

Propaganda short film

Banksy and the Stolen Girl

The exit door of the Bataclan theatre, the site of Bansky's mural, The Sad Girl, is stolen mysteriously. After it abruptly appears on of a hillside cottage in Abruzzo, French and Italian investigators unite to get to the bottom of the theft.

John Linnell: Live at Amoeba Music, 1999

A solo performance at the second Amobea Music location, on November 23, 1999.

The Incredible Bread Machine Film

A discussion of the economic and political ideas presented in the book "The Incredible Bread Machine".

Mes voisins sauvages

You don't have to travel to faraway countries to observe wildlife, because the fauna of the big city also provides surprises every day. Contrary to expectations, many bird, mammal and insect species have adapted to the concrete jungle. They have become experts of the urban space. “My Wild Neighbors” takes a poetic look at the lives of animals in the city.

Laci's Great Escape

Laci is almost ready for his great escape - standing in his way are his watchful parents, a depressed grandmother, and a cat who still has a lot to forgive.

The Way South

Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.

Lucie et Maintenant

In May of 1982 Julio Cortázar, the Argentinean writer and his companion in life, Carol Dunlop set out in their VW bus on a journey along the highway from Paris to Marseille that, for each of them, was to be their final one. Twenty-five years later, Océane Madelaine and Jocelyn Bonnerave set out to undertake the journey again.

Bicycle

Rhythmic composition of moving photographs of cyclists in Amsterdam, ‘set’ to Vivaldi’s The Four Seasons.