Just cause, ¿para quién?

Una identidad en absurdo Vol. 1

Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.

The Panama Deception

This winner of the 1993 Academy Award for Best Documentary Feature details the case that the 1989 invasion of Panama by the US was motivated not by the need to protect American soldiers, restore democracy or even capture Noriega. It was to force Panama to submit the will of the United States after Noriega had exhausted his usefulness.

Intercepted

A journey through Ukraine that reveals the banality of evil behind the Russian invasion with the shocking juxtaposition of two realities: the Ukrainians who have been suffering and resisting the war violence, and the Russian military, and civilians, who have been perpetrating it.

Panama Radio

Two friends who worked in the vinyl record shop Panamá Radio remember the post-II World War days when they entered the working scene of the city, the music of the times and all the artists that visited the shop.

La vengeance de Poutine

For My Right To Choose And Be Chosen

Panamanian women tell their struggle to overcome inequality and discrimination in the political and public sphere and for the right to universal suffrage which they obtained in 1946.

My Name is Panama

An ironic portrayal of the days of the U.S. blockade of Panama, set during the dictatorship of Manuel Antonio Noriega, just months before the country was invaded by U.S. troops.

Invasion

INVASION is a documentary about the collective memory of a country. The invasion of Panama by the U.S in 1989 serves as an excuse to explore how a people remember, transform, and often forget their past in order to re-define their identity and become who they are today.

De Gaulle, l'homme à abattre

A Sloth Named Velcro

In 2000 in the jungles of Panama, a young journalist, named Ana, has a chance encounter with a tiny orphaned sloth, which she names Velcro. For nearly two years, the pair is inseparable until finally Ana travels up a remote river to reintroduce Velcro back to the wild. This is the story Ana’s return to Central and South America to see how much has changed since Velcro came into her life.

Angels & Dust

Music producer Professor Angel Dust and his wife Kene are arrested at Panama airport on their way back to Barcelona. Their daughter is taken into custody by the local social services. Angel's brother Mauricio is in shock. Forced to park his life in Spain, he flies to Panama to take custody of his niece, find a lawyer and seek protection for his brother in prison. After two months, he succeeds in bringing his niece back home, but has to fly back to Panama for the trial of his brother and sister-in-law... His journey will become a contemporary 'odyssey' full of overwhelming encounters with characters whose philosophy of life and daily routines illustrate some of the human paradoxes to their very limits.

Fraimpark

A close look at what really means to be part of Haus of Fraimpark, an alternative drag family in Panama City. Daughters and Nieces of Miss Veneno Fraimpark share their experience in belonging to one of Panama's most acclaimed drag houses.

Homes Apart: Korea

They speak the same language, share a similar culture and once belonged to a single nation. When the Korean War ended in 1953, ten million families were torn apart. By the early 90s, as the rest of the world celebrated the end of the Cold War, Koreans remain separated between North and South, fearing the threat of mutual destruction. Beginning with one man's journey to reunite with his sister in North Korea, filmmakers Takagi and Choy reveal the personal, social and political dimensions of one of the last divided nations on earth. The film was also the first US project to get permission to film in both South & North Korea.

Nosotros los del Silver Roll

Afro-Antillean workers hired for the construction of the Panama Canal are brought from their homes to work in conditions that were not those promised. They, the descendants of African slaves and domesticated from England, manage to raise their voices against American injustices.

Le Baron et l'Empereur : Japon, la voie de la guerre

The Empire Visits Us Once More

In Portobelo, two friends go to a Congo dance and witness an invasion of demons, while Panama is invaded by Americans troops in 1989: this turns into an account of what happened in the cities of Colón and Panamá.

Ahora ya no estamos solos

In March 1973, the United Nations Security Council met in Panama City to debate the Panamanian claim for a new treaty that would end the colonial presence of the United States in its territory. The majority of the participating states of the Council recognize the justice of Panama's cause and give it their support, but the United States vetoes the resolution.

Canto a la patria que ahora nace

Based on a poem and archive images, the military aggression of the US army stationed in the Canal Zone against the Panamanian people who demand to raise their flag in the territory occupied since the beginning of the 20th century is reconstructed and denounced. The aggression that occurred between January 9 and 11, 1964 left a balance of 21 patriots.

La canción de nosotros

A musical group of young people from Viejo Veranillo perform protest songs in favor of the sovereignty of Panama. Set in 1976, a year before the signing of the Torrijos-Carter Treaties, the members of the group led by “Chirri”, vocalist and ukulele player, tell of their experiences in the neighborhood and their disagreements with the US military on the border that divided its community with the old Canal Zone.

Bancoco

A New Yorker journeys to the jungle in the Darien Gap of Panama to reconnect with an indigenous tribe he met and photographed 20 years ago. Their reunion highlights the profound power of photos and the human connection that transcends cultural barriers.