Absolutely 100% Guilty

Cinéastes de notre temps : Norman McLaren

Visconti: La verdad del melodrama

Rif 1921, una historia olvidada

Manuel Horrillo has visited for 7 years the fields where the clashes between the Spanish troops and the rebels of the protectorate took place during the so-called Rif War, a forgotten war of the Spanish collective imaginary.

Dresdner Filmschätze - Teil 4 | Die 90er bis 2000er Jahre

Projektionen der Sehnsucht

Architects Herzog and deMeuron: The Alchemy of Building & The Tate Modern

Visiting examples of Herzog and de Meurons ground-breaking style, this film reflects their capacity to astonish and explore the way in which they transform what might otherwise be ordinary through new treatments and techniques.

Inside Piano

The fifth project of the Living Architectures series, Inside Piano is composed of three films on three symbolic buildings of Renzo Piano's career. A visit throughout the prototype-building of the Centre Pompidou. An immersion in the soundproof world of a submarine floating in the depths of the Parisian underground. A journey aboard a luminous magic carpet of a highly sophisticated architectural machine. A humorous, caustic and quirky point of view.

A la diestra del cielo

E42

E42 is a cinematic exploration of the area in Rome knows as the EUR, a modernist landscape that was originally designated by Mussolini as the the site of the World Fair of 1942 and as a celebration of the 20 year anniversary of Fascism. Originally designed as a monumental space for public performance and collective acts of solidarity to the Fascist regime, this landscape was in fact never inaugurated. After the war, the 420 acre area was recuperated and today projects a timeless aura of an unfinished and temporary, empty and silent, monumental and imposing as well as an ephemeral landscape.

¡Votad, votad, malditos!

On June 14, 1977, the eve of the first democratic elections after Franco's regime, Llorenç Soler and his crew go out into the street and ask passers-by which party they are going to vote for.

1+8 Installation

1+8 is a dynamic eight-screen video installation about Turkey and her eight neighbors based on the feature film of the same name directed by Cynthia Madansky and Angelika Brudniak. Each screen features life on both sides of the border, from Armenia, Bulgaria, Georgia, Greece, Iran, Iraq, Nakchivan [Autonomous Republic of Azerbaijan] to Syria.

1+8

1+8 is a film about Turkey’s unique position between West and East and her relationship to her eight very distinct and diverse neighbors. 1+8 is filmed close up on border towns of Turkey with Greece, Bulgaria, Georgia, Armenia, Nakhchivan/Azerbaijan, Iran, Iraq, Syria and the Kurds who are scattered amongst the many without a homeland, exploring what connects and separates the people on both sides. The film showcases through intimate portraits, personal accounts and cinematographic tropes, Turkey’s eight borderlands revealing the political and cultural dynamics of life on those frontiers. The contemplation of all eight neighboring countries reveals the complexity and importance of Turkey’s geo-political position between West and East, Europe and Asia, the European Union and the Middle East.

Robert Breer At Home

Burford met Breer in February 1992 and filmed his actions. Breer manipulates some of his mutoscopes: he leafs through some cards of his film in the making, Sparkill Ave! A dome-shaped sculpture slowly moves across the space.

Lágrimas rojas

Why Did We Lose the War?

A documentary about how Republican forces lost to Franco in the Spanish Civil War.

Everyday Life

Dialogue-free short detailing the daily tasks of a man and his wife.

Working Women

Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.

Pierre Bonnard : les couleurs de l'intime

How did Bonnard, one of the great masters of 20th-century painting, a secretive, anxious man with an ordinary everyday life, become this undisputed painter of intimacy, capable of transforming reality into a unique and incandescent world? Through his paintings, but also his private journals, his correspondence with Matisse and Vuillard, the photographs he loved, and the places where he lived, the film immerses us in the world of this master of color.

Joseph Cornell: Worlds in a Box

This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.

Cindy Sherman: Nobody's Here But Me

New York based artist, Cindy Sherman, is famous for her photographs of women in which she is not only the photographer, but also the subject. She has contributed her own footage to the programme by recording her studio and herself at work with her Hi-8 video camera. It reveals a range of unexpected sources from visceral horror to medical catalogues and exploitation movies, and explores her real interests and enthusiasms. She shows an intuitive and often humorous approach to her work, and reflects on the themes of her work since the late 1970s. She talks about her pivotal series known as the `Sex Pictures' in which she addresses the theme of sexuality in the light of AIDS and the arts censorship debate in the United States.