Jimmy Dorsey and His Orchestra

Brasilia, Contradictions of a New City

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

The Poet of the Castle

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

Arthur Penn: The Director

A short documentary about Arthur Penn.

Dreamgirls

A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

¡Qué cosas tiene el amor!

The Loinaz siblings live off petty theft in refined environments. When they find out that Peret is going to shoot a movie in Marbella, the whole family moves their headquarters to Marbella.

Hannas baby

The End of Summer

A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.

Land Without Bread

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

La marche

Scum Manifesto

Delphine Seyrig reads passages from a Valerie Solanas’s SCUM manifesto.

At Sea

AT SEA is a visceral and poetic short film that blends docu-style realism with narrative fiction, following a group of faceless sailors navigating the unpredictable seas of Greece. Through the fragmented memories of an unreliable narrator, the film weaves together a non-linear story that shifts in mood with each chapter, offering a fresh perspective on the sea. Based on true events… almost.

FIFA: A Love Letter to Rwanda

Supermodel Adriana Lima presents a behind-the-scenes look at the FIFA congress in the Rwandan capital of Kigali in March 2023, which made Kigali the first-ever host city of a FIFA elective congress in Africa.

Ma Rainey's Black Bottom

Tensions rise when the trailblazing Mother of the Blues and her band gather at a Chicago recording studio in 1927. Adapted from August Wilson's play.

Pete Seeger: The Power of Song

Interviews, archival footage and home movies are used to illustrate a social history of folk artist and activist Pete Seeger.

Love Me or Leave Me

A fictionalized account of the career of jazz singer Ruth Etting and her tempestuous marriage to gangster Marty Snyder, who helped propel her to stardom.

Trans-Canada Journey

A jetliner spans the miles, sheering through clouds to open sky and scenic vistas of the provinces below. Glimpses of town and country, of people of many ethnic origins, of a resourceful and industrious nation - impressions it would take days and weeks to gather at first hand - are brought to you in this vivid 1800-kilometer panorama.

Gauche the Cellist

Gauche is a diligent but mediocre cellist who plays for a small town orchestra and the local cinema in the early 20th century. He struggles during rehearsals and is often berated by his conductor during preparations for an upcoming performance of Beethoven's Sixth Symphony. Over the course of four nights, Gauche is visited at his mill house home by talking animals as he is practicing.

Strade perdute - Filmmaker 23

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

TEN`I-III