The Woman Has No Name

The Misandrists

In Ger(wo)many, when an army of radical females is preparing for a final revolution and a utopian world without men, a young male soldier arrives seeking refuge at the convent.

Macu, la mujer del policía

Directed by Solveig Hoogesteijn, Macu, the Policeman's Woman (1987) is a Venezuelan crime drama based on a true story. The film follows Macu, a young woman living in a Venezuelan shantytown, who becomes romantically involved with a local policeman named Ismael. As their relationship develops, Ismael's jealousy intensifies, leading to tragic consequences. The narrative delves into themes of power, control, and the dynamics of abusive relationships within marginalized communities. The film is notable for its exploration of gender roles and societal issues in Latin America.

Women Is Losers

In 1960s San Francisco, bright and talented catholic school girl Celina Guerrera survives a difficult home life by following the rules. That is until an indiscretion creates a series of devastating consequences. As Celina faces the compounded obstacles of being young and alone, she sets out to rise above the oppression of poverty and invest in a future that sets new precedents for the time.

Little Children

The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.

Madonnas

A portrait of Rita, who claims that her mother was never a mother for her. Rita gives birth to her own five children and forces her mother to take the role of a mother.

100 Girls

Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.

Les Filles Aux Mains Jaunes

Journeys from Berlin/1971

An epic meditation on psychoanalysis, the Baader-Meinhof, feminism, and pre-revolutionary Russia.

ECO

Les Muses du Minotaure

The Cotton Wool War

Dora is a German-raised teenager visiting her enigmatic Brazilian grandmother for the first time. While trying to return to Germany at all costs, she discovers the incredible history behind the women of her family.

Empire of Silver

In 1899, Lord Kang must decide which of his three sons will take over his family's Chinese banking empire. When circumstances dictate that he appoint his unreliable youngest son, family bonds are pushed to the limit as father and son clash in a climate of political turmoil. Winner of the Special Jury Award at the 2009 Shanghai International Film Festival.

Orbits

Orbitas is the story of an impossible love which revolves around a planet at war.

It's Not All Sunshine and Roses

A short indie film

Mrs Hartley and the Growth Centre

When a shy young man arrives on her doorstep, Alice Hartley grabs the chance to escape from her loveless marriage. She and Michael open a Growth Centre with a difference - offering sex, drugs and personalised water births.

Augurio

Angela Vode: Secret Memories

The life and rather obscure hardships of a Slovenian feminist author and human rights activist Angela Vode.

A Bit Bitter

A woman leads a tiresome life trying to make ends meet, doing housework, and bring up her children. She tries her best to save money but she feels something is missing inside of her. She cannot communicate with her husband who brings his friends home at night to drink; they all seem to be speaking in incomprehensible gibberish

Dissertation Station

Ms Norris meets with students, goes a little batty, has dinner with her boyfriend, and revelations ensue.

A Film for Discussion

A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.