Angels Gather Here

WICCA

I was scrounging around the neighborhood for inspiration. Within a block from my apartment, I found a wild mushroom in the grass, and an advertisement for a psychic named Sara.

Mama Micra

The mother of animation director Rebecca Blöcher didn’t want to live an ordinary life. She wanted “something more,” she explains in this stop-motion film. The people around her didn’t understand—in a letter written in 1968, a girlfriend criticizes her for going out on her own and making men jealous, while advising her to dress in a more “feminine” way and to join a cooking course. Blöcher’s mother brushed aside the advice. Years later still, she divorced her husband and stepped into the big wide world.

Rio Uruçumirim

Rescue bridge of the Tupinambá de Uruçumirim village, headquarters of the Tamoia Confederation until 1567, when it was destroyed in a genocidal operation, commanded by Portuguese led by Estácio de Sá, with the support of the Jesuits Manuel da Nóbrega and Anchieta, here founding the city of Rio de January. Testimony and contemporary point of view from Pajé Sapaim Kamayurá.

Someone who takes care of me

In Argentina, almost all adopted children are under 5 years of old. Luis and Valeria open the doors of their home and tell us their family story. A true story full of obstacles, fears and love about paths that connect and people who meet by chance.

Walkers of time

María is an Amorúa girl; an indigenous group that traveled the savannas of Orinoquía as nomads. She lives with her grandmother Matilde, her sister diana and her cousins in Puerto Carreño, in the Colombia-Venezuela border. The amorúa are considered wild and are not literate. Matilde wants her granddaughters to learn to write and read to live better in this town of "rational whites" as they call us. The director follows María's life for 8 years from her childhood to her adolescence and invites her to travel the places her grandma did as a nomad.

Ãjãí: o jogo de cabeça dos Myky e Manoki

Ãjãí is a fun game in which only the players' heads can touch the ball. This practice, shared by few indigenous peoples in the world, is present among the Myky and Manoki populations of Mato Grosso, who speak a language of an isolated linguistic family. of the villages. But to organize this great party, your young bosses will face some challenges ahead.

Kekaiulu Hula Studio

Kekaiulu Hula Studio follows the Proclaimed Hula Halau of the same name, showcasing their twist on what the real reason for hula is and what life as a dancer in the halau is really like. Something previously unseen in the public eye.

Foster Child

Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.

The Unconditioned Unconcealment

Tout le temps, tout le temps, tout le temps...?

The Spider and the Fly

Few amateur films with sound were produced in the 1930s and fewer remain extant. A charming artifact that demonstrates the expressive possibilities and technical limitations of amateur talkies, "The Spider and the Fly" includes a backyard Labor Day gathering, a trip to the Riverview Amusement Park, and a homemade Halloween parade of witches and ghouls.

When the Mountains Tremble

A documentary on the war between the Guatemalan military and the Mayan population, with first hand accounts by Nobel Peace Prize winner Rigoberta Menchú.

About the Memoirs of a House

The life of a couple is observed through the home they have left behind.

yaya/ayat

yaya/ayat explores identities, being lost in translation and distance. But at its core it's about the filmmaker longing for a relationship with her geographically distant grandma and her journey to Greece to find her. This is an experimental documentary about how being a part of any diaspora shapes a person's identity.

Now That the Sun Begins to Set

Rafaela, an 80-year-old woman, has a long conversation with her grandson, going over his path from childhood to old age. Now that she has been diagnosed with chronic breast cancer, faith is more present in her life than ever, which coexists with Rafaela's fear of death, and her grandson's fear of dying.

Back To Africa

An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.

When delusion becomes reality

Jöran has a bipolar disorder, which makes him vulnerable to depression, mania and psychosis. He can sympathize well at the moment, but that has been different in the past. Jöran delves into his dark past and talks to the people who experienced his illness up close. How do you deal with this disorder and the misunderstood behavior that comes with it? And how do you break the taboo that still exists on disease pressure?

I'm Breathing All the Time

In this autobiographical documentary, Rosa explores her anxiety, derealisation, and a mother-daughter bond shaped by shared trauma.

No Word For Worry

As a sea nomad, Hook grew up with the ocean as his universe. Now he must make a courageous voyage to salvage the remains of his dying culture

The Boy of The Fish

"The Boy Of The Fish" follows Noon, a young boy living in a Syrian refugee camp, who finds solace and a sense of freedom in a whale-shaped doll he names "Bahr." Set against the challenging realities of camp life, Noon’s journey is both a story of resilience and a testament to the boundless imagination of childhood. Through vivid symbolism and a unique soundscape, the film explores themes of loss, hope, and the longing for freedom amidst confinement. Shot entirely on an iPhone due to restrictions in the conflict zone, the film combines raw authenticity with poetic depth to capture the emotional landscape of a young soul navigating adversity.