The Mask You Live In

How to Cook Your Life

A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.

Dixie Chicks: Shut Up and Sing

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

The Battle of The Alamo

When the Mountains Tremble

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

Jesus Camp

A documentary on kids who attend a summer camp hoping to become the next Billy Graham.

In the Realms of the Unreal

In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.

Kurosawa's Way

Eleven major film makers from Europe, America and Asia talk about Akira Kurosawa and discover surprising influences on their own work.

Angano... Angano... Tales from Madagascar

Venerable storytellers recount for the camera and their listeners the founding myths of Malagasy culture.

100 Years

An animated history of American health care provider, Planned Parenthood.

Dig!

A documentary on the once promising American rock bands The Brian Jonestown Massacre and The Dandy Warhols. The friendship between respective founders, Anton Newcombe and Courtney Taylor, escalated into bitter rivalry as the Dandy Warhols garnered major international success while the Brian Jonestown Massacre imploded in a haze of drugs.

Cycling the Frame

In 1988, Tilda Swinton toured round the Berlin Wall on a bicycle - starting and ending at the Brandenburg Gate - accompanied by filmmaker Cynthia Beatt. As Swinton travels through fields and historic neighborhoods, past lakes and massive concrete apartment buildings, the Wall is a constant presence.

Boulevard's End

This short documentary focuses on the very end of Washington Boulevard, where the city of Los Angeles meets the ocean and the Venice Pier begins. The rough and simplistic concrete pier braves pacific storms and provides stillness and stability. People come to walk, to fish and ease their minds. The film takes a closer look at the diverse people all around the pier. Among them the filmmakers find two citizens, both immigrants, who take us on their personal journey through history.

Mink!

Told by her daughter Wendy, MINK! chronicles the remarkable Patsy Takemoto Mink, a Japanese American from Hawai'i who became the first woman of color elected to the U.S. Congress, on her harrowing mission to co-author and defend Title IX, the law that transformed athletics for generations in America for girls and women.

Olympia Part Two: Festival of Beauty

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Approaching the Elephant

APPROACHING THE ELEPHANT is a feature-length documentary about The Teddy McArdle Free School, where classes are optional and rules are made by democratic vote. Summerhill, founded 90 years ago by A. S. Neill, was the first free school - now there are more than 200 worldwide. Approaching the Elephant chronicles a free school in the making - spanning two years, from Teddy McArdle's first day when there were no rules or classes, through the changing of the school's director and the expulsion of a student by democratic vote, to the last day of the second year, APPROACHING THE ELEPHANT is an intimate portrait of a small group of people from a range of educational backgrounds, come together to forge a place where children are treated as equals, at liberty to spend their days however they please.

Mabel

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

the post-feminist dissonance project

The Post(?) Feminist Dissonance Project uses a quote by Kathleen Hanna as a prompt, a voicemail box as an interviewing device, found footage as a tool, and text as a character. it is a study in the cacophony of the inner life tuned against the perception of reality. i made this piece to see if i was alone, and i discovered that for better or for worse, i am not. this is above all about the process, not the resolution.

You've Got Beautiful Stairs, You Know...

Short directed by Agnès Varda in 1986 on the occasion of the 50th anniversary of the French Cinematheque, presenting a contrast between the famous stairs from the place along with classic film images also revolving around stairs.

Margaret Kilgallen: Heroines

"I especially hope to inspire young women, because I often feel like so much emphasis is put on how beautiful you are, and how thin you are, and not a lot of emphasis is put on what you can do and how smart you are. I'd like to change the emphasis of what's important when looking at a woman." Filmed in San Francisco in 2000, Margaret Kilgallen (1967-2001) discusses the female figures she incorporated into many of her paintings and graffiti tags. Loosely based on women she discovered while listening to folk records, watching buck dance videos, or reading about the history of swimming, Kilgallen painted her heroines to inspire others and to change how society looks at women. Three of Kilgallen's heroines—Matokie Slaughter, Algia Mae Hinton, and Fanny Durack—are shown and heard through archival recordings. Kilgallen is shown tagging train cars with her husband, artist Barry McGee, in a Bay Area rail yard and painting in her studio at UC Berkeley (source: Art21).

$avvy

$avy investigates the historical, cultural, and societal norms around women and money.