T.G.

The Happy Days of the Moomins

Based on episodes of the series "Moomin Stories", the Moomins reminisce about the fondest moments of their lives. Moominpappa reminisces about his childhood; Moomintroll reminisces about how he, Sniff, and Snufkin set out to find out if Earth was truly threatened by a comet; and Moominmamma reminisces about the incredible visit of aliens from outer space.

Winter in Moominland

The film tells the story of the Moomin family's preparations for winter and their hibernation, interrupted by unexpected events: the appearance of the mischievous Nibling, a visit to Too-Ticky, who lives by the sea, the adventures of Little My, rescued by Moomintroll, the exploits of the Hemulen, a sports enthusiast, and so on. The story ends with the arrival of spring, the awakening of all the inhabitants of Moominvalley, and the return of Snufkin. The film is based on episodes of the television series "Moomin Stories".

Prince Consorts: In the Shadow of the Crown

No profession, no say, no freedom of expression. Life as a prince consort is not exactly pleasure taxing. No constitution ascribes any function to the husband of a queen. Nowhere does it say what he must or must not do. A life in the shadow of the crown. Can that go well?

The Last Piece: Essay I

Disrupt, reject, destroy, avoid: At the interrupted rhythm of the broken photographs that a granddaughter has rescued from her grandfather’s hands, the last piece reconstructs the memory of an older man who has decided to leave behind his life impulses to surrender to sleep and calm. An essay on the act of joining our memories, the illusion of remembering and the freedom to forget.

Solidão no Fundo da Agulha

The Smuggler and Her Charges

A captivating and personal detective story that uncovers the truth behind the childhood of Michaël Prazan's father, who escaped from Nazi-occupied France in 1942 thanks to the efforts of a female smuggler with mysterious motivations.

the backroads

A reflection on the beauty of the roads less traveled.

Up the Yangtze

At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.

The Westoxicateds

Stuck in a creative rut, filmmaker Gilda Pourjabar returns to Iran, her homeland, to talk with her brother Siamak, an illustrator based in Tehran. This encounter raises questions about their relationship to Western popular art, as they grew up in a culture that the current political regime describes as “westoxicated.” This documentary uses playful animations by Siamak, inspired by Franco-Belgian comics and rock concert posters, superimposed on archival footage of the most recent popular uprisings in Iran to become a logical collaboration for these artists who shared a record collection as children. Together, they examine how art slips through the cracks of repression to light the rebellious sparks in the hearts of young people.

I forgive you, Mama

Maya is Ayaibex's daughter, an addict in recovery that feels a blame for damages that caused her daughter, Maya decides to remember her mother's childhood experiences in her world of addiction to seek the redemption of the weight that her mother has loaded for 20 years and get both to forgiveness.

Video Blues

Emma reviews old tapes on VHS, which show faded family memories of those distant 80s, when she was still a child. While recalling the trips to the coast and the children's laughter, she tries to recompose pieces of a story that he never fully understood, joining the pieces of a forgotten puzzle to discover that things were not what they seemed.

A Landscaped Area Too Quiet for Me

Memory prevents rest and a woman about to die takes advantage of cinema to tell her story (inseparable from that of Franco’s Spain) and to say goodbye. A terrace as a border and a song that crosses time. At home, nothing is always—and everything is still—in the present and defunct now. A home movie of ghosts, a generous gesture of intimacy and solidarity that not witnesses two people at the end of their long lives, but also reveals the weight of history and of the 20th century, which is always present today.

The day he decided to leave

My grandfather Tuiu decides for the second time to leave his house and start a life elsewhere, he lives with the street hardships, and the fact of leaving is linked to the depredation of that place.

Pieces of my life

Josué, a 15-year-old boy, visits his mother, with whom he doesn't have a good relationship, which leads to certain conflicts. Being in his old house, Josué remembers moments from when he was a child, which brings him closer to her.

Hearts Beat Loud

In the hip Brooklyn neighborhood of Red Hook, single dad and record store owner Frank is preparing to send his hard-working daughter Sam off to college while being forced to close his vintage shop. Hoping to stay connected through their shared musical passions, Frank urges Sam to turn their weekly jam sessions into a father-daughter live act. After their first song becomes an internet breakout, the two embark on a journey of love, growing up and musical discovery.

Beyonce & Jay-Z: Power Love

A merger of megastar music. Discover the story of multi-genre performer and fashion promoter, Beyonce Knowles sand the world's first hip hop billionaire, Jay-Z.

Brown Bear's Wedding

The shy Brown Bear falls for the beautiful White Bear and is bound and determined to make her his wife.

Hallyday par David

For over a year, from Paris to Los Angeles, David Hallyday agreed to open the doors to his private life and his clan. The artist opens up like never before about his life as a man, son, husband, brother, and father. Drawing on personal archives and rare insights from his inner circle, this is a unique account of a life and a family of which David Hallyday is now the pillar.

SOME COLORS

Elle va crier

Audrey, a woman in her mid-fifties, has never been able to make peace with her tumultuous family history. A clumsy mother, an emotionally distant father and sexual assaults that have gone unreported. She now decides to confront her demons. Supported by her son, the director of the documentary, she revisits a striking scene from her past: the moment when she told her parents that her grandfather had raped her. Together, through a year-long production process, they transform this awkward exchange into a moment of communion, thanks to actors, a set and Audrey's desire to do herself justice.