Los Jaivas en Canadá

Los Jaivas: La Ruta Infinita

Los Jaivas take a symbolic train to celebrate their 60 years of musical life. A choral story where the protagonists narrate the intimacy in this journey of commemorations and obligatory stops throughout Chile connecting it with their music. The band together with other authorized voices reflect on the free and democratic circulation of Chilean cultural heritage, closing the year's tour with the realization of the mural in Cal y Canto station of the Stgo subway by René Olivares and the great final show at the Quinta Vergara in Viña Del Mar.

Las alturas de Macchu Picchu

The historical musical made in the Inca citadel in 1981 with texts by Pablo Neruda and music of The Jaivas. Special Guest: Mario Vargas Llosa in the presentation.

La huella, la historia de Juanita Parra

A documentary that mixes fiction with reality, telling the story of Juanita Parra, who reflects on how she entered Los Jaivas, the band where his father played in, after his death.

Mamalluca, Nace Una Obra Sinfónica

This documentary by José Luis Valenzuela meticulously follows each step in the evolution of the creative process of this fundamental work in the history of Los Jaivas, Mamalluca.

Los Jaivas: Todos juntos

Los Jaivas are the most important rock band in the history of Chile. 55 years of music and friendship. Memories emerge note by note, song after song, tour after tour. An intimate portrait of their musical life where for the first time they share their archives that have been accumulated for years on the shelves of a small apartment in Santiago.

Detrás de las Cámaras - Los Jaivas: Alturas de Macchu Picchu

A valuable archival document showing how the musical "Las Alturas de Macchu Picchu" was made in 1981.

Los Jaivas en Sacsayhuamán

Nineteen years after recording "Las Alturas de Macchu Picchu", Los Jaivas returned to Cusco in March 2000 for an exclusive concert at the imposing ruins of Sacsayhuamán. Thirty thousand people gathered (braving the rain at times) to witness this magnificent spectacle, which also featured a thrilling and massive choreography. The reunion with their friends from the band "El Polen" fostered a sense of camaraderie that Los Jaivas have always cultivated in their songs. The work of filmmaker José Luis Valenzuela is particularly interesting, blending footage of the concert with images of the set, rehearsals, travel and stay in Cusco.

Los Jaivas - En Concierto: Gira Chile 2000

Los Jaivas concert at the Teatro Monumental, held on May 5, 2000. The closing of a great tour that the group carried out throughout Chile.

Los Jaivas en New York

Los Jaivas en Rapa Nui

Los Jaivas played for the first time on Rapa Nui on May 5, 2006, fulfilling a long-held dream. José Luis Valenzuela, using this concert as the central focus of his narrative, juxtaposes it with domestic scenes, work scenes, timeless images, and breathtaking landscapes that evoke the first morning of the world, allowing us to share the band's experience of trying to understand this ancient culture.

Los Jaivas Cuentan La Historia

Documentary filmed in Neruda's homes with interviews with Los Jaivas, in which they recount how their work "Las Alturas de Macchu Picchu" was conceived and created and how they came to perform it in Macchu Picchu.

Los Jaivas en Nueva York, Abril 1985

On Saturday, April 27, 1985, Los Jaivas made their first presentation in the United States, at Carnegie Hall in New York, in the concert of Erwin Frankel's "New Audiences" cycle.

Los Jaivas: Trilogía El Rencuentro

Los Jaivas Sesenta

On August 15, 2023, at the iconic Movistar Arena in Santiago, Chile, an unprecedented musical milestone was commemorated. Los Jaivas, Chile's longest-running fusion rock band, celebrated six decades of musical history in an event filled with emotion and unforgettable memories.

Los Jaivas: La Vorágine

Five young men from Viña del Mar brought to life in the 1960s the most internationally renowned Chilean folk band. This documentary is a journey into the past, featuring testimonies from the members of Los Jaivas themselves about their early years, recalling their beginnings in the fusion of progressive rock and Latin American folk music.

Mamalluca, un viaje sinfónico

A unique and transcendent conceptual documentary that, through a complex Chilean musical work, rescues the sense of identity that is passed down from generation to generation, rescuing fundamental pillars of literary and musical creation.

Little White Dove

A young working class girl falls in love with an upper class boy who is part of the plot to assassinate General Schneider, head of the Chilean Army. The film was shot in 1973 over six weeks with a budget of $170,000. As a result of the 1973 Chilean coup d'état and military dictatorship (1973–1990), the film was presumed lost for many years and not released until 1992.

Rush: Exit... Stage Left

Exit...Stage Left was filmed in Montreal Canada during Rush's 1981 World Tour that encompassed Canada, the United States and Europe and reached a total audience in excess of one million people. The footage incorporated the output of five separate 16mm cameras, both hand-held and stationary, which operated in front of the stage behind a barricade, and in various strategic onstage locations. During the performance at the Montreal forum, the audio was recorded by Le Mobile, with Terry Brown and Guy Charbonneau at the controls. The audio was then digitally mixed at Le Studio in Morin Heights, Quebec, where Moving Pictures, Permanent Waves, and Signals were recorded and mixed. The result, the Exit...Stage Left movie (a different performance than that found on the live Exit...Stage Left album), represents one hour of highlights from Rush's two hour stage show, visualizing material from their albums Moving Pictures, Permanent Waves, Hemispheres, and A Farewell to Kings.

Rush: Chronicles

Whilst Rush have always been considered one of Rock's greatest hidden treasures, with complex, intricate musicianship, it can never be said that Music Video was their forté. With this collection of 'hit' videos from Rush we can see why. Almost befittingly, Rush's best videos appear to be those that simply demonstrate their playing. Studio footage of Rush is rare and welcomed on this DVD.

Rush: A Show of Hands

For a band with high standards, a perfect show is impossible, and an excellent show is rare. You hope that the norm is "good". To deliver a really exceptional, comfortable performance before a recording truck or film crew has been our unfulfilled dream of many years. Always it seemed that as soon as the machines started rolling, we forgot how to play and our equipment forgot how to work. But for these two nights, the gods smile. And the film becomes not just a concert, but a symbol - for the band a scrapbook, an autobiography, an era frozen in glacial clarity. For the audience, it can be an enduring souvenir, and if it can't quite capture what it was like to be there, it is a way of seeing through many pairs of eyes, of shifting one's vantage-point around and above the players in a way no mortal could. Hands perform, and hands respond. Hands gesture, and hands respond. A show of ears and eyes, a show of hearts and minds. A Show of Hands. - Neil Peart