House in the North Country

The Making of Michel Petite

The film begins as a documentary about an author known for autofiction. By incorporating multiple making-of layers, it blends the process of making the documentary with the author’s narrative technique.

Portrait of a Motherless Child

The subject grapples with the losses and changes in their life as they're forced by flickering lights to reconcile with their past.

Mangúe-Bangúe

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

Aftertaste

Destruction of the Berlin Wall

Filmed in Berlin, July 1990. Images of workers taking down the wall and street peddlers selling pieces of it to make a living.

CHASE

A short film following a young woman as she's pursued by a mysterious stranger in the woods.

Drowning by Numbers

Cissie Colpitts drowns her cheating husband and, in the ensuing cover-up, enlists the help of lonely coroner Henry Madgett, an old friend with a longstanding weakness for her charms. But when Cissie's daughter and granddaughter—both also named Cissie Colpitts—decide to resort to the same methods for solving conflicts with their own frustrating husbands, the women and their repeated appeals for help begin to wear on Madgett's conscience.

Three Mirrors Creature's Flashes of Flesh

In the aftermath of an emotional shock, a ruthless high-class manager faces her own abyss, becomes pervaded by a sensory spirit and undertakes a purifying voyage.

A Small Passage of Time

An experiment with three dimensions in a moment of clarity: the focus of the camera's lens towards the present, the speed of the train and the material world distorted by the movements of the train.

Lonesome Cowboys

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

Je m'appelle Régine et je vous emmerde !

The Cook, the Thief, His Wife & Her Lover

When churlish mobster Albert Spica acquires an upscale French restaurant in London, he dines there nightly, effectively scaring off the clientele with his bad manners. His wife, Georgina, is especially disgusted by him, and soon begins an affair with regular guest Michael. Despite their best efforts to keep it secret, Spica learns about their trysts, and he plots a terrible revenge.

Memory Vague

Created entirely from YouTube videos and edited in Windows Movie Maker, Lopatin recomposes outmoded video graphic landscapes via repetition and abuse.

Dan in Real Life

Advice columnist Dan Burns is an expert on relationships, but somehow struggles to succeed as a brother, a son and a single parent to three precocious daughters. Things get even more complicated when Dan finds out that the woman he falls in love with is actually his brother's new girlfriend.

Casual Workers

An abstract perspective into two young South African workers in the heart of Johannesburg's industrial sector during Covid-19

Oxygen

In this story set in near future, a group of young rebels, hippies and 1968 protesters want to cede and make an independent Island from the Mainland. A journalist who came to the Island to make a report about political summit that takes place there gets involved in the clash between young rebels and establishment.

Assassination

"Assassination" - Adaptation of Hermann Hesse's novel "Demian". A young man's detachment from and revolt against the superficial ideals of the world of appearances and eventually awakens into a realization of self. Max Demian is his childhood friend and mentor.

The World Is Not a Landscape

A quasi-sequel to Michel Houellebecq's novel The Possibility of an Island, Masbedo's short presents a post-apocalyptic landscape overseen by a distant mother nature or perhaps mother of nature portrayed by French icon Juliette Binoche.

Biljana Returned from London

A man’s female friend who just came back from London spends time on the river shore.

Cotton Candy

Gehr uses a mini-digital recorder to look back on the Machine Age in the form of San Francisco's soon-to-be-shuttered Musee Mecanique. For slightly more than an hour, Cotton Candy documents this venerable collection of coin-operated mechanical toys—including an entire circus—mainly in close-up, isolating particular details as he alternates between ambient and post-dubbed (or no) sound. By treating the Musee's cast of synchronized figures as puppets, the artist is making a show—but is it his or theirs? Gehr's selective take on the arcade renders it all the more spooky. There's a sense in which Cotton Candy is a gloss on the moment in The Rules of the Game when the music-box-collecting viscount unveils his latest and most elaborate acquisition. (It also brings to mind the climax of A.I.: The DV of the future tenderly regards the more human machine of the past.) (J. Hoberman, The Village Voice)