2084: Video Clip for the Trade Unions' Reflection and Pleasure

The Sixth Side of the Pentagon

Chris Marker and François Reichenbach document the massive anti–Vietnam War protest held in Washington, D.C., on October 21, 1967, where more than 100,000 demonstrators gathered at the Lincoln Memorial before marching on the Pentagon. Filmed amid the crowd, the short captures the tension, idealism, and growing radicalism of the American peace movement.

Fanalysis

Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.

Hakob Hovnatanyan

Exploring the art of Armenian portraitist Hakob Hovnatanyan, Parajanov revives the culture of Tbilisi of the 19th century.

Altarpiece Artists

The art of votive offerings is fading, and with it, its creators, the retableros. We will witness the work of some of these last artisans, masters of a craft deeply rooted in tradition, religious and social identity in Mexico; they will tell us about their lives, their work, and their future.

Hiddensee - Unsere schöne Insel

A journey through a nature reserve in the GDR: the island of Hiddensee—with a special focus on the landscape, flora, and fauna.

The Doubt According to the Archives

In an essay and archival intervention, questions arise about the images of the 1968 national strike council.

Corral

Corral is a 1954 National Film Board of Canada documentary by Colin Low, partly shot in the Cochrane Ranch in what is now Cochrane, Alberta. In the film, a cowboy rounds up wild horses, lassoing one of the high-spirited animals in the corral, then going on a ride across the Rocky Mountain Foothills of Alberta.

Superheroes without Superpowers

The main (super)hero of Beatrice Baldacci’s documentary is a person depicted as the sum of her memories. The story of the director and her family is told in the first person, with home VHS recordings that show both Beatrice’s mother and Beatrice as a child taking on the role of an agent of memory. Outdated technology transforms the events of twenty years ago into an archaeological object.

After Two Hours, Ten Minutes Had Passed

Time as punishment — of juvenile inmates and bodies that become heavy in prescribed spaces.

Goodbye Chicken, Farewell Goat

Seven years since his last visit to Nigeria, a filmmaker meditates on the death of his father.

Land Without Bread

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

Toronto Jazz

Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.

Timber Front

This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.

My Dad and the Volcano

Gavin built a giant volcano sculpture that's now in his dad's shed. Gavin seeks his dad's understanding but he's uninterested in modern art and refuses to participate in the documentary.

Magic Muscle Moments

The daily life of an ill man is constantly interrupted by television advertisements. They promise some change to his life. He finds himself as a part of the adverts, but soon the empty promises become demonically possessive. The truth sets in.

Film-Tract n° 1968

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min

Μοναστηράκι

Kozan

This short documentary portrays a typical day of a Turkish farmer woman who lives in the village of Kozan, Adapazarı, Turkey. The film follows her everyday activities while also portraying her own opinions about her life.

Clouds

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

Grüße von Rosita aus Peru

Rosita Hernandez, a nine-year-old Indio girl, tells about the everyday life of her family living in the the desert plain between the Andes and the Pacific Ocean, about 300 km south of Lima. Specific social and economic problems as well as ways of coping with them become visible.