De Vliegende Panters: Ebbinge, Vrijdag en De Bekker

Yora Rienstra: Eerlijk Gezegd

Dutch comedian Yora Rienstra talks and sings about her life. After reaching the age of 37, Yora Rienstra starts doubting about her purpose. She decides to take a sabbatical to figure things out. Inspired by the book by the Dalai Lama that she got for her birthday, she sets herself the goal of doing things she fears.

The Cheerful Rascal

Because Urbanus does all kinds of pranks, he has to go to an improvement institution. There, Dr. Schrikmerg uses him as a guinea pig for his new invention: he makes a sort of robot from Urbanus.

Rayen Panday: Fenomeen

Pieter Derks: Van Nature

Registration of the fourth theatre program by the Dutch comedian Pieter Derks.

Rayen Panday: Drie keer Rayen

A Good Person

Allison's life falls apart following her involvement in a fatal accident. The unlikely relationship she forms with her would-be father-in-law helps her live a life worth living.

Theo Maassen: Tegen beter weten in

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Hans Teeuwen: Industry of Love

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

Theo Maassen: Ruwe Pit

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Alex Agnew: Ka-Boom!

Back in 2003, Alex Agnew was the first Belgian to win the prestigious 'Leids Cabaret Festival' in The Netherlands. He was the winner in both categories: Jury and public. Alex is a mixture of an English father, Belgian mother, an overdoses (action) movies, superheroes, comic books and a lot of music. No quiet, sophisticated humour, but proud to be loud! Rock'n'Roll comedy!

Alex Agnew: Morimos Solamente

In dit tweede solo-programma komt hij nóg harder, nóg scherper en nóg pikanter uit de hoek. Gevoelige toeschouwers weze bij deze gewaarschuwd: geen huisje - heilig of niet -blijft overeind, geen thema onbenut. "Morimos Solamente" bevat geen theatrale structuur (heeft dat ook niet nodig), maar kan je best omschrijven als anderhalf uur fantastisch verbaal geweld. "The World According To Alex Agnew" dus…

Louise Korthals: Alles Is Er

TV-adaptation of the fourth solo show by Dutch comedian Louise Korthals. In her own words: "This show is about what we pass on to the next generation."

Wim Helsen: Heden Soup!

Wim Helsen Heden Soup! HOMELESS, KINGS, SAINTS AND COLD WATER FISHING: They all eat soup. Also mistresses love soup. They eat them with spoons, some dip bread in it or slurp on the edge of their soup bowl. One can of doing anything. Tomatoes, leeks, pumpkins, chicken. But loving thoughts, secret messages and mushrooms are allowed. And say nothing of balls. In mysterious faraway places there that make soup from nettles. Dogs bark for soup. One gets it warm from the inside (in his body).

Theo Maassen: Zonder Pardon

Registration of the sixt theatre program by the Dutch comedian Theo Maassen.

Maarten van Roozendaal: Barmhart

This theatre performance is built around the 'seven corporal works of mercy'. Comedian Maarten van Roozendaal tells and sings about life, death, love, spring and bears. He is accompanied by Egon Kracht on double bass and Marcel de Groot on guitar.

Me and You and Everyone We Know

Single dad Richard meets Christine, a starving artist who moonlights as a cabbie. They awkwardly attempt to start a romance, but Richard’s divorce has left him emotionally damaged. Meanwhile, Richard’s sons—one a teenager, the other 6-years-old—take part in clumsy experiments with the opposite sex.

Lebbis: W2P

Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.

Beavis and Butt-Head Do the Universe

In 1998, Beavis and Butt-Head are sentenced to Space Camp by a “creative” judge. Their obsession with a docking simulator (huh huh) leads to a trip on the Space Shuttle, with predictably disastrous results. After going through a black hole, they re-emerge in our time, where they look for love, misuse iPhones, and are hunted by the Deep State. Spoiler: They don’t score.

Guido Weijers: Xipnao!

Henry van Loon: Sluimer

TV registration of the third theatre program by the Dutch comedian Henry van Loon. The show is about insomnia.