The Massacre at El Mozote, Twenty Years Later

El Negro, El Indio

A meditation on the intersection of Afro-Caribbean and Indigenous American existence.

La decisión de vencer (Los primeros frutos)

Filmed by Guillermo Escalón in July 1981, it shows daily life in territories under guerrilla control in the Francisco Sánchez Northeastern Front, Department of Morazán,

The Crazy Life

A documentary about the rival gangs Mara 18 and Mara Salvatrucha, originating in Los Angeles but terrorizing El Salvador. It explores their origins as possible founding myths of organized crime in a globalized world.

Maria's Story

It is El Salvador, 1989, three years before the end of a brutal civil war that took 75,000 lives. Maria Serrano, wife, mother, and guerrilla leader is on the front lines of the battle for her people and her country. With unprecedented access to FMLN guerrilla camps, the filmmakers dramatically chronicle Maria's daily life in the war.

Tiempo de audacia

This documentary juxtaposes scenes of El Salvador's opposition factions, including U.S. government advisors and government troops, and guerrillas and their sympathizers.

The Tiniest Place

Years after the Salvadoran military destroyed the village of Cinquera in that country’s civil war, survivors have returned to rebuild their community. Soulful, beautifully rendered, this amazing debut is an evocative testament to place, memory and the power of life to rebound from tragedy.

10 Years of Taking the Sky by Storm

Produced by the Radio Venceremos System, chronicles the first decade of the guerrilla broadcaster that became a crucial communication tool for the FMLN during El Salvador’s civil war. Through archival footage, radio transmissions, testimonies, and scenes of daily life in liberated zones, the film traces the station’s military, political, and cultural role, from reporting on combat operations and peasant struggles to fostering literacy, music, and international solidarity. The documentary portrays Radio Venceremos not only as a strategic instrument of war, but as a symbol of resistance, collective organization, and revolutionary memory.

De la guerra a la paz

A production by Radio Venceremos in 1992. The documentary's central objective is to showcase Radio Venceremos' new role after the end of the armed conflict, portraying it as a radio station that would continue serving the needs of the Salvadoran people. The documentary includes some of Radio Venceremos' broadcasts during the Salvadoran peace process.

Tiempo de victoria

It documents the civil war in El Salvador, in its first 8 years, as well as the political movements, and the human rights violations that occurred.

Doble cara

This documentary examines the formation of labor unions in El Salvador and the systematic violations of workers’ rights that characterized the country during the 1980s. Through testimonies and on-the-ground footage, it exposes the climate of employer authoritarianism and repression faced by workers, situating these conflicts within a broader history of social unrest that dates back to the 1930s and re-emerged with intensity in the 1980s. The film also depicts how the guerrilla movement carried out campaigns of political and labor awareness among peasants and workers, encouraging collective organization and the defense of labor rights. Ultimately, the documentary reveals the “two faces” of El Salvador: on one side, state power embodied by the army and the police; on the other, the opposition represented by guerrilla forces and grassroots popular organizations.

Borderlands

Fleeing the 1980 Civil War in El Salvador, Dora Rodriguez, among a group of twenty-five asylum seekers, were abandoned by their guide and left to fend for themselves in the relentless Sonoran desert of Arizona.

Salvador : vivre sous Bukele

La luz que te decía

Filmed during the Salvadoran civil war, La luz que te decía documents the struggles of the country’s labor and trade union movement amid escalating political violence. Through strike footage, congress meetings, marches, and first-person testimonies, the film portrays a society marked by state repression, workers’ mobilization, and efforts to build national and international solidarity. The documentary pays particular attention to the strike of the National Water Authority workers (ANDA), featuring members of the SETA union who describe the causes of the protest, the repression they faced, and the survival strategies adopted during the conflict. Testimonies from other unions, grassroots organizations, and international labor groups broaden the film’s perspective beyond a single labor dispute.

Wild El Salvador: In the Shadow of the Volcanoes

Join affable presenter Nigel Marven as he explores El Salvador, the volatile land of volcanoes with a colorful culture and natural history. Follow along as he climbs an active volcano near the capital San Salvador, comes face-to-face with a crocodile, cuddles a caecilian, fights fire with fire, dives deep into a volcanic lake, and discovers the Pompeii of Central America.

Little Birds

Through dances and games, migrant boys and girls who live in a shelter in Reynosa, on the US-Mexico border, shared their dreams and stories of hope with us.

El Salvador: Mega Prisons, Maras & the Coolest Dictator

Topiltzin

An experimental short film about a day in the life of a barefoot boy who sells newspapers in San Salvador.

The Tiger and the Deer

In El Salvador, Chelino tells about the indigenous massacre of 1932, of which he survived, while he teaches the melodies of traditional Salvadoran dances.

Seeing El Salvador

This Traveltalk series short starts in San Salvador, El Salvador's capital, emphasizing the Spanish architectural heritage. We then go to the Izalco Volcano, which was created in 1770 by an eruption of the Santa Ana Volcano. The focus then shifts to the country's agriculture. The two main products are coffee and henequen, a plant with tough, fibrous leaves used to make rope, baskets, and other products.

The Houses Are Full of Smoke

A powerful three-part documentary studying the US involvement in Guatemala, El Salvador and Nicaragua. The differing factions - Sandinista leaders, Guatemalan campesinos, CIA operatives, Contras and US government apologists - are interviewed and, in the absence of a controlling narration, the audience is encouraged to draw its own conclusions.