Primary Colours

Vigília Noturna

Innocence

A short film using old cine footage about a family's secrets and lies.

Inconclusa

Short experimental film by Ernesto Baca

Impregnate

Short experimental film by Ernesto Baca

Cartas de Arapuca

Centipede

Short experimental animation by Jules Engel

We Were the Scenery

In 1975, soon after the end of the Vietnam War, Hoa Thi Le and Hue Nguyen Che fled the country on a small boat. After nine days at sea, they docked in the Philippines, where they were utilized as background extras for “Apocalypse Now.”

Swan

A short experimental animation by Jules Engel

Orbit

The sun’s energy circulates throughout the earth, feeding the cycle of life. Everything is connected in a natural loop, which repeats, like the circular discs of magical optical toys. This perfectly balanced rhythm is disrupted by human excess, throwing the cycle out of orbit and temporarily stopping the circulation of energy in nature.

Grid

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

By Winds and Tides

Exploring the conscious, the unconscious and the self, By Winds and Tides takes a deep experimental dive into the birth of an idea—how it takes shape, how it is released. An allegorical quest, the film combines images and words into a singular sigh.

El Cuerpo Táctil

The encounter of a wound, a body and a city results in the alteration of the whole.

Tiger Bay

The history and myth of a ghost island off the SW African coast are told through a dystopian parable, in which a character undergoes brainwashing to escape the burden of memory in a world he no longer relates to.

Anhell69

A hearse cruises the streets of Medellín, while a young director tells his story in this city marked by conflicts, violence and paradoxes. He remembers his childhood and the discovery of his sexuality.

The Devil Has the Biggest Tits You Ever Saw

Our host Dr. Dramaminex Dante seeks to answer the question: Who knows what the devil looks like? For no one really knows.

Silver Play

"It's all coming out of Mexico. Surreal gets so real. And invader from England, France or Spain found the taste of cactus cocktail. That makes this movie sweat, ha?" (Stom Sogo)

Eme (o dos historias sobre [cómo] soltar)

Two stories about different ways two people overcome loss; which may or may not be connected.

Lucina Annulata

Sunny. Semantic sequences guide the gaze, a gaze that is sometimes raised, propelled downwards, then too high or motionless in front of an unrecognizable and yet so familiar vision. The images, linked by echoes of chromatic palettes and linear layers, scroll to the rhythm of a voice, reminiscent of an incantation. Sacred.

ENTRANCE

This is an installation documentary created in 2015. The quiet process of making boxes indoors reflects the author's patience and caution, the narration when the screen is black reflects the author's familiarity and confidence in what he wants to express, and the dodging perspective and trembling picture when facing the crowd outdoors reflect the photographer's cramped and alienated. A lot of things happened after 2015, and the film was re-edited. The current version has almost used the best materials of that year.

Whitewash

Lynsey Martin’s work includes the use of collage and its erasure, the grain of the photographic image and handpainting and drawing imagery directly on the film surface. Martin deals with the graphic and material elements of the filmstrip, the nature of filmic movement and the nature of photography in public space.