French Bashing

49 Up

49 Up is the seventh film in a series of landmark documentaries that began 42 years ago when UK-based Granada's World in Action team, inspired by the Jesuit maxim "Give me the child until he is seven and I will give you the man," interviewed a diverse group of seven-year-old children from all over England, asking them about their lives and their dreams for the future. Michael Apted, a researcher for the original film, has returned to interview the "children" every seven years since, at ages 14, 21, 28, 35, 42 and now again at age 49.In this latest chapter, more life-changing decisions are revealed, more shocking announcements made and more of the original group take part than ever before, speaking out on a variety of subjects including love, marriage, career, class and prejudice.

Someone Else's Country

Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.

In a Land of Plenty

The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.

Den gamle mand og skoven

La astucia y la fuerza

Bruno & Bettina

Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.

The First Lady

DSKNECTD

As clichés go, in 1999 the World as we knew it was about to change - and we'd been expecting it. Since childhood we'd been promised that the 21st century would bring us dramatic new technologies like flying cars and Utopian cities. Instead it bought us the smart-phone, social media, and virtual societies. And as it turns out these technologies began to transform society almost as dramatically as the moon colonies we'd been expecting. Now over a decade into the revolution, 'DSKNECTD' explores how digital communication technology is profoundly changing the way we interact and experience each other - for the good and for the bad.

The Perfumed Garden

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

The End of America

Based on her book of the same name, Naomi Wolf presents controversial evidence that America has begun a frightening descent into dictatorship and fascism. American democracy, as we know it, is under attack. By examining the chilling parallels between the current state of our nation and the ascent of dictators and fascism in other once-free societies, Wolf urges viewers to open their eyes to the horrors that lie ahead. From the increased use of paramilitary groups to the construction of secret prisons and the targeted suspension of the rule of law, the warning signs are all there for people to wake up and finally take notice.

Before Summer Ends

After five years studying in Paris, Arash has not adjusted to life there and has decided to return to Iran to live. Hoping to change his mind, his two friends Hossein and Ashkan convince him to take a last trip through France.

Susanne Bartsch: On Top

Dubbed New York's "Queen of the Night," proto–club kid Susanne Bartsch has been throwing unforgettable parties for over 30 years and is still going strong.

La bataille de Florange

She Fishes

A local fisherwoman navigates her way through a male dominated environment to work in an industry that has been essential to island life for hundreds of years.

A Year in Burgundy

This documentary follows seven wine-making families in the Burgundy region of France, delving into the cultural and creative process of making wine. You'll never look at wine the same way again.

Guerrilla de la Comuniación: uno de cada diez dentistas recomienda chicles con azúcar

Porn

The Forgotten President: Kim Young-sam's Era of Reform

Underground Dance

Short Documentary on a political art performance in Berlin 2015 to fight against the "Bill for the Protection of Sexworkers" introduced by the German government that year.

The Soul of Bossales

The Soul of Bossales is an immersion in the heart of popular Haitian culture whose spirituality and creativity have been forged by a surge of freedom and identity affirmation. Foukifoura, Édris, Charlotte or Ramoncite, “Bossales” characters with committed artistic and political acts, give us the gripping story of a very harsh reality: material and health precariousness, political violence, neo-colonialism.