Les Invisibles

Buzz One Four

Buzz One Four chronicles the ill-fated flight of a Cold War B-52 Stratofortress loaded with two 3-4-megaton nuclear bombs that crashed 90 miles from Washington DC in 1961. Information suggests that detonation came closer than official reports indicated. The full details of the crash have remained classified and otherwise repressed by the Air Force, but the filmmaker, Portlander Matt McCormick, grew up with this story because the pilot was his grandfather. As McCormick recounts the history of the era, aspects of this crash, and other little-know nuclear-weapons accidents, he leaves us wondering if the U.S. was in greater danger of nuking itself than of being attacked by the Russians.

W milczeniu

Until now, they have stood on the sidelines. They have not appeared before the cameras. They have not taken part in public discussion. It is mainly to them that the documentary film by the well-known journalist Ewa Ewart was devoted. It shows the face of the Smolensk catastrophe through the eyes of the victims' families. April 10, 2010 went down in the memory of Poles as a day of national drama. But for the characters in the film, it was the day of their greatest personal drama. Along with the presidential couple, their loved ones passed away in shocking circumstances. For most, the time passing since the Smolensk catastrophe does not bring relief. Ewa Ewart and her film crew accompany the families at various stages of their struggle with difficult emotions. The film is in the process of being made and will include sequences and stills that have not been used anywhere before.

Passeurs de vies

Moventes

A particular portrait about the migration of a family from northeast Brazil to São Paulo.

Our Baby: A Modern Miracle

What's it like starting a family when you're both transgender? This intimate film follows Hannah and Jake Graf on a journey through prejudice and surrogacy to birth during lockdown.

A New Kind of Wilderness

In a forest in Norway, a family lives an isolated lifestyle in an attempt to be wild and free, but a tragic event changes everything, and they are forced to adjust to modern society.

My Brother the Terrorist

In this sequel to "My brother the Islamist," we continue to follow Robb Leech as the tries to understand his stepbrother's journey and transformation from middle-class boy to convicted terrorist.

Wintopia

IDFA and Canadian filmmaker Peter Wintonick had a close relationship for decades. He was a hard worker and often far from home, visiting festivals around the world. In 2013, he died after a short illness. His daughter Mira was left behind with a whole lot of questions, and a box full of videotapes that Wintonick shot for his Utopia project. She resolved to investigate what sort of film he envisaged, and to complete it for him.

Blindspot

A brief glimpse through the life of Granny Lue. A woman of faith, fearlessness, and fierce energy, she never allowed her disability to determine her ability to live.

Oaxacalifornia: The Return

The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.

Gunnar's Last Project

At 85, Icelandic design icon Gunnar Magnússon begins a final project with help from his daughter Tinna. As his health suddenly fails, she is left to complete the work herself, turning her father’s last creation into a daughter’s final gesture of love.

The Spider and the Fly

Few amateur films with sound were produced in the 1930s and fewer remain extant. A charming artifact that demonstrates the expressive possibilities and technical limitations of amateur talkies, "The Spider and the Fly" includes a backyard Labor Day gathering, a trip to the Riverview Amusement Park, and a homemade Halloween parade of witches and ghouls.

When delusion becomes reality

Jöran has a bipolar disorder, which makes him vulnerable to depression, mania and psychosis. He can sympathize well at the moment, but that has been different in the past. Jöran delves into his dark past and talks to the people who experienced his illness up close. How do you deal with this disorder and the misunderstood behavior that comes with it? And how do you break the taboo that still exists on disease pressure?

Tout le temps, tout le temps, tout le temps...?

A Conversation Between Parents

A year after Thadd and Shannon gave birth to their son, A Conversation Between Parents highlights a climactic conversation in their lives -- as both young parents grasp at the last threads of their ideal family. On an afternoon off of work, the couple sits on their couch, while their son sleeps in his crib, and the family grapples with their limited options one last time. Dietrich’s camera ties the couple’s painful conversation together with flashbacks of both parents’ precious memories of their first year with Jasper, attempting to find a way to articulate their struggles in the last conversation they have together as a couple.

Ghosts: Long Way Home

After a spell cast by Grandma Faraway, the oldest son of a small family encounters the ghost of his late Grandma Maria still living in her old house, and they chat as they used to.

Une vie en transit, ou l'illusion du provisoire

Alma Anciana

Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.

Sheher-E-Lucknow

A docu-film about the city Lucknow where the creators ask their family members important questions they have always wanted answers to, while indulging in tomfoolery around town. The film showcases the differences in the way three different generations perceive Lucknow. An ode to the city, and an attempt to provide solace to the social misfits of the creators' hometown.

The Story of a Butcher Shop

The Kitades run a butcher shop in Kaizuka City outside Osaka, raising and slaughtering cattle to sell the meat in their store. The seventh generation of their family's business, they are descendants of the buraku people, a social minority held over from the caste system abolished in the 19th century that is still subject to discrimination. As the Kitades are forced to make the difficult decision to shut down their slaughterhouse, the question posed by the film is whether doing this will also result in the deconstruction of the prejudices imposed on them. Though primarily documenting the process of their work with meticulous detail, Aya Hanabusa also touches on the Kitades' participation in the buraku liberation movement. Hanabusa's heartfelt portrait expands from the story of an old-fashioned family business competing with corporate supermarkets, toward a subtle and sophisticated critique of social exclusion and the persistence of ancient prejudices.