This Must Be My Face

No Impersonator , Perpetrator

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Questioning, Requesting

Strings together what's strung together (please use yr tether).

Always Aching & Bending Back

Slowed, stowed, achingly retold.

Revisited Remunerations Rapturously Collapse When Recompensed

Your raging romp results only in rescinded regret @ the hands of radder cadets.

Beatles Electroniques

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

The Tower

As years and years go by, a tiny civilization makes its way upwards.

Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness'

Hiding inside&out, writhing about, taken out&in.

What Was It Supposed to Be Like?

Rather pointless, rather stilted, fetid; not what we want us going after.

Ruminative Meditations

Say Om as you reach home only to realize you never really left/stopped saying Om.

How I See Sunsets

A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.

Disparate, Shifty Fate

Wax and wane until there is naught but boring pain.

Finds Itself in Corners

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

Time

A concert at the Golden Circle with Don Cherry and his quintet was filmed and then processed to an art movie using various optical effects.

Global Groove

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.

The Astronaut

A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.

Cremaster 5

CREMASTER 5 is a five-act opera (sung in Hungarian) set in late-ninteenth century Budapest. The last film in the series, it represents the moment when the testicles are finally released and sexual differentiation is fully attained. The lamenting tone of the opera suggests that Barney invisions this as a moment of tragedy and loss. The primary character is the Queen of Chain (played by Ursula Andress). Barney, himself, plays three characters who appear in the mind of the Queen: her Diva, Magician, and Giant. The Magician is a stand-in for Harry Houdini, who was born in Budapest in 1874 and appears as a recurring character in the Cremaster cycle.

Roda Viva Roda Brasil

We Could All Do With a Little Back & Forth As Far As It Concerns the To & Fro of Everywhere Each of Us Go

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Brutalism

Beneath towering Brutalist architecture, a man is driven to do what must be done.

The Getty Address

James Sumner directs and animates the entire Dirty Projectors’ The Getty Address.