Lost Case

Meshes of the Afternoon

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

Machete Gillette... Mama

"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg

6-18-67

Filmed during the production of the Columbia Pictures western "Mackenna’s Gold," this short work presents a non-narrative visual study of the Arizona desert. Rather than documenting the film set itself, "6-18-67" assembles landscape images, time-lapse photography, and ambient sound into an abstract record of place and duration.

Russia as a dream

In the small town of Kansk, the Krasnoyarsk Territory many years in a row there is an international festival of short experimental films, which has a strong reputation throughout the world. "Russia as a dream" is an international project, shot by a team of authors and united directors, artists, poets. Each of the guests of the 14th International Kan Video Festival held in 2015 was invited to participate in the creation of a general film, the theme of which was the relationship of man and landscape, civilization and nature, reality and sleep.

Blue Peanuts

A pre-internet mash-up that mixes “Peanuts” and David Lynch’s “Blue Velvet.”

You Will See Me

A five-channel video installation commissioned for the permanent exhibition space at the Australian Centre of the Moving Image (ACMI). “The camera doesn’t just capture us, it frames who we are and how we’re seen. Since the camera became more accessible in the mid-20th century, artists and amateurs alike have turned the lens on themselves to create a stage both private and public. This tradition is continued, amplified and transformed through reality TV, the internet and social media, the latest forms to use straight-to-camera techniques to share our common humanity, project authenticity and illuminate how a sense of self can be constructed through the moving image.”

Rytmus

An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.

Jack of Hearts

A man goes to a bar.

Memoria

Surrendering the mind to the hypnotic dance of fire, a candle's glimmer reveals dreamlike memories, illustrated by flickering fragments of experimental films that overlap alongside a deconstructed soundscape. Entering a hallucinatory state in a haunted ambience, one's own subconscious is put on display.

Private Chronicles: Monologue

The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.

2minutes40seconds

One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.

Une certaine histoire du cinéma expérimental français

Founded in the second half of the 1990s, the experimental film association L'Etna witnessed the transition from film to digital cinema. Its premises, located in the heart of Paris, were unable to withstand gentrification.

Brise-glace : Bateau givre

First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.

True Dreams

How many movies have you seen where at the end the main character wakes up, causing he and the audience to simultaneously realize that everything they witnessed beforehand was "just a dream?" This film takes that principal but instead of deceiving, the story invites you to watch the main characters dream away. As a result, "True Dreams" takes the dream sequence to a whole new level: it lets its audience in on the joke, while they watch the two main characters run around unaware of the reality/fantasy of their surroundings. This film can be viewed via Vimeo at https://vimeo.com/132642294 (password: truedreams)

Selbstportrait 1

Let Us Persevere in What We Have Resolved Before We Forget

On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.

The Bad News Bears

An aging, down-on-his-luck ex-minor leaguer coaches a team of misfits in an ultra-competitive California little league.

Somniloquies

Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.

Mangúe-Bangúe

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

Permanent Shadows

A teenager decides to shut himself off from the world around him after receiving bad news.