Opéra National de Paris: Meyerbeer's Les Huguenots

Strauss II: Die Fledermaus

Glyndebourne's pulsating new production of the Waltz King's much-loved comic operetta. Its story centers on a magnificent masked ball, given by a Russian prince, that brings together all the main characters in various disguises. The three-act journey from boudoir to ballroom to jail provides ample opportunities for farce and humor, but also for genuine human emotion and a surprisingly realistic view of urban life.

The Metropolitan Opera: Norma

Deep in a forest where druids and warriors seek revenge against the conquering Romans, Norma is scorned by the Roman proconsul Pollione, with whom she has two children. Her kindness turns to fury when she discovers that Pollione has taken Adalgisa, a novice priestess, as his new lover. When Pollione loses his high rank in the army and is offered as a sacrifice, Norma promises him freedom under one condition.

The Metropolitan Opera: The Exterminating Angel

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

The Metropolitan Opera: Tosca

Sir David McVicar’s bold new staging of Tosca, Puccini’s operatic thriller of Napoleonic Rome, thrilled Met audiences when it rang in the New Year in 2018. Only weeks later, the production was seen by opera lovers worldwide as part of the Met’s Live in HD series of cinema presentations. In this performance, Bulgarian soprano Sonya Yoncheva is the passionate title diva, opposite charismatic tenor Vittorio Grigolo as her lover, the idealistic painter Mario Cavaradossi. Baritone Željko Lučić is the menacing Baron Scarpia, the evil chief of police who employs brutal tactics to ensnare both criminals and sexual conquests. On the podium, Emmanuel Villaume conducts the electrifying score, which features some of Puccini’s most memorable melodies.

Marriage of Figaro

Shortly after WWII, the DEFA Studios produced a series of operas and operettas which belonged to the classical German musical heritage. This enchanting film, the very first opera production of DEFA, stands out because of its lavish decor and costumes, its outstanding actors and their masterful voices of that time.

Sternenhoch

Trapped in an abusive marriage, a wealthy German prince desperately seeks a way out. But what appears to be the road to salvation soon turns into a highway to hell. The universal language of music meets the international language of Esperanto in this debut opera by Ivan Acher. The carpenter, forest worker, designer and composer has cleverly blended electro-acoustic and contemporary music to breathe life into Ladislav Klíma’s expressionist novel, The Sufferings of Prince Sternenhoch.

Aria

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.

The Secret Lives of Dentists

An introspective dentist's suspicions about his wife's infidelity stresses his mental well being and family life to the breaking point.

Jenůfa

When a beautiful young woman in rural Moravia becomes unexpectedly pregnant, she learns that love is sometimes only skin-deep. Janáček took Gabriela Preissová's grim tale of infanticide and redemption, and condensed it into a masterful, spine-chilling drama. The tragic plight of the protagonists is presented with unsentimental realism that cannot help but trigger a response of deep compassion. Premiered at the National Theatre in the composer's hometown of Brno 115 years ago, the opera took him nine years to complete and is the first in which his distinctive voice can clearly be heard.

Intimate Apparel

Experience the story of seamstress Esther who begins writing to a mysterious suitor laboring on the Panama Canal. Featuring a libretto by Pulitzer Prize winner Lynn Nottage, this powerful opera is directed by Tony winner Bartlett Sher.

The Marriage of Figaro

This is a good video of "Figaro", but there are a couple of better ones available. The Bohm and the Pappano are better still due to the female members of the casts. The reason for buying this one is the "Figaro", Bryn Terfel. No one can top him today in that role. John Eliot Gardiner also stands out. Many of us have voiced their opinion that If the Metropolitan Opera would release it's 1998 version, that would be the one to get.

Puccini: Manon Lescaut

All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

The Magic Flute

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

The Metropolitan Opera: Roméo et Juliette

Diana Damrau and Vittorio Grigolo are opera’s classic lovers in Gounod’s lush Shakespeare adaptation. Director Bartlett Sher’s “brilliant and inspired new production … is a revelation” (Huffington Post), and has already won acclaim for its vivid 18th-century milieu and stunning costumes during runs at Salzburg and La Scala. Emmanuel Villaume conducts the sumptuous score.

Verdi: Nabucco

The legendary Plácido Domingo brings another new baritone role to the Met under the baton of his longtime collaborator James Levine. Liudmyla Monastyrska is Abigaille, the warrior woman determined to rule empires, and Jamie Barton is the heroic Fenena. Dmitri Belosselskiy is the stentorian voice of the oppressed Hebrew people.

Royal Opera House: Così fan tutte

Semyon Bychkov conducts a cast of young, up-and-coming talent including American soprano Corinne Winters in a new production of Mozart’s opera on the nature of love.

La hija de Rappaccini

Abesalom and Eteri

Prince Abesalom runs into an orphaned Eteri while hunting, falls for her and brings the woman to his palace as his fiancé. The Prince’s aid Murman loses his self-control at Eteri’s beauty and gives her a spelled necklace as a wedding gift. Eteri contracts a mysterious disease that only Murman is capable to heal.

The Metropolitan Opera: Don Giovanni

Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.

A Cossack Beyond the Danube

A Ukrainian comic opera with spoken dialogue in three acts with music and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.