Svensk Älgjakt Del 4

The Outdoorsman

A group of outdoorsmen demonstrate duck hunting as a preliminary to traveling the various hunting and fishing centers of the world. They begin their journey with a trip to the Rocky Mountains to hunt elk and mountain lions and to fish in the freshwater lakes. They travel to Lac la Ronge in Saskatchewan and to Anchorage and the Katmai Peninsula in Alaska to fish for trout, salmon, and grayling and hunt moose and bear. In the Arctic, the hunters go with a group of Eskimos for their biggest catch, the polar bear. The hunters travel south by plane, to the Fishing Club of Panama to fish for marlin, tuna, shark, and dolphin in the Gulf of Panama. In South Africa and the Zambesi River basin, they often hunt with only a camera. Accompanied by native beaters, they hunt elephants, antelope, buffalo, crocodiles, and hippopotami. As conservationists they capture some almost extinct white rhinoceros and take them to a game preserve for protection.

Wilderness Calling

A young boy from the Dakota prairies grows up heeding the "call of the wilderness." He hunts for pheasant in the Illinois cornfields; ducks and geese in the northern lakes; deer in the Dakota Bad Lands; mountain sheep, goats, caribou, moose, and mountain lions in British Columbia and the Yukon; and brown bears on the Alaskan peninsula. He fishes in British Columbia's mountain streams for grayling and along the Bering Sea coast for trout. The film includes footage of swans, eagles, cnd ptarmigans; a beaver colony repairing a dam; battling rams; and sheep at rest in the mountains.

Kaali Goes for Seal Hunting

One day in the lives of an average Greenlandic family, which happens to be of great importance for 8-year old Kali - he's about to catch his first prey with the harpoon. The whole family is looking forward for the huge step in boy's maturation.

Gunpoint

Semi-documentary exposé of scandalous hunting practices in the Sologne, a wooded area south of Orléans where he shared a house at the time. The film, part tribute to Jean Renoir's The Rules of the Game (1939) and its celebrated hunting scene, is notable for its cinematography by Polish director Walerian Borowczyk.

Natsik Hunting

Mosha Michael made an assured directorial debut with this seven-minute short, a relaxed, narration-free depiction of an Inuk seal hunt. Having participated in a 1974 Super 8 workshop in Frobisher Bay, Michael shot and edited the film himself. His voice can be heard on the appealing guitar-based soundtrack…. Natsik Hunting is believed to be Canada’s first Inuk-directed film. – NFB

The Town That Cried Bigfoot

In the bitter winter of 1978, four desperate council members from a small Virginia town hatched a daring Bigfoot hoax to save it from the brink of bankruptcy. But as the money grew, so did the greed-triggering the town's first unsolved murder.

Shark: Beneath the Surface

Death: The Ultimate Horror

This grisly documentary presents horrifying journalistic footage of suicides, assassinations, bombings, mob hits, decapitations, and more in bloody detail. Not for the faint of heart.

The Hunters

An ethnographic documentary following four Ju/’hoansi (!Kung) men during a multi-day giraffe hunt in the Kalahari Desert, filmed during the Smithsonian–Harvard Peabody expedition of 1952–53.

Indian Elephants in the Service of Man

Indian elephants in action as working animals and in hunting.

Cree Hunters of Mistassini

An NFB crew filmed a group of three families, Cree hunters from Mistassini. Since times predating agriculture, this First Nations people have gone to the bush of the James Bay and Ungava Bay area to hunt. We see the building of the winter camp, the hunting and the rhythms of Cree family life.

Polar Bear Safari

Polar Bear Safari follows Randy, a wealthy trophy hunter on a 15-day hunting expedition in search of a polar bear and discusses the reliance of the Inuit on guiding these hunting trips to keep the community living in Resolute Bay in the Canadian Arctic where unemployment is high. The local Inuits selling their bear hunting licenses to wealthy hunters to help combat their financial woes.

Nuestros safaris

Argentinian short film which shows local fauna and hunting.

Hitler's Jurassic Monsters

This is the untold story of a Nazi vision, that went far beyond the military conquest of European countries. As part of their crazed dream to create a thousand-year Reich they developed detailed blueprints for Aryan settlements and vast hunting parks for ‘Aryan’ animals. Goering and Himmler employed Germany’s best scientists to launch a hugely ambitious programme of genetic manipulation to change the course of nature itself, both in the wild and for domestic use. In a fascinating blend of politics and biology, Hitler's Jurassic Monsters is the true and asthonishing story of how the Nazis tried to take control of nature and change the course of evolution.

Old Barak

Amateur film of fishing and geese-shooting trips by a British party in India.

In the Land of the Moose

A mother moose’s journey through nature’s eternal cycles.

The Last Wilderness

Archery expert Howard Hill and a cameraman go to Wyoming to film this wild-animal three-reel short. Besides the scenery, the scenes include a buffalo killed by an arrow shot by Hill (for food); a wildcat and a coyote in a battle, and a fight-to-the-death between a mother bear protecting her cubs against a killer male bear.

Le peuple de l'aigle et moi

Use enough DEATH

It has been seven years since I have had a new movie; not since 2005 when I filmed Death Rush. In between I produced two excellent movies, “Greatest Hippo Charges” and “Greatest Buffalo Hunts” which were composites of previously viewed footage. In Use Enough Death…all of the footage is brand new!

Amarok's Song - The Journey to Nunavut

In this feature-length documentary, three generations of the Caribou Inuit family come together to tell the story of their journey as Canada's last nomads. From the independent life of hunting on the Keewatin tundra to taking the reins of the new territory of Nunavut on April 1, 1999, we see it all. The film is the result of a close collaboration between Ole Gjerstad, a southern Canadian, and Martin Kreelak, an Inuk. It's Martin's family that we follow, as the story is told through his own voice, through those of the Elders, and through those of the teens and young adults who were born in the settlements and form the first generation of those growing up with satellite TV and a permanent home.