The Great Game

La Meilleure Façon de tracer

Grisha

An up-close look into the life of the often misunderstood movie director Grigori Kromanov through the lens of old friends and colleagues.

La bisabuela tiene Alzheimer

A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.

Edward Said On Orientalism: "The Orient" Represented in Mass Media

Edward Said's book Orientalism has been profoundly influential in a diverse range of disciplines since its publication in 1978. In this engaging and lavishly illustrated interview he talks about the context within which the book was conceived, its main themes, and how its original thesis relates to the contemporary understanding of "the Orient" as represented in the mass media. "That's the power of the discourse of Orientalism. If you're thinking about people and Islam, and about that part of the world, those are the words you constantly have to use. To think past it, to go beyond it, not to use it, is virtually impossible, because there is no knowledge that isn't codified in this way about that part of the world." -Edward Said

A Place of Absence

This poetic film follows director Marialuisa's journey with Anita and Leticia, Central American women traveling with the Caravan of Mothers of Missing Migrants.

"Sr."

A portrait of the life and career of Robert Downey Sr. (1936-2021), the visionary and fearless US filmmaker — father of actor Robert Downey Jr. — who in the sixties and seventies laid the foundations for countercultural comedy.

Yurei (Ghosts)

The veiled story of Japanese diaspora in Mexico and the endurable impact of historic silence in its descendants is portrayed through testimonies and an exploration of landscape and choreography, questioning the formation and theatricality of individual and collective identity. When everything that's left of history are memories, how are invisible wounds healed? Yurei goes through different zones in Mexico towards an exploration of memory.

Cinema da nossa gente

Finding Carlos

Brayden Olson has spent his life wondering about the father he never knew. Armed with only a name, a faded photograph, and an improbable lead, he sets out across continents to uncover the mystery of Carlos. But as each revelation brings him closer to the truth, Brayden risks unraveling the life he’s always known — especially the bond with the mother who raised him alone. Raw, intimate, and deeply human, Finding Carlos explores identity, family, and the silent epidemic of fatherlessness.

Idak-Idak-Idak

Idak-Idak-Idak is a hybrid-documentary relating the stolen Lombok Treasures with the Sasak diaspora through three generations of women: a daughter, her mother, and her grandmother. Blending full-spectrum cinematography with personal footage, this film moves between Indonesia and the Netherlands to examine colonial legacies, displacement and healing the heart of home. In Sasak, "Idak" can be interpreted as both “heart” and “absence”, becoming a container for memory, loss, and the unseen layers of the self between generations.

¿Qué le vas a pedir a los Reyes?

Cintia is currently 30 years old. On January 6, 2022, she decided to publish on her social networks, a story she lived in her childhood. When she was 6 or 7 years old, she wrote an unusual letter to the Three Wise Men.

Paysans cinéastes

Farmers in the Île-de-France region, they filmed life on the farm, working in the fields, and family and village celebrations on 8 mm or Super 8 film. From the 1950s to the 1980s, these testimonies unfold a history of rural life: we move away from a peasant and family model to industrial agriculture for export. Through these family images, I attempt to answer my own questions about our agricultural future. In the 1950s, the land of Île-de-France fed us.

Raul Brandão was a Great Writer...

This film is an attempt to disclose if Raul Brandão has left any trace, in Nespereira, Gumarães.

The Place of Chimeras

An elegy about ‘José Ð Almeida’s life and work. Along an intimate metamorphosis, this dreamlike and visually expressive world created by the visionary and insane dreamer is recreated and performed between a symbiosis of moving image, photography and painting- in a scenic, dramatic, symbolic and mystical tone.

Sculpter la mémoire

Africa Light / Gray Zone

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Quem trocou as memórias de lugar

81.92

"A l likeness is a gift... it avoids... or confuses time if your prefer." said John Berger. Following this premise, 81.92 is a structuralist inquiry into the notion of presence and absence as it reveals archival radio broadcasts from former Montreal radio host Mike Wolkow. The former (the audible) is left invisible while the later (the visible) seeks to find the missing elements that trace the passage of this vocal presence. Past and present interplay in this piece that shifts between epochs, thus mimicking a radio signal that is being tuned in.

Aos de ontem, aos de sempre

Short film about racism.

Before Summer Ends

After five years studying in Paris, Arash has not adjusted to life there and has decided to return to Iran to live. Hoping to change his mind, his two friends Hossein and Ashkan convince him to take a last trip through France.