Lapses, Regrets and Qualms

Une certaine histoire du cinéma expérimental français

Founded in the second half of the 1990s, the experimental film association L'Etna witnessed the transition from film to digital cinema. Its premises, located in the heart of Paris, were unable to withstand gentrification.

Rytmus

An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.

State of Rest and Motion

This cine-portrait of New York City uses digital effects to turn the countless riders of the subway system into living, breathing paintings.

Irradiant Field

In the Mojave Desert, fields of solar panels follow the sun’s daily journey in perfect synchronicity.

The Displaced View

The Displaced View traces a personal search for identity and pride, within the unique and suppressed history of the Japanese in Canada. Through an examination of the emotional and cultural links between the women of one family, the processes of the construction of memory and the re-construction of history, are revealed. Utilizing an innovative combination of experimental, dramatic and documentary forms, the film emerges as a deeply moving and compassionate love letter. Just as the official history of the Japanese Canadians has been thrown into question, so does the film’s fictionalized narrative, question documentary as truth.

Keep That Dream Burning

Rainer Kohlberger applied various algorithms to extract the noise from a vast number of action films and used this to reduce the dramaturgy of the narrative to its essence. keep that dream burning oscillates between maximum abstraction and pure blur. Within the blurriness, objects form and disappear. The surface allows the space to be conceived.

Images of Waco

“You are the heirs of a glorious heritage, and to you has come a responsibility as honorable as it is mighty.” Dr. Samuel King challenged his congregation in the First Presbyterian Church of Waco with these words almost one hundred years ago. Today, with this film, the images of Waco Foundation responds to Dr. King’s challenge by tracing our heritage- from the Waco Indians and the Spanish Conquistadors, through the frontier days of the Chisholm Trail, to the suspension bridge and the founding of our colleges and universities- to show how the quality of life Wacoans currently enjoy emerges from a complex tapestry woven from the dreams and efforts of our forebears. The breathtaking images of Waco captured in this evocative film challenge us to acknowledge and appreciate the qualities of today’s Waco and build on our glorious heritage to create an even better community for our children.

i am doll parts

100% comprised of found footage, this is a meditation on the filmmaker's relationship with herself, others, and how she is perceived by both parties. Showing the filmmaker at various stages of her life, this short seeks to visualize the embarrassing ordeal of being known when you're at your most vulnerable.

Into the Unknown: My Cancer Story

Filmmaker Matthew Thomas Ross provides an original look into his personal journey of a rare cancer diagnosis in his 30s. Through expansive childhood home videos, vulnerable interviews, and intimate footage, we follow Matthew as he documents his battle against Stage 4 appendix cancer. While traveling through the seasons, he struggles to navigate the physical and mental toll of a diagnosis full of so many unknowns. He ultimately finds hope and purpose in completing his first feature film; this documentary.

Just Hold Still

In his New York City landscape, Cohen finds inspiration in disturbance. Looking to life for rhythm and to architecture for state of mind, he locates simple mysteries. Just Hold Still is comprised of an interconnected series of short works and collaborations that explore the gray area between documentary, narrative, and experimental genres.

Calangros: Um faroeste sobre o terceiro mundo

OLO, the Boy from Tibet

A 6-year-old Tibetan boy leaves his family and flees to a refugee camp in northern India.

Approach the Truth_Superman

Time to Remove Superman It is fragmentarily a story of death and it can also be connected to the opposite - birth. When I did research for this work, what was really interesting was an article read that 'We came from dirt and we go back to dirt' is everywhere in all religions and philosophies of all cultures. And I found that sentence and thought over different things and I reached it was meant to be only that way. Regardless of primitive or modern society, religions or philosophies couldn't help but think human body is rotten away and it is cremated and made dirt. We know the process but we haven't seen that. I thought it would be meaningful if I made that out to show. We've watched a mummy disappearing in a movie using CG but I thought I could visually display a message that things we cherished or in which knowledge was contained were made dirt or on the other way, they had been dirt before they came to us.

On the Heights All Is Peace

Found footage anti-war film comprising film documents of the Austro-Hungarian and Italian army on the Alpine front, and from first generation picture material by war-film pioneer Luca Comerio.

2minutes40seconds

One of the major works by South Korean feminist film collective Kaidu Club, this short is a dynamic, idiosyncratic, and mosaic-like portrait of Korean life, culture, and people who dream of a unified North and South.

Running Shadow I

Rapidly changing images of natural objects, scenery, animals, plants, and people flicker, flash, tumble, and cascade across the screen.

Artémis et la mort

During the Feria of Nîmes, a bullfight is filmed from the perspective of the animal, relegating the matador and public to off-screen spectators. A ritual at the frontiers of mysticism, carried by the sacrificial figure of the bull, revealer of our humanity.

Refrains Happen Like Revolutions in a Song

Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”

The Bomb

Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.

Let Us Persevere in What We Have Resolved Before We Forget

On the island of Tanna, a part of Vanuatu, an archipelago in Melanesia, strange rites are enacted and time passes slowly while the inhabitants await the return of the mysterious John.