Wagner: Die Walküre

Royal Opera House: Don Pasquale

Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains.

Rusalka

The water fairy Rusalka falls in love with an earthly prince. In vain, Father Aquarius warns her. Her sincere feelings are met with human treachery...

Simon Boccanegra [The Metropolitan Opera]

When this sumptuous production by Giancarlo del Monaco opened in 1995, legendary tenor Plácido Domingo gave a riveting performance as the fiery revolutionary Gabriele Adorno, a tenor part. In the 2010 revival, he made history by taking on the baritone title role, one of Verdi’s most fascinating characters, and thrilling audiences with his multifaceted and gripping portrayal. Boccanegra is beset on all sides, juggling political adversaries bent on murder with his love for his long-lost daughter Amelia (Adrianne Pieczonka). James Levine’s conducting brings out all the color and surging emotion of Verdi’s magnificent score.

Verdi - Ernani

Ernani is a gripping drama about love and revenge by Giuseppe Verdi. Written in his unique style it brims with poignant arias, rousing choruses and enthralling ensemble scenes. The rebel leader Ernani recognises his father's murderer in the Spanish King Carlo and seeks revenge on him. Both men love Elvira – as does old Silva whom she is to be married to ... Director Lotte de Beer and her set and costume designer Christof Hetzer devote themselves to the fictional plot which bears references to the 16th century. They demonstrate their rich scenic imagination in this production, conducted by Enrique Mazzola who “provides musically magic moments at the stand of the Wiener Symphoniker” (Schwäbische Zeitung). “Great singers, fiery music and an action-packed staging” (Allgäuer Zeitung). “A mixture of Tarantino’s ‘Kill Bill’ and Monty Python’s ‘The Knights of the Coconut’” (Deutschlandfunk).

Royal Opera House: La Bohème

Richard Jones’ “La bohème” is an important weapon in the Royal Opera’s commercial arsenal. This is its second revival since Jones’ production hit the stage in autumn 2017, replacing John Copley’s beloved 40-year old staging, resplendent with period detail and resolutely naturalist. Jones brings a considerable break with the past in his approach, pointing the way towards thought-provoking possibilities for the work, though it is a clearly a show that defers to the need for regular revival and breadth of appeal.

Royal Opera House: Fidelio

Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.

Puccini - Madama Butterfly

Madama Butterfly is, with Bohème, the most loved and staged of Puccini’s works. This Blu-ray production was staged at the 2007 Puccini Festival in Italy’s Torre del Lago, Puccini’s home town. Starring as Cio Cio San is the Russian soprano Elmira Veda. This version is only available as Blu-ray.

Massenet - Thais

With the “Méditation”, Jules Massenet probably wrote one of the most famous melodies of our time. It originates from his comédie-lyrique Thaïs, which – unlike Massenet's operas Werther or Manon – never made it into the international opera repertoire. Presumably because the two main roles of Thaïs and Athanaël demand something almost superhuman from the singers. In the new production by Peter Konwitschny at the Theater an der Wien, the American soprano Nicole Chevalier is one of the most exciting singers currently on stage in the title role. At her side, the young Austrian bass-baritone Josef Wagner celebrates his house‍ debut. This is a fascinating and musically excellent performance of a timeless classic of the opera repertoire.

Gounod - Romeo et Juliette

Romeo and Juliet is the most famous love story of all time. In Charles Gounod's operatic adaptation of the Shakespearean tragedy at the Gran Teatre del Liceu in Barcelona “Saimir Pirgu and Aida Garifullina mesmerize as the tragic lovers” (Euronews). Charles Gounod is one of the great representatives of French lyric drama and due to his famous aria “Je veux vivre”, ravishing melodies, magical duets and the unique ballet scene in Act IV, Roméo et Juliette continues to gain much popularity. This production by Stephen Lawless once again demonstrates the abundance of ideas that Shakespeare’s legendary tale is able to inspire, even in the 21st century. In addition to the lavish stage sets and the carefully chosen costumes and props, the production captivates the audience thanks to its refined dramaturgical logic

Puccini: Turandot

Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.

The Metropolitan Opera: Don Giovanni

Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.

Der Goggolori

Świat w operze

An interpretation of Georges Bizet's opera "Carmen," which is presented in an artful form with a twist.

Abesalom and Eteri

Prince Abesalom runs into an orphaned Eteri while hunting, falls for her and brings the woman to his palace as his fiancé. The Prince’s aid Murman loses his self-control at Eteri’s beauty and gives her a spelled necklace as a wedding gift. Eteri contracts a mysterious disease that only Murman is capable to heal.

The Legend of the Invisible City of Kitezh

Opera lies at the heart of Rimsky-Korsakov's colourful idiom, but performances are few and far between; this realisation of his penultimate and grandest stage work is a very rare and special experience. Kitezh is known as "the Russian Parsifal", which encapsulates its mystical flavour and steady unfolding of a legend of redemption

A Cossack Beyond the Danube

A Ukrainian comic opera with spoken dialogue in three acts with music and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.

Cossacks Beyond the Danube

Adapted from the opera written by the composer Semen Hulak-Artemovsky.

Věčný Faust

Die Zauberflöte

Wolfgang Amadeus Mozart's Magic Flute is undoubtedly one of the most multi-layered, profound, complicated, and therefore also most difficult to stage works in the entire opera repertoire. In terms of genre, it can only be understood if it is seen as a mixture of four things: a philosophically profound drama of ideas with countless encryptions, a naïve fairy tale, a bawdy comedy, and a crude Punch and Judy show. It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.

Cecilia Bartoli Sings Haydn

From the Styriarte Festival in Graz Austria, the acclaimed mezzo-soprano Cecilia Bartoli and Maestro Nikolaus Harnoncourt with his orchestra Concentus Musicu Wien, present a concert on Haydn arias and Symphony No.92, the "Oxford". The singing virtuosity of "Scena di Berenice" is sublime as is the performance of The "Oxford" Symphony from the ensemble renown for its specialty in early music and playing on period instruments. A unique concert.