Ramsès II

Romeo a Julie

État critique

Crise de nerfs

La Seconde Surprise de l'amour

Le Médecin malgré lui

Gli esami non finiscono mai

Guglielmo Speranza is a young man who, having just graduated from university, decides to ask his beloved to marry him, convinced that the most challenging period of his life is now behind him. This is how we meet the protagonist, who repeatedly addresses the audience directly to explain what is happening on stage. He always wears the same suit and, during the play, changes three beards, black, gray, and white (one for each act), symbolizing the transition from youth to old age.

La fortuna con l'effe maiuscola

In a miserable, freezing two-room apartment on the first floor of a building, the Ruòppolo family lives in complete poverty. Giovanni, a clerk, struggles against a thousand difficulties to make ends meet, while his wife, Cristina, takes care of the housework.

Zdravý nemocný

Un simple froncement de sourcil

The Actors

During the run of a particularly awful interpretation of Richard III, the star, Anthony O'Malley, begins to frequent a rough pub to develop his character. He meets Barreller who he discovers owes someone he's never met a considerable sum of money. Seeing an opportunity to make some fast money, O'Malley convinces hapless extra, Tom, to meet Barreller as the debt collector.

La Cage aux folles

La Cage aux Folles "The Cage of Madwomen") is a 1973 French farce by Jean Poiret centring on confusion that ensues when Laurent, the son of a Saint Tropez night club owner and his gay lover, brings his fiancée's ultraconservative parents for dinner.

Übü király

The Empty King created a mythical figure and a whole world from grotesque, archetypal images. The drama was originally conceived as a student tirade against a teacher at Jarry's school, the Lyceum of Rennes. This teacher, Hébert, was the target of public ridicule. In 1888, at the age of 15, Jarry wrote a puppet play about the exploits of the Woolly Tartar and staged it to the amusement of his friends. The figure of Übü is a crude, cruel caricature of the foolish, selfish bourgeoisie as seen through the unrelenting gaze of a schoolboy; but this Rabelaisian figure, in all his falstaffian greed and cowardice, is more than a mere social satire. It is a terrifying picture of man's animal nature, his evil and cruelty. The Katona József Theatre in Budapest premiered Jarry's play in 1984, and it ran continuously for more than 10 years.

GOLD. Der Film der Nibelungen

Hráči

A professional card player and swindler, Icharev, arrives in a small town with a plan to rip off some local jackdaw if possible. However, a trio of local, experienced swindlers have the same plan. They want to play cards with Icharev, but they immediately recognize each other's personalities. The fun continues, but the group regrets that they have no one to play with. There is a local landowner, Glov, but he avoids cards like the devil. And yet he is waiting for two hundred thousand rubles from the bank for the sold piece of land. Of course, the gentlemen will not miss their chance... A recording of a theatrical production by the Drama Club in Prague.

Gazdina roba

Gabriela Preissová wrote her two most famous dramas, Gazdina roba and Její pastorkyňa, when she was not yet thirty. Both were set to music and became famous. The first opera, entitled Eva, was written by J. B. Foerster, and the second by Leoš Janáček. The fame of Janáček's work greatly overshadowed the original. On the other hand, "Gazdina roba," the author's debut work, is still performed on Czech stages, regardless of the era. That is how powerful and impressive this drama is. The production by director Zdeněk Kaloč premiered at the Vinohrady Theater in May 1992. Dagmar Veškrnová endowed the title role of Eva the seamstress with warmth, temperament, pride, and tragic shadows.

Ženitba

A classic comedy about long-planned courtship and the fear of getting married once and for all performed by actors from Prague's Divadlo Na Jezerce theater.

Der Hauptmann von Köpenick

Each is dependent on the other. He breaks into the passport office to get a passport. He is surprised and ends up back in prison, where he is trained in military drill. After his release, he once again lodges with relatives, his sister and brother-in-law. Wearing a second-hand captain's uniform, he first takes over a guard unit and uses it to occupy Köpenick town hall, where all the employees of the town council submit to the supposed captain. The mayor is promoted to Berlin and Voigt presents himself to the authorities a few days later. At first, everyone present laughs at the prank, but then Voigt is made aware of the legal consequences. He is sent back to prison, but shortly afterwards he is pardoned by the Emperor.

By Fire

Anya is a wide-eyed uncorrupted understudy who has to replace the actress she idealises in the role of Medea, as she navigates within a morally distorted theatre company.

National Theatre Live: Angels In America — Part One: Millennium Approaches

The National Theatre's live theatrical production of Tony Kushner's two-part play 'Angels In America' about New Yorkers grappling with the AIDS crisis during the mid-1980s.

National Theatre Live: Angels In America — Part Two: Perestroika

America in the mid-1980s. In the midst of the AIDS crisis and a conservative Reagan administration, New Yorkers grapple with life and death, love and sex, heaven and hell. This new staging of Tony Kushner's multi-award winning two-part play, Angels In America: A Gay Fantasia On National Themes, is directed by Olivier and Tony award winning director Marianne Elliott.