¿Quién puede matar a un hombre?

1013 Briar Lane

In 2008, a real-life mystery began to unfold when a real estate company (name withheld by request) discovered video footage shot in one of its vacant properties. The tapes were acquired by local documentary filmmakers Jarrod Rogan and Haman Movafagh, who began piecing together a series of bizarre instances recorded by a man living in the house. Apparently waiting for his wife and daughter to join him from out of state, the man began documenting strange activity that kept him from sleeping for days on end. The eerie recordings have become the subject of much controversy among paranormal investigators, and are finally being released to the general public. This first documentary from Son of Jason Films challenges audiences to explain what happened in the house on Briar Lane.

The Execution Machine: Texas Death Row

Explores the realities of death-row inmates inside Huntsville (Texas) Unit, a prison with the highest number of executions in 1997. Features interviews with prisoners, guards, officials, lawyers and victims' family members.

Capturar (Las 1001 novias)

Lane Woods Finds Love

Fresh out of a long term, serious breakup, Lane Woods chooses to work through (read as: distract himself from) his feelings by making a documentary about his attempts to get back out there and find a new love. With the help of his younger brother, Colin, Lane films himself as he goes on countless dates, hoping to catch those first sparks of love on film, instead he ends up documenting something much closer to reality.

The cats, the sea, and everything in between.

In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.

The Hat Man: Documented Cases of Pure Evil

Eyewitnesses across the globe describe encountering the same evil entity.

Silvered Water

Shot by a reported “1,001 Syrians” according to the filmmakers, SILVERED WATER, SYRIA SELF-PORTRAIT impressionistically documents the destruction and atrocities of the civil war through a combination of eye-witness accounts shot on mobile phones and posted to the internet, and footage shot by Bedirxan during the siege of Homs. Bedirxan, an elementary school teacher in Homs, had contacted Mohammed online to ask him what he would film, if he was there. Mohammed, working in forced exile in Paris, is tormented by feelings of cowardice as he witnesses the horrors from afar, and the self-reflexive film also chronicles how he is haunted in his dreams by a Syrian boy once shot to death for snatching his camera on the street.

La caravane du cafard

An intimate portrait of a Belgian family. They seem normal at first, but after a while they show their true colors. They’re a bunch of ruthless and indifferent serial killers without any scruples or morality. You’ll witness their daily slaughter and, as the bodies pile up, see how they’ll come apart at the seams.

Faces of Death II

This film continues along the same lines as F.O.D. 1 with short scenes of material related to death. Mortuaries, accidents, police work are filmed by television equipment and domestic video cameras.

Faces of Death III

Gory real-life footage of blood and guts on the German Autobahn, drug smugglers getting blown away, a parachutist landing in a crocodile pit, torture and murder in El Salvador, a PCP addict getting stoned, a videotaped rape/murder, a car thief getting ripped apart by two junkyard dogs, and much more.

Faces of Death IV

Contains more than 50 separate scenes of blood-chilling horror, none of which have ever been seen by the public, depicting a cremation, an electrocution, a terrorist destroyed by his own bomb, the massacre of a Columbian wedding party, the drawing and quartering of a Russian peasant and a man-eating tiger turning on its trainer.

Faces of Death V

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

Faces of Death VI

A direct-to-video compilation of the highlights of the earlier films in the Faces of Death series.

The Virtual Corpse

Documentary about the first human to donate his body to science so that it could be studied in the form of a 3D database of the entire anatomy that is available to view online. Convicted killer Joseph Paul Jernigan donated his body to science shortly before he was executed in 1993 and this documentary examines what took place after his death by lethal injection.

His Name Was Jason: 30 Years of Friday the 13th

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

The Village Detective: A Song Cycle

Atlantic Ocean, off the coast of Iceland, July 9, 2016. The surprising discovery of a canister —containing four reels of The Village Detective (Деревенский детектив), a 1969 Soviet film—, caught in the nets of an Icelandic trawler, is the first step in a fascinating journey through the artistic life of film and stage actor Mikhail Ivanovich Zharov (1899-1981), icon and star of an entire era of Russian cinema.

Dragonfly Eyes

A young woman's life takes a series of unexpected turns after she leaves the Buddhist temple where she has lived most of her adult life.

Aileen: Life and Death of a Serial Killer

British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990. Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind -- and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos' trial.

Slaughter (Besmel)

"Slaughter" is an experimental short film that delves into the archival and historical footage of the Iranian Revolution in 1979, depicting a symbolic narrative surrounding the ritualistic act of animal sacrifice, known as "Besmel." It serves as an allegorical representation of a nation's sacrifice amidst the backdrop of political transformations.

Sisterhood

Sisterhood portrays a current reality in Japan, showing the vision and lives of different people, such as a nude model, a music artist, a student and other diverse individuals who give their opinions in front of the camera.