Watch Online Stream

We The People 2.0

201690m

★ 0.0

en

Documentary

American citizens who are normally marginalized, forgotten and left to fend against toxic dumps and other violations, come to understand that the only way to survive and save their communities is to challenge the system head-on.

Where to Watch We The People 2.0 Free Online

Watch We The People 2.0 full movie online for free in HD quality on Watch Online Stream. Stream from Netflix, HBO Max, Disney+, Prime Video, and more without any subscription or sign up. American citizens who are normally marginalized, forgotten and left to fend against toxic dumps and other violations, come to understand that the only way to survive and save their communities is to challenge the system head-on.

Cast

Walton Goggins

Walton Goggins

narrator

👤

Ann Kneeland

Self

👤

Thomas Linzey

Self

👤

Cathy Miorelli

Self

Joe Murphy

Joe Murphy

Self

👤

Tish O'Dell

Self

Similar Titles

Classified People

Classified People

Filmed clandestinely, Zauberman’s extraordinary documentary exposes South Africa’s insidious apartheid policy of “race classification” by focusing on the love affair of Robert and Doris, and unresolvable, moral fissure with Robert’s children and the country. Winner of the Paris Film Festival Grand Prize.

The 11th Hour

The 11th Hour

A look at the state of the global environment including visionary and practical solutions for restoring the planet's ecosystems. Featuring ongoing dialogues of experts from all over the world, including former Soviet Prime Minister Mikhail Gorbachev, renowned scientist Stephen Hawking, former head of the CIA R. James Woolse

Prisoner

Prisoner

While working at Uruguay's largest prison construction site, Miguel is leading a double life. When he realizes that he has become a prisoner of his own lies, Miguel struggles to find the courage to disclose the truth to his loved ones.

Hearts of Darkness: A Filmmaker's Apocalypse

Hearts of Darkness: A Filmmaker's Apocalypse

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

Moving Together

Moving Together

Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.

Marathon

Marathon

Started as a class project in what was likely the first filmmaking course ever taught at Harvard, Marathon documents the running of the 1964 Boston Marathon.

The Human Experiment

The Human Experiment

A documentary that explores the potential dangers of toxic chemicals in consumer products and the recent spike in unexplained health phenomena.

Sex(ed): The Movie

Sex(ed): The Movie

A documentary on the history of sex education

The Castle

The Castle

One year at Malpensa: four seasons spent following the bureaucracy, the procedures, the controls and the movements that are everyday occurrences inside an intercontinental airport. A public space, in which Italian and international police forces collaborate, where every gesture is captured by closed-circuit cameras, each piece of luggage is studied in all its recesses in an attempt to ward off a potential and unknown threat. A place in which fear is the only thing not in transit.

Mabel

Mabel

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

Spies of Mississippi

Spies of Mississippi

Spies of Mississippi tells the story of a secret spy agency formed by the state of Mississippi to preserve segregation and maintain white supremacy. The anti-civil rights organization was hidden in plain sight in an unassuming office in the Mississippi State Capitol. Funded with taxpayer dollars and granted extraordinary latitude to carry out its mission, the Commission evolved from a propaganda machine into a full blown spy operation. How do we know this is true? The Commission itself tells us in more than 146,000 pages of files preserved by the State. This wealth of first person primary historical material guides us through one of the most fascinating and yet little known stories of America's quest for Civil Rights.

Prater

Prater

Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.

HabibiNo Poster

Habibi

Filmed in New York in the summer of 2006: a march across the Brooklyn Bridge in support of the Palestinian and Lebanese populations. Habibi means "beloved" in Arabic.

100 Years

100 Years

An animated history of American health care provider, Planned Parenthood.

Olympia Part Two: Festival of Beauty

Olympia Part Two: Festival of Beauty

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

The Pharmacy: Shanghai

The Pharmacy: Shanghai

Filmed inside Pharmacy No. 3 in Shanghai, Joris Ivens and Marceline Loridan-Ivens document the daily work of a state pharmacy that functions as both a dispensary and a neighborhood medical center. The film focuses on routine interactions between staff and patients, revealing an integrated model of urban healthcare in 1970s China.

Last Fast Ride: The Life, Love and Death of a Punk Goddess

Last Fast Ride: The Life, Love and Death of a Punk Goddess

Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.

Olympia Part One: Festival of the Nations

Olympia Part One: Festival of the Nations

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Flowers from the Mount of OlivesNo Poster

Flowers from the Mount of Olives

Right alongside Jerusalem, in a Russian Orthodox Convent in the Mount of Olives, in the middle of the Arab quarter, lives the 82-year-old Estonian nun Mother Ksenya.

Casa Roshell

Casa Roshell

You’d never know this is your home away from home. The surveillance camera outside shows a drab reception area and an unremarkable street in Mexico City; inside, the lights flash, but the tables are empty. Yet preparations are soon underway and fixed categories cease to apply: stubble is removed, make-up applied and strands of hair are teased into place; the camera is trained not on the men themselves, but what they see in the mirror.