Breakdown: 1975

The Aryans

THE ARYANS is Mo Asumang's personal journey into the madness of racism during which she meets German neo-Nazis, the US leading racist, the notorious Tom Metzger and Ku Klux Klan members in the alarming twilight of the Midwest. In The ARYANS Mo questions the completely wrong interpretation of "Aryanism" - a phenomenon of the tall, blond and blue-eyed master race.

Persistencies of Sadness & Still Days (Take 1)

“Persistencies of Sadness & Still Days”, is a four hour feature film by Maximilian Le Cain and Rouzbeh Rashidi. Structured in two sections or ‘takes’ of two hours each, this dream-like, experimental project offers two complementary explorations of cinematic form that skirt around possible narratives, ducking through a series of fluctuating audio-visual categories and intensities.

Cecil B. DeMille, l'inventeur du blockbuster

The Yes Men Fix the World

THE YES MEN FIX THE WORLD is a screwball true story about two gonzo political activists who, posing as top executives of giant corporations, lie their way into big business conferences and pull off the world's most outrageous pranks.

D'un Céline l'autre

Passers-by, those who knew him in his youth, René Barjavel, witness of his beginnings, his wife, his doctor, writers ... By questioning them Michel Polac tries to better understand the troubled personality of Louis-Ferdinand Céline, Notorious anti-Semite and genius writer.

All makt til ingen

A documentary about political activism, rebellion, squatting, and the do-it-yourself attitude among young people on the eve of the 70s. This is the story of how Blitzhuset came to be. We interviewed those active during the uprising; the young people who were at the forefront, the politicians and the police who were supposed to keep the city clean of the excrements. This is an exciting documentary about an era that has been mystified and lived in the shadows for far too long.

Mendès la France

Forty years after the death of Pierre Mendès France, Yves Jeuland and Alix Maurin reveal another side to this figure: the story of his life, told through the pages of his private notebooks. PMF led a romantic and extraordinary life as a French politician and Jew, both loved and hated.

Werner Herzog: Radical Dreamer

With exclusive behind-the-scenes access into Herzog’s everyday life, rare archive material and in-depth interviews with celebrated collaborators – including Christian Bale, Nicole Kidman, and Robert Pattinson, we are given an exciting glimpse into the work and personal life of the iconic artist.

The Grim & The Dark

When looking for a gift for his kid, Jon Heder (Napoleon Dynamite) is introduced to the world of Grimdark. In that moment he starts down a journey that will take him all over the world and through interviews with prominent Grimdark authors, game developers, and dedicated fans, he delves into the themes that define the genre—all in an effort to find the man who started it all: John Blanche.

I Funerali di Giuseppe Verdi

On 28 January 1901 the great musician Giuseppe Verdi died from the consequences of a stroke that had struck him six days earlier. These very rare images, captured in Milan on 27 February 1901 by the operator and pioneer of Milanese cinema Italo Pacchioni, document the transfer of the Maestro's body from the Monumental Cemetery of Milan to the famous retirement home for musicians which he himself founded.

Manufacturing Happiness

Books, apps, coaching sessions: Today, happiness is everywhere. We might think that there is nothing wrong with this common-sense concern. But it’s actually the opposite of social reality. So what lies behind this contemporary obsession with happiness and the billions of euros generated by its industry? Philosophers, sociologists, economists and psychiatrists including Christophe André, Éva Illouz, Martin Seligman and Julia De Funès, confront their point of view and decipher one of the most captivating and worrying phenomena of this early century.

Glam Rock: Splendeur et Décadence

Buried Under Rubble: Surviving Genocide in Gaza

Palestinian writer and journalist Hamza Salha recently reached Ireland from Gaza, where he endured two years of relentless bombardment and famine under Israeli genocide. Just a few weeks after his arrival, Hamza sits down with Palestine Deep Dive's Omar Aziz to recount his experience and document what he witnessed. From being buried under the rubble to experiencing first hand the latest technology in AI-assisted automated killing and surveillance, Hamza's personal account of resilience and resistance to Zionist erasure traces his family’s journey from the Nakba of 1948 to today’s ongoing genocide. Host / director: Omar Aziz Editor: Dhruv Haria Assistant Editor: Sam Mathias-Stanley

Paris 1900

In 1900, the eyes of the whole world are on Paris. The World's Fair welcomed 50 million amazed visitors, and the city celebrated itself in a glamorous era. This period went down in history as the "Belle Époque." Elaborately restored and colorized historical photographs bring to life the exciting life in Paris between the end of the 19th century and the beginning of World War I in 1914. Bicycles, cars, airplanes, moving pictures, newly founded film studios, revolutionary composers and painters, avant-garde ballet performances, fashion houses, summer resorts on the Atlantic coast – life was intoxicating. People celebrate in the variety shows, cabarets, and revue theaters of Paris. Moulin Rouge, Folies Bergères, Bal Tabarin—in Paris, the nights are long and life is too short to sleep through. It is a dance on the volcano, given the political developments in the world.

Witness Underground

Punk rock, B-movies, and Jehovah’s Witnesses unite in this heartfelt documentary. As members of Jehovah’s Witness start to explore culture outside of their religion, they have to wrestle with the possibility of being excommunicated from friends and family. Featuring in-depth interviews and extensive home video footage, Witness Underground tells the story of punk rocker Witnesses pushing against the highly controlling Jehovah’s Witnesses religion as they build their own community through music and art. This prolific community of Witness musicians create their own record label, Nuclear Gopher, and become early adopters of promoting their music through the internet, including what may have been the first album to ever be livestreamed. This community’s history is well documented through archival footage of their home movies and self-produced music videos, all with a very charming energy.

Making Of Castelo

A two parts making of documentary, following José Augusto Silva and his film crew during the shooting of a university short film called Castelo.

La vie au temps des gladiateurs

La vie au temps de Cro-Magnon

The Champion of the World

Ten years after winning a world title in bodybuilding in Russia and becoming a star of said discipline in Mexico, Antonio Osta (43) leads a life of austerity in the Uruguayan rural town where he grew up. He resides there with his son Juanjo (17), a sensitive teenager who keeps him company and confronts him openly. Suffering from acute kidney disease which keeps him from competing professionally, Antonio is stuck in limbo, halfway between his glorious past and the impossibility of being who he once was. However, he is unwilling to give up his lifestyle, even if it kills him. In an attempt to reinvent himself, and seeking a better future for his son, Antonio plans a comeback to the Mexico bodybuilding scene, where he may relive his glory days.

The Hypergaussian Wars

The Hypergaussian Wars is an AI-generated feature-length audiovisual work exploring algorithmic warfare, obsolete media and the transformation of images through repetition, saturation and collapse. Built from thousands of generated images, synthetic landscapes and references to 14th–16th century painting, the film stages a continuous conflict between historical visual culture and contemporary computational systems. Fragments of obsolete video games, ruined architectures, military simulations and post-human figures circulate through increasingly unstable environments. Rather than telling a linear story, the film operates as an image system in which visual excess progressively erodes meaning. The Hypergaussian Wars reflects on memory, obsolescence, artificial intelligence and the persistence of images after their original function has disappeared.